In one scene of the movie‚ where Zeenat searches Meeara‚ a photograph was shown‚ where the jewelry worn by Meera suggests that she is from a particular clan of ‘Rajput’‚ the most respected and the higher caste of Rajasthan‚ that the girl belongs to the ‘Agnibanshi’‚ other observation about that particular clan is the colorful ‘pagri’ (a kind of turban) worn by husband of Meera. So‚ the colorful traditional cloths
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“PINEAPPLE PEELINGS AS A DISHWASHING AGENT” Researchers: John Andrei Bacorro Roi Rencel Egypto Sunder Singh Rajput INTRODUCTION Background of the Study Pineapple (Ananas comosus) is a fruit which was classified as a ripe and unripe. This was usually grown in a place where temperature and the weather are cold. This is abundant in the Philippines particularly in Bukidnon (Camp Philips Area) and this can be brought in the grocery or in the market. This
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Degree of B.Sc. (H) Computer Science Submitted by: Priya Sachan (12/1000) Namita Rajput(12/0000) INDRAPRASTHA COLLEGE FOR WOMEN INDRAPRASTHA COLLEGE FOR
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HISTORY OF THE MOGHUL EMPIRE Babur in Kabul: 1504-1525 Babur‚ founder of the Moghul dynasty in India‚ is one of history’s more endearing conquerors. In his youth he is one among many impoverished princes‚ all descended from Timur‚ who fight among themselves for possession of some small part of the great man’s fragmented empire. Babur even captures Samarkand itself on three separate occasions‚ each for only a few months. The first time he achieves this he is only fourteen. What distinguishes
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Boyar=Mudiraj=Nayakar=Nayak=Naidu=Boya=Bhill=Valmiki=Rajput=Panwar =Talari=Besta=Bedar=Koli=Kirat=Ahir=Mahar=Muthuraja=Rajus=Koya=Bhoja= Bhoi=Gangawar=Gangaputra=Dorabidda=Pandu=Oddar=Vedar=Vettuvar= Vettaikarar=Patel=Pawar=Chola=Pandiya=Chera=Pallava=Dev=kannadiya nayakan=nayakkan=Panwar=Palayakarar=palegar=Kajal=Balija=Kample=Vettuva Gounder=Kannadia Okkaliga Gowder=Gawara=Chouhan=Parihar=Chalukkya= Kahar=Kohli=Bhil=Aryar [pic]Sri Valmiki Sage‚ Author of Ramayanam
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loyalty and devotion for her husband‚ to “uphold the honor of her husband” (http://en. wikipedia.org/wiki/Sati_(goddess) ). Out of this developed the practice of “Sati”. Jauhar – Jahuar is in a way similar to Sari and was widespread in the ancient Rajput societies. It was a ”mass suicide”. “While their husbands went to perform Saka‚ […] all
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present Public Durbar Hall wing was also added much later around 1940. ------------------------------------------------- Architecture The architectural style of the palace is commonly described as Indo-Saracenic‚ and blends together Hindu‚ Muslim‚ Rajput‚ and Gothic styles of architecture. It is a three-storied stone structure‚ with marble domes and a 145 ft five-storied tower. The palace is surrounded by a large garden. The three storied stone building of fine gray granite with deep pink marble
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It felt so small… so ordinary… that anyone could have aspired for it. Indeed many of his nobles and Rajput kings had within their realm buildings far more beautiful and grand than Itmauddallah’s tomb. On the other hand‚ his Taj Mahal was to be way beyond the ordinary. Infact‚ it aspired to be beyond any human endeavour. Undoubtedly it would be grand
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sensitive an issue and cannot be soft pedaled any more in view of our traditional value‚ com cultural heritage and secular character of our state. For the sake of maintaining communal harmony‚ Akbar the started a new religion Din-e-Iiahi. He made a Rajput lady his wife gave equal respect is Hindu religion. During the time of Bahadur Zafar‚ the last king of Mugal dynasty‚ a function‚ Foolwalon-ki-Sai: used to be organized regularly in Delhi‚ were people of both the religion worshipped in temples and
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The Ugly Kashmiri (Cameos in exile)‚ New Delhi: Allied Publishers‚ Pages 186 Price Rs.250/- Reviewed by Dr Kalpna Rajput. The Ugly Kashmiri (Cameos in exile) written by Arvind Gigoo is a unique book because on hundred and eighty cameos (short literary sketches) describe in condensed brevity the history‚ politics‚ sociology and psychology of the Kashmiri Muslims and Kashmiri Pandits. It is for the first time in Indian writing in English that one literary piece printed on a full page presents
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