Preview

Beyond Despair: the Drowned Woman in Victorian Literature and Art

Powerful Essays
Open Document
Open Document
5233 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Beyond Despair: the Drowned Woman in Victorian Literature and Art
Beyond Despair: The Drowned Woman in Victorian Literature and Art
The death of a beautiful woman is, unquestionably, the most poetical topic in the world ―Poe, “The Philosophy of Composition”

Suicide is often portrayed as the ultimate form of despair; an action relinquishing all hope of reconciliation or salvation. Yet it was a subject that fascinated Victorians. Indeed, Philippe Aires notes that the staging of death as an aesthetic event was a nineteenth-century invention (466). Often mentioned in passing but rarely explored is the larger Victorian preoccupation with women and death by drowning. The mixture of literary and visual representations of the drowned woman reached all strata of Victorian society and formed a cohesive iconographic system with which Victorian society, as a whole, could identify and to which it could respond. As T.J. Edelstein explains, an image, such as that of the drowned woman, could become "the embodiment of a Victorian mythology . . . one example of how a new iconographic vocabulary was established in the nineteenth century."1 Further, such classification is necessary, since "an immediately identifiable character or symbol helps to create a predicable response" (184). For example when William Scott Bell closes “Rosabell”2 with the lines And hearts as innocent as hers As blindly shall succeed, shall take Leap after leap into the dark, Blaspheming soul and sense at once, And every lamp on every street Shall light their wet feet down to death Victorian readers accept without explanation beyond the chronically of her slide into prostitution that the young woman commits suicide, drowning herself following a life of shame, nor do they doubt that many others “shall take / leap after leap into the dark” because of their transgression.
1 2

Edelstein here is speaking of any iconographic system, not the drowned woman in particular. “Rosabell” was revised and re-titled “Maryanne” before it was reprinted in Scott’s Autobiographical Notes.



Cited: Acton, William. Prostitution, Considered in Its Moral, Social, and Sanitary Aspects in London and Other Large Cities. London: Cass, 1972. Repr. of 2nd edn., 1870. Anderson, Olive. Suicide in Victorian and Edwardian England. Oxford: Clarendon Press, 1987. Aries, Philippe. L’homme devant la mort. Paris: Seuil, 1977. Auerbach, Nina. The Woman and the Demon: The Life of a Victorian Myth. Cambridge: Harvard UP, 1982. Bronfen, Elisabeth. “Fatal Conjunctions: Gendering Representations of Death.” Lacan, Politics, Aesthetics. Willy Apollon and Richard Feldstein, eds. Albany: SUNY Press, 1996. 237-60. ---. Over Her Dead Body: Death, Femininity and the Aesthetic. NY: Routledge, 1992. Casteras, Susan. The Substance or the Shadow: Images of Victorian Womanhood. New Haven: Yale Center for British Art, 1982. Chadwick, Whitney. Women, Art, and Society. London: Thames and Hudson, 1994. Dickens, Charles. The Adventures of Oliver Twist. NY: Oxford, 1987. ---. “The Chimes.” The Christmas Books. Vol. 1. Harmondsworth: Penguin, 1982. 142-266. ---. David Copperfield. NY: Oxford UP, 1983. Edelstein, T.J. “They Sang ‘The Song of the Shirt’: Visual Iconology of the Seamstress.” Victorian Studies 23.2 (Winter 1980): 183-210. Eliot, George. Mill on the Floss. NY: Houghton Mifflin, 2004. Ellis Havelock. Man and Woman. London: Walter Scott, 1894. Gallagher, Catherine. The Industrial Reformation of English Fiction, 1832-1867. Chicago: U Beyond Despair, page 17 of Chicago P, 1985. Gates, Barbara T. Victorian Suicide: Mad Crimes and Sad Histories. Princeton: Princeton UP, 1988. Hinton, Laura. The Perverse Gaze of Sympathy: Sadomasochistic Sentiments from Clarissa to Rescue 911. Albany: SUNY Press, 1999. Hodge, Robert, and Gunther Kress. Social Semiotics. Ithaca: Cornell UP, 1988. Hood, Thomas. “Bridge of Sighs.” Poetical Works. NY: Warne, n.d. 526-29. “J.P.H.” “All Her Own Fault.” London Journal 8 (19 August 1848): 380-81. Jebb, H.G. Out of the Depths: The Story of a Woman’s Life. NY: W.A. Townsend, 1860. Jerome, Jerome K. Three Men and a Boat. NY: Penguin, 1957. Jerrold, Walter. Thomas Hood: His Life and Times. NY: Greenwood Press, 1969. Lacan, Jacques. The Four Fundamental Concepts of Psycho-Analysis. Trans. Alan Sheridan. NY: W.W. Norton, 1981. Lecky, William E.H. History of European Morals. Third ed. NY: Appleton, 1884. Lewes, George Henry. “Suicide in Life and Literature.” Westminster Review (July 1857): 5278. Lister, Raymond. Victorian Narrative Paintings. London: Museum Press, 1966. Longer, Susanne K. Feeling and Form: A Theory of Art Developed from Philosophy in a New Key. NY: Scribners, 1953. Mackay, Charles. The Thames and its Tributaries; or Rambles Among the Rivers, vol. 1. London, 1840. Mitchell, Sally. Fallen Angel: Chastity, Class and Women’s Reading, 1835-1880. Bowling Green, KY: Bowling Green U Popular P, 1981. Beyond Despair, page 18 Mulvey, Laura. Visual and Other Pleasures: Theories of Representation and Difference. Bloomington: Indiana UP, 1989. Nead, Lynda. Myths of Sexuality: Representations of Women in Victorian Britain. Oxford: Basil Blackwell, 1988. Nord, Deborah Epstein. Walking the Victorian Streets: Women, Representation, and the City. Ithaca, Cornell UP, 1995. Nunn, Pamela Gerrish. Problem Pictures: Women and Men in Victorian Painting. London Scolar Press, 1995. Reynolds, Kimberly, and Nicola Humble. Victorian Heroines: Representations of Femininity in Nineteenth-Century Literature and Art. NY: New York UP, 1993. Richie, J. Ewing. Night Side of London. London, 1857. “Sad Sights from London Bridge.” London Journal 2 (25 October 1845): 109-11. Shaw, [George] Bernard. Mrs. Warren’s Profession. Complete Plays with Prefaces. Vol. III. NY: Dodd, Mead & Company, 1963. Showalter, Elaine. The Female Malady: Women, Madness, and English Culture, 1830-1980. NY: Penguin, 1985. Thackeray, William Makepeace. Roundabout Papers. Boston, 1883. Wood, Christopher. Victorian Panorama: Paintings of Victorian Life. London: Faber, 1976.

