Introduction- The relevance of Shakespeare and many other writers and artists who worked in previous eras is relevant to modern society . Many people argue that the enduring popularity of Shakespeare is a testimony to his relevance‚ and that additionally‚ he has made major contributions not only to the English language‚ but to the way in which people think and behave. Shakespeare has quite literally shaped society in many ways. From the linguistic point of view‚ it has definitely affected the
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Romeo changes throughout the play as he is constantly maturing. In the beginning he was an immature boy who thought he loved a girl called Rosaline‚ but was mournful when he found out the feeling wasn’t mutual. He sat under a tree “adding to clouds more clouds with his sighs”; he locked himself in his room and made himself an “artificial night”. It is only when Benvolio‚ Romeo’s cousin‚ asks him to attend the Capulet ball‚ so he may compare Rosaline’s beauty with others to make “thy swan a crow”
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jobs despite Curley’s threats over meaningless matters. For instance he asks the ranch workers where his wife is or if they have seen his wife‚ but backs down if someone actually stands up to him and challenges him. And now back to the question of how Steinbeck conveys Curley in the fight scene‚ Lennie is large and is unable to protect himself which makes him the potential candidate of Curley’s bullying‚ we know Curley has a bone to pick with big guys but the writer doesn’t give us much background
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primitive and uncivilized. In the novel Lord of the Flies written by William Golding‚ a group of boys end up on an island after a plane crash. The boys quickly begin to organize their own civilization that works for only a bit. Golding shows us his idea of how savage humans can go without authority from law‚ adults‚ punishment and order in a society. The society will quickly break down. Once they start to become savages everything falls. In Lord of the Flies‚ William Golding applies savagery to shape the
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How does Shakespeare use linguistic and dramatic devices to introduce the character of Hamlet in Act 1? Hamlet is first introduced in Act 1Scene 2 by Claudius; “But now my cousin Hamlet‚ and my son - ” There is the use of a dramatic hyphen which emphasises the significance of the entrance of Hamlet‚ as well as the use of a paraprosdokian sentence which surprises the audience and potentially causes them to try and reinterpret what has been said. Claudius’ sentence could also be interpreted as a
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She is judgmental of him due to his mistakes and she has a complicated time letting go. As the story progresses‚ so does she. Elizabeth begins to deliberately let go of her disappointment and
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“Sonnet 83” by William Shakespeare conveys the indescribable beauty of a person using punctuation‚ imagery‚ and figurative language. The word “painting” as used in the first line of the poem is a type of poetic imagery that means praise or poetic flattery. This accompanied with “painting set” creates a much more elegant image than simply writing the word praising. Imagery and figurative language is more heavy and emphasized in the last two lines of the quatrains. The last line of stanza one for example
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“Analyse the dramatic effectiveness of Act 3 Scene 1” The tragic Shakespearian play “Rome and Juliet” is about two young people who experience true love even though it is forbidden. Against the will of both families they marry secretly. Just when all seems well‚ everything goes horribly wrong leaving them dead. Even though this play is based on the innocent love between two individuals there are many scenes which involve routine violence and conflict. An example of this would be the plays
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it is clearly quite a patronising term of address which Bronte strategically put in here. This shows that‚ from the very beginning he is seen as an authorative character who did not even bother to call Jane by her name. Another way in which Bronte does this is by using
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EDIFICE (ED uh fis) a building‚ especially one of imposing appearance or size Link: ATE A FACE "The Great Kong ATE the north FACE of the EDIFICE." The construction of one EDIFICE led to another‚ and New York City became a skyline of enormous skyscrapers. The Taj Mahal may not be the largest EDIFICE ever constructed‚ but surely it is one of the most imposing in the world. Neither imposing in appearance or size‚ you could hardly refer to an outhouse as an EDIFICE. PARADOX (PAIR uh dahks)
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