Bebop Research Paper

Over the years jazz music has gone through many musical evolutions throughout its history. At its height in the 20s and through the 40s, jazz big bands were one of the most popular forms of musical entertainment in America. After World War II, there seem to be a shift within the jazz community as more and more jazz musician broke away from the big band genre. Many of them created smaller more intimate groups that wanted to put more of an emphasis on solo improvisation, instrumental virtuosity, and complex chord progressions. This new genre would become known as Bebop through innovators such as Dizzy Gillespie, Thelonious Monk, Charlie Parker and others. The Bebop era was develop Harlem, New York the center of African American culture during this time. According to Andre Hodeir he stated, “They superimposed on the harmonic structure of standard songs melodic themes closer to the spirit of jazz improvisations, creating a new repertory. The improvisation became more searching than hitherto, and the speed of harmonic, rhythmic and melodic motion led to
This tune features Trumbauer on the (C-melody saxophone), Walter Zurawski (trumpet), Herb Carlin (trumpet), Art Weiss (trombone), Stuart Williams (reeds), Marvin Thatcher (tenor sax), Myron Fischer (violin), Don Bestor (piano), Joseph Miller (banjo), Pierre Olker (tuba), George Brommerberg (drums) and composed by Norman Jay Harvey. As reviewed by Ted Gioia, “Trumbauer stretches out for a full chorus solo on his C-melody sax, and his mixture of melodicism and light swing was different from the hotter styles of New Orleans jazz then sweeping the nation .” Trumbauer most well-known student was Lester Young who in his own right became a pioneer within the Cool Jazz idiom. Young memorized Trumbauer solos from this tune among others and because of this we can see how the legacy of Cool Jazz of the 20s began to