According to literary theorist Joseph Campbell, an archetypal or mythological hero is one who "...sets forth from his commonday hut or castle and is lured, carried away, or else voluntarily proceeds, to the threshold of adventure. Beyond the threshold, then, the hero journeys through a world of unfamiliar yet strangely intimate forces, some of which severely threaten him (tests), some of which give magical aid (helpers). When he arrives at the nadir of the mythological round, he undergoes a supreme ordeal and gains his reward. The triumph may be represented as the hero’s sexual union with the goddess-mother of the world (sacred marriage), his recognition by the father-creator (father atonement), his own divinization (apotheosis), or again – if the powers have remained unfriendly to him – his theft of the boon he came to gain (bride-theft, fire-theft); intrinsically it is an expansion of consciousness and therewith of being (illumination, transfiguration, freedom). The final work is that of the return. If the powers have blessed the hero, he now sets forth under their protection (emissary); if not, he flees and is pursued (transformation flight, obstacle flight). At the return threshold the transcendental powers must remain behind; the hero re-emerges from the kingdom of dread (return, resurrection). The boon that he brings restores the world …show more content…
The particular tale describing his encounter with the Cyclops, then, presents Polyphemus as an example of a severely threatening force that tests Odysseus and forces him to utilize his heroic traits in order to overcome an intimidating obstacle. Odysseus' well-executed escape from Polyphemus' cave in the guise of a sheep is an example of two of Odysseus’ often epithetically referenced characteristics, namely his cunning and his industriousness. An audience could be expected to be impressed by this display of heroic guile and