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    Abstract Thomas Stern Eliot (1888-1965) is one of the important poets and the most influential critics of English literature. He attempts to re-educate his readers through the use of languages and various other techniques. Many differences in interpretation exist for Eliot’s complex poetry. In this discussion I shall be examining Eliots use of a range of linguistic devices. The discussion will focus on how T. S. Eliot employs the medium of language to parallel and reflect his observation of the

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    The Waste Land

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    The Waste Land: T. S. Eliot’s Journey of Realization and Revelation Cara Williams Course: English 122 Honors Instructor: Dr. James Walter Essay Type: Literary Analysis The Waste Land‚ by T. S. Eliot‚ appeared at a time when European society was not quite sure what to do with itself. Europe had just emerged from World War I‚ a war which had traumatized the continent and its society. Many felt the world was chaotic and inhumane. A sense of disillusionment and cynicism became pronounced and nihilism1

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    In Sylvia Plath’s "The Arrival of the Bee Box" and T. S. Eliot’s "The Love Song of J. Alfred Prufrock" both speakers are burdened by great mental anguish caused by their feeling of insignificance and powerlessness in the world. They both fear and accept the prospect of death‚ while acknowledging life as its opposite. These are the two sides of the human experience. Through an internal monologue‚ Prufrock explores his feeling of uselessness and displacement in society‚ while in "The Arrival of the

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    The four great Modernists Poets of American Literature are Ezra Pound‚ T. S. Elliot‚ Robert Frost‚ and William Carlos Williams. The works of Pound‚ whose poetry focused mainly on the desolate state of the modern world‚ influenced by the poems of the other three poets. Elliot‚ too‚ made the ruin of the world his primary theme Frost whose topics ranged from nature to narratives‚ wrote his poetry in a somewhat light manner‚ or with a cool‚ neutral outlook. Williams‚ although not prone to sentimentalism

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    The Allusions in T. S. Eliot’s The Waste Land The Waste Land is an important poem. It has something important to say and it should have an important effect on the reader. But it is not easy. In Eliot’s own words: "We can say that it appears likely that poets in our civilization as it exists at present‚ must be difficult. Our civilization comprehends great variety and complexity‚ and this variety and complexity‚ playing upon a refined sensibility‚ must produce various and complex results. The

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    Rabindranath Tagore

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    Aatmya S. Talati Prof. Mary Helen O’Connor ENGL 2112 Rabindranath Tagore The first Asian Nobel Prize winner for Literature‚ a cultural hero‚ and an international figure‚ Rabindranath Tagore was born on 7th May 1861 in Calcutta‚ India. Tagore speaks to an optimistic assortment of the ripened Indian custom and the new European awareness. Globally‚ Gitanjali is Tagore ’s best-known accumulation of poetry and Tagore was granted the Nobel Prize in 1913 for his book "Gitanjali"‚ which contains the essence

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    Song of J. Alfred Prufrock and Eliot’s poetry as a whole? There are several aspects of the university lecture on T. S Eliot’s poetry that support my personal interpretation of The Love Song of J. Alfred Prufrock‚ Rhapsody on a Windy Night and Eliot’s poetry in general. My interpretation of Prufrock‚ Rhapsody and Eliot’s poetry is that this medium of expression is a way for Eliot to communicate his own personal feelings regarding his personal life and social context. This explains why his poetry

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    ‚ T.S. Eliot appeared on the scene of 20th century English poetry as a wonderful innovator with these lines of his The Love-song of J. Alfred Prufrock on the pages of the Poetry magazine in 1915: “Let us go‚ then‚ you and I When the evening is spread out against the sky Like a patient etherized upon a table". These lines immediately revolutionized the intellectual climate of English poetry. Eliot initiated a new brand of poetry of the city‚ poetry essentially cerebral‚ impersonal‚ predominantly

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    In his 1923 essay “Ulysses‚ Order and Myth‚” T. S. Eliot predicated that rather than the narrative style of poetry popularized by poets of the Romantic era‚ poets of the twentieth-century would instead employ James Joyce’s “mythical method‚” a technique characteristic of heavy mythological‚ historical‚ and literary allusions used to create a “continuous parallel between contemporaneity and antiquity” (177). Doing so allowed a poem to reach a new universal level of significance regardless of era‚

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    T.S. Eliot was a literary and social critic‚ play writer‚ and publisher. The poem that made him well known was called “The Love Song of J. Alfred Prufrock”. It was started in 1910‚ and was finally published in 1915. When poems are written‚ they typically reflect the emotional state that the author is in at the time. Due to the tone of “The Love Song of J. Alfred Prufrock”‚ the reader can interpret that T.S. Eliot may have been in a dark stage of his life. As every author has his or her own form

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