Basquiat did not have an easy life, he had many problems …show more content…
In 1977, at the age of 17, Basquiat began trawling the streets of lower Manhattan with his friend Al Diaz. They spray-painted graffiti on derelict, rundown tenement buildings in lower Manhattan and signed their work with the initials “SAMO”, or “SAMO shit” (“same old shit”). SAMO earned him notoriety and a certain amount of fame, when Basquiat and Diaz friendship ended, the SAMO project ended with epitaph “SAMO IS DEAD”, inscribed on the walls of SoHo …show more content…
Basquiat had his first solo exhibition at the Annina Nosei Gallery, in SoHo (1982). The exhibition was a great success, Basquiat’ s rise to wider recognition coincided with the arrival, in New York, of the German Neo-Expressionist movement, which provided a congenial forum for his own street-smart, curbside expressionism. One only needs to look at Basquiat artwork to understand how his surroundings life experiences, cultural differences, cultural identity, race, and influence his