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Baroque Music: 1600-1750

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Baroque Music: 1600-1750
Baroque Music (ca. 1600-­‐1750) IV!

DEADLINE TODAY!

DEADLINE TODAY!

Henry Purcell. “When I am laid” from Dido and Aeneas. (also known as Dido’s Lament)(1689) hDp://www.youtube.com/watch?v=kEaLviMEJls&feature=related (starRng 1:00) Listen:  Ground bass -­‐ repeaRng bass line used throughout a work, oUen with a disRnct rhythmic paDern (in this case short-­‐ long)   

Think back to basso con:nuo/con:nuo Gives this work a strong sense of meter Chroma:c scale -­‐ a scale built enRrely of half-­‐steps • Aimless

Let’s review… CIRCLE OF FIFTHS

Parallel Minor/Major Scales Minor and major scales that share the same tonal center For ex. c minor is the parallel minor of C Major

CIRCLE OF FIFTHS!

RelaRve Minor/Major Scales Minor and major scales that share the same key signature (number of sharps and flats) For ex. a minor is the relaRve minor of C Major

CIRCLE OF FIFTHS!

Baroque Music (ca. 1600-­‐1750) IV!

Instrumental Music!
Tended
to be more polyphonic  No text, but sRll use musical idioms of

dramaRc music  Harpsichord h?p://www.youtube.com/watch?v=VxzY3tFTz9k  Early form of the piano  Strings were plucked rather than struck  Smaller range than modern piano  Dynamic changes harder to achieve  Organ

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