You May Also Find These Documents Helpful

  • Good Essays

    Mr Griffen Murphy

    • 651 Words
    • 3 Pages

    Victorian Britain was in almost all ways a period of oppression and exploration of women. Women in Britain during the Victorian age were seen largely as second class citizens in a so called “man’s worlds.” Women lacked the right to vote and the own property and inherit money once they were married, and where seen as the property of their husband to do almost anything that they so pleased. Though there are many reasons for why we can see that Victorian Britain was a time of exploration for women, in this essay the main points that will be focused on will be, women in the workplace, the role of women in marriage and the view that society had on women and their role within society. After looking at these points one will clearly see that Victorian Britain was a period of oppression and exploration of women.…

    • 651 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Andrew Lowe Research Paper

    • 1044 Words
    • 5 Pages

    The Victorians are known for their fascination with death. During the Victorian era (1837-1901) they took death very seriously, no expense was spared when arranging a proper funeral. During this time most American’s lives became restricted to the family. As the emotional focus of people narrowed to the immediate family, the significance of the final act expanded.…

    • 1044 Words
    • 5 Pages
    Powerful Essays
  • Good Essays

    M., & Gubar, S. (1979). Part VI. Strength in agony: Nineteenth-Century poetry by women. In The madwoman in the attic: The woman writer and the nineteenth-century literary imagination (pp. 564-575). New Haven: Yale University Press.…

    • 1316 Words
    • 6 Pages
    Good Essays
  • Good Essays

    Before you read this paper, keep in mind that the name “Poe” brings to mind the images of murderers and madmen, premature burials, and mysterious women who return from the dead.…

    • 805 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Prosodic Analysis

    • 876 Words
    • 4 Pages

    Charles Martin’s poem, “Victoria’s Secret,” presents a witty dichotomy between bedroom values in Victorian times and in the present. Martin first paints for his readers a picture of women’s sexuality in the Victorian times: Women were to lie perfectly flat when their husbands were “getting it off on them” (line 2). They were even urged to imagine themselves doing something fun during the process, like buying a new hat. This humorous depiction of men’s callous disregard for women in Victorian sex is contrasted by Martin’s description of modern sex, of Victoria Secret models traipsing along in their lingerie, showing off their “fullbreasted,” “airbrushed” bodies, baring their sexuality for all to see. But through this juxtaposition of time eras and strong correlation between content and form, Martin unearths an insightful question: Are women sexually liberated? Martin masterfully employs the prosodic tools of meter, metrical substitutions, rhyme, and an implied metaphor to to guide his readers to reevaluate the veracity of our “sexual liberation.”…

    • 876 Words
    • 4 Pages
    Good Essays
  • Good Essays

    The Victorian Age, a time that is commonly known throughout history for its stoicism of dress for women and men. The women and men of the Victorian age all dressed in ways that covered their entire bodies. The men wore suits, while the women wore dresses that were extremely modest. However, in the movie The Young Victoria the director chose to have the men were dressing in what would be considered proper Victorian standards for men. However, Queen Victoria and the women of Royalty dresses in ball gowns that revealed a significant amount of skin, while the servants and lesser class also dressed in proper Victorian garb. This paper will look at the significance of the costume choices for women, and the possible reasons for why the director chose…

