Preview

Analysis Of Clair Wills Reading Paul Muldoon

Powerful Essays
Open Document
Open Document
988 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Analysis Of Clair Wills Reading Paul Muldoon
Literary critic Antony Harrison proposes that the reality of the text is conceptual. Such proposition allows for a multiplicity of interpretations or “a free play of ideas” (380) on the part of the reader. In this respect, readers underline certain linguistic devices, which are used by the author, that appeal the most to them and interpret their development throughout the reading process. On a similar note, Greenblatt posits that “the work of art is itself the product of a set of manipulations, some of them our own …many others undertaken in the construction of the original work” (The Greenblatt Reader 27-28). It could be inferred thus that a work of art emerges from the dialectics of negotiation and exchange between the author and the different …show more content…
However, both works give a “thorough assessment of a significant poet” (Holdridge 4) and both writers illustrate the “complexities” (Holdridge 1) readers confront in his poetry. Kendall believes that Muldoon’s poetry reveals certain difficulties though his poetic technique manipulates readers and reassures them that all is well, which provokes bewilderment in them. Muldoon exclaims, “part of writing is about manipulation – leaving [readers] high and dry, in some corner of a terrible party, where I’ve nipped out through the bathroom window” (Wills, Jenkins and Lanchester 19-20). Muldoon’s poetry is thus double-edged as it always deceives readers by its apparent “sense of smoothness and readability, only to proceed to discomfort, provoke, confuse, and fascinate” (Broom 205). It “often seems intentionally obscure” and its highly accomplished style is often “bewildering” (Holdridge …show more content…
Poets seek to be regarded as no less important than any of these since the “public health of the nation would suffer if poets didn’t resist the insidious impulse of others to use language to their own ends.” Poets should have a responsibility towards language: making it clear not obscure and getting rid of the “garbage” wherever it may be “in the advertising slogan, the newspaper article, the politician’s speech, the preacher’s sermon”

You May Also Find These Documents Helpful

  • Good Essays

    Bruce Dawe Essay

    • 755 Words
    • 4 Pages

    There are many different ways for poets to get a message across to an audience about the impact of the media on modern society.…

    • 755 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Literature has long been difficult to understand, an author’s use of rhetoric can be analyzed to have many different significances as well as meanings. Poetry is particularly difficult to analyze, thus many writers and critics have created their own arguments for the meaning of different pieces. As literary critics and scholars ourselves, we in this English 100W class must determine what arguments we find valid, and which arguments give us deeper insight on pieces that we read and study.…

    • 937 Words
    • 4 Pages
    Good Essays
  • Better Essays

    They say, “Reading or interpretation is not primarily a matter of forming or reinforcing personal opinions but rather a process of negotiation among contexts.” In other words, interpretation in literary works is not primarily delegated to defending a position. Neither the positions taken by the author, the positions of the participant, nor the context of these positions, should not be ignored. Instead, readings and interpretation should serve as a vehicle to create dialogue and compromise between multiple…

    • 1067 Words
    • 5 Pages
    Better Essays
  • Powerful Essays

    ‘From work to text’ by Rolland Barthes gives an initiative to look at a piece of writing, photograph, literature piece, painting, sculpture et cetera from a different way, in which the piece is analyzed as a work and as a text. Simply to state, something is ‘a work’ if it is concrete and occupies some space in book (in a library for an instance). It is a finished and countable object. And a text on the other hand is a “methodological field, which is only experienced only when working on it, in production.” A work is believed to contain number of meanings hidden on it, which are found on being read. So texts remain inside the works and diverse readers get to perceive it in diverse circumstances.…

    • 1600 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    The speaker’s role in a poet’s expression and engagement of readers is essential. It influences a story’s direction, the emotions invoked in the reader, and how themes are shaped into ideas.…

    • 824 Words
    • 4 Pages
    Good Essays
  • Good Essays

    He contends, “Painters whose work explores conceptual issues that seek to open a dialectical exchange tend to do their artistic thinking in a language as this best describes the interactions that occur as relationships are found and formed among artists, artworks, and viewers”…

    • 1141 Words
    • 5 Pages
    Good Essays
  • Good Essays

    The speaker can be the most important aspect of a poem. The speaker allows for a more active voice in the poem, and can often serve as a mouthpiece to communicate the ideas of the poet to an audience. Much like an actor, the speaker can tell or act out a first-hand account of what occurs. The speaker is also a voice that can provide another perspective. With evidence from "Dulce et Decorum Est," "A Man Who Had Fallen Among Thieves," and "The Man He Killed," this essay will highlight the similarities and differences of a speaker to help establish the definition of a speaker. It will be shown how speakers serve a variety of roles in poetry, and can help readers gain a better understanding of universal issues.…

    • 1607 Words
    • 7 Pages
    Good Essays
  • Powerful Essays

    Cowes Homework

    • 1568 Words
    • 5 Pages

    The world of the director, the world of the text and the world of the reader combine together to help provide meaning when we read or view texts. To develop an ‘interpretation’ we need to understand these three elements.…

