Marshalls, without a moment 's notice I am thrown into an ambulance that is being shared by 3 victims and taken to St Vincent 's hospital, where I am bandaged up and put on painkillers while a volunteer nurse cleans and disinfects my wounds. I pass out and wake up hours later by another nurse who tells me the bed needs to be used by another victim. I am told to go to the lobby which is filled with injured men, women, and children. Everyone is in shock, everyone with the same glazed eyes, everyone silent. There is once same focus, the television mounted to the corner of the room tuned to wb11. Kaity Tong is on the screen, with a background of a gigantic cloud of smog. The title underneath her waist reads "America Under Attack" in bold red letters. I come to the realization that the cloud of smoke was once the building I worked in. My office, which I spent late nights working at the same wooden desk with my name on the 7 inch desk plate, was now gone. The company that I have given 17 years to, was now
Marshalls, without a moment 's notice I am thrown into an ambulance that is being shared by 3 victims and taken to St Vincent 's hospital, where I am bandaged up and put on painkillers while a volunteer nurse cleans and disinfects my wounds. I pass out and wake up hours later by another nurse who tells me the bed needs to be used by another victim. I am told to go to the lobby which is filled with injured men, women, and children. Everyone is in shock, everyone with the same glazed eyes, everyone silent. There is once same focus, the television mounted to the corner of the room tuned to wb11. Kaity Tong is on the screen, with a background of a gigantic cloud of smog. The title underneath her waist reads "America Under Attack" in bold red letters. I come to the realization that the cloud of smoke was once the building I worked in. My office, which I spent late nights working at the same wooden desk with my name on the 7 inch desk plate, was now gone. The company that I have given 17 years to, was now