    • 620 Words
    • 3 Pages
    Good Essays
  • Better Essays

    The Awakening Essay

    • 935 Words
    • 1 Page

    constructs for victorian women to abide by and conveys a feeling of entrapment to the…

    • 935 Words
    • 1 Page
    Better Essays
  • Better Essays

    The prevalence and description of death and deathbed scenes and its importance as a plot device is omnipresent to nineteenth-century literature. Death was everywhere and mortality rates were high, especially in children, not all parents expected their children to survive their early years (Da Sousa Correa, p.10). Additionally, maternal death rates were high with women dying, often leaving the baby, and other children in the family with a widowed husband. Thus, authors often used the death of a child to stress the importance of innocence and the value of childhood; the author often expressing the sole reason of a child dying was that they would pass to a better world. For example, nineteenth-century England was in the midst of social and economic…

    • 3057 Words
    • 13 Pages
    Better Essays
  • Good Essays

    Ever wonder what it was like to live in the Victorian era? Was it romantic, luxurious, and utopian, or was it wicked, corrupt, and polluted? Ever since the 19th century, innumerable authors have tried to capture the perfect interpretation of the Victorian era. Whether they idealized or denigrated it, they all provided insight on what Victorian life was like. In the novel Great Expectations, Charles Dickens effectively uses social commentary to address Victorian London’s economic disparity between the upper and lower classes, the flaws in the criminal justice system, and the terrible living conditions.…

    • 698 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Porphyria's Lover

    • 956 Words
    • 4 Pages

    The study of the Victorian era has informed my appreciation of previous social and literary contexts, as it reveals that texts do not exist in a vacuum, instead they are composed within very specific social, cultural and political contexts and as such their composers use the texts to both reflect and subvert the dominant values of the time. The Victorian era, ranging from 1837 until 1901,was a phase that put a particular emphasis of being refinement, propriety, politeness and sexual prudishness and texts composed during this era reflect such…

    • 956 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Audrey Beardsley

    • 877 Words
    • 4 Pages

    The illustrator Audrey Beardsley was representative of Art Nouveau in England, and as such is partially responsible for it’s failure. “Art Nouveau was closely associated with Aestheticism and literary Decadence” (Greenhalgh, 2000b, 145) and Beardsley’s evocative imagery furthered the sensation of “active immorality” (Greenhalgh, 2000b, 145). J’ai baise ta bouche Iokanaan (figure 9), an illustration for Oscar Wilde’s Salome, depicts the morbid yet beautiful image of Salome kissing the severed head of John the Baptist (The Victoria and Albert Museum, 2012). This portrayal corresponds with increased cultural prominence on the changing position and role of women within society. During this time period the idea of the “New Woman”…

    • 877 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Death is a very subjective topic and in the poem “The Last Night She Lived”, by Emily Dickinson the speaker reveals attitudes of realization and melancholy towards the woman’s death. These attitudes are revealed through the author’s use of figurative language, tone and diction. Throughout the woman’s death process the speaker comes to a great realization, becoming more aware of herself and her surroundings. According to the speaker the night was a “common night,” but the woman’s death “Made Nature different” and that "smallest things", once overlooked, were now very apparent. The speaker uses words like realized, overlooked, minds, and italicized to emphasize the great realization of life she is experiencing through the woman’s death.…

    • 454 Words
    • 2 Pages
    Good Essays
  • Good Essays

    The Victorian age is considered to be one of the most prudent ages throughout of history. It is mainly based on your appearance. This means that the most important thing back then was to present as much as perfect as you can. It is crucial for them to be very appreciated by other people. This age can be described as very hypocrite because no one is perfect so lying and pretending in order to present as a “saint” is absurd but in that age it meant everything. This essay will discuss the role of women in that age compared with this age. It will also show the vanity and insecurity of women and try to explain if that really remained even for today.…

    • 1077 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Thomas Gray's charming way of assembling words together offers the reader a subtle insight on the woman's role or "place" during the Victorian era. The woman's role consisted of childbearing, and basic domestic duties. It is clear that women were not allowed the freedom men were, not even a fraction of it. Gray delicately points out certain restrictions for women, in Ode on the Death of a Favorite Cat, and why these limitations exist.…

    • 565 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    Lewis Carroll

    • 1530 Words
    • 7 Pages

    Lewis Carroll is one of the most well known Nonsense Writers. Though using nonsense in poetry has been dismissed as simply "for entertainment purposes", most nonsensical poetry acts as an allegory, has deep symbolism and leaves the door wide open for varying interpretations. Lewis Carroll has utilized this sense with nonsense through his poems and prose found in his novels Alice in Wonderland and Through the Looking-Glass . Through Carroll 's interactions with his close friends and family, and the innovative and eccentric society and politics of the Victorian Era, he has created beautiful poetry with many different levels.…

    • 1530 Words
    • 7 Pages
    Powerful Essays