    • 1568 Words
    • 5 Pages
    Powerful Essays
  • Good Essays

    Fall comes around, the leaves begin to fall, and students begin to study poetry. They sit and wonder, “Why does poetry matter?”, they protest against their teachers’ choice to focus so much on poetry. But, poems have the ability to help many people if they're looked at for more than just the rhyming of fancy words. In the essays Blasphemy and Earning Our Laurel Leaves the authors, Martin Espada and Sandra Beasley, write about the power that poetry ultimately has. Although poetry is beneficial to readers, it’s also valuable to writers. The power gives to a writer can be simply illustrated by the poem Severely Queer by Lucas Mathieu D. Poetry matters because it can both allow readers to find comfort in difficult situations, and allow writers to express…

    • 531 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Jan R. Veenstra, in his examination of new historicism, draws upon Greenblatt and his “poetics of culture,” which determines the strong relationship between literary and historical texts and their socio-historical contexts. Greenblatt’s cultural poetics fosters the concept that texts are not merely a documentation of the social and political forces that make up history and society, but they also contribute remarkably to the social processes that refigure individual identity and the socio-political, historical situation (174). Veenstra maintains that Greenblatt’s “economic metaphor” enables texts and their symbolic significance to prevail in society insofar as the texts’ literary devices reflect the social energy circulating in other texts that speak of the same subject matter. He further elaborates that Greenblatt’s ideas on the nature of the text leads to a new method of interpretation, which foregrounds the socio-historical context that informs the text and gives it the tools by which it acquires new meanings. Accordingly, Veenstra asserts that with reference to Greenblatt, poetry and history are “forms of poesies, a creative force that pervades all domains of human activity” (176) which needs to be closely examined. Veenstra, in this regard, defines the text as “a human-made object” that “is radically informed by all the forces that condition and shape our societies and histories” (177).…

    • 603 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    the author’s use of literary devices to contribute to the richness of textual meaning; and to control the…

    • 1184 Words
    • 5 Pages
    Satisfactory Essays
  • Satisfactory Essays

    6) “Most professional students of literature learn to take in the foreground detail while seeing the detail reveals. Like the symbolic imagination, this is a function of being able to distance oneself from the story, to look beyond the purely affective level of plot, drama, characters. Experience has proved to them that life and books fall into similar patterns. Nor is this skill exclusive to English professors.” pg.4…

    • 588 Words
    • 3 Pages
    Satisfactory Essays
  • Better Essays

    Master novelists craft their texts in such a way that style supports subject matter. In a passage from the beginning of Chapter XX in the novel Howards End by E.M. Forster, it is clear, due to Forster’s use of rhetorical strategies, that the power of love is underestimated. Forster uses diction, syntax, and tone to illustrate this concept of love.…

    • 881 Words
    • 4 Pages
    Better Essays
  • Good Essays

    The Metafictional Paradox

    • 1260 Words
    • 6 Pages

    Linda Hutcheon, Narcissistic Narratiue: The Metafictional Paradox. Methuen, London, 1984. 162 pp. Metafiction is now recognized as the designation of a kind of fiction - beginning to proliferate in the 1960s - that turns its attention on its own narrative andlor linguistic identity. Too often, critics have one-sidedly labeled it as an example of the anti-novel, a reaction against the teleological realistic tradition. Its self-reflectiveness has also been denigrated as a sign of exhaustion for the novel genre: no new fields seem left to develop and therefore it has turned inward upon itself. Some critics would argue that in metafiction the life-art connection has been severed or even denied, that the narcissism is a nihilistic exposure of previous illusions about a correlation between literary language and reality. Patricia Waugh's and Linda Hutcheon's books represent two recent contributions towards a revaluation of metafictional self-consciousness. Both suggest that there is no basic contradiction betwen auto-representational art and life. Fiction is not an aberration, for reality itself is a "book" circumscribed by culture and ideological concepts. In light of the theories of Derrida and associate poststructuralists, the mind is as much a product of language as a producer of language. Composing a novel becomes little different from construing one's 'reality7. Choosing this point of departure, Patricia Waugh points out the valuable prospects which metafiction opens up. Through parody and inversion of conventional patterns, the novel resists interpretative closure and displays its condition of artifice. It turns the focus on the very processes by which cultural codes of perception induce semblances of reality. In this way, it most fundamentally explores the entangled relationship between life and fiction. If it is true that our knowledge of the…

    • 1260 Words
    • 6 Pages
    Good Essays
  • Good Essays

    Four Meetings

    • 1216 Words
    • 5 Pages

    In stark contrast to Dickens’, Henry James writing style captures not the imagination of the reader inasmuch as the reader’s own personal experiences and reality. It is this reality that James makes use of in order to draw in the reader. This writing style can best be depicted as literary literalism. His fine grasp of the human mind allows him to explore the psyche of his characters in a deep and profound way. The vivid descriptions he paints are not brought to life so much with adjectives as with actions and thought processes. Personally, I consider this style of writing all the more engaging and enjoyable. Chapter three in particular of The Four Meetings and through much of Pension Beaurepas, James writing captivates the reader, allowing him to truly experience the workings of the narrator’s mind.…

    • 1216 Words
    • 5 Pages
    Good Essays