Contributions to the Textual Criticism of the Divina Commedia. Cambridge: University‚ 1889. Print. Bloom‚ Harold. Dante ’s Divine Comedy. New York: Chelsea House‚ 1987. Print. Fergusson‚ Francis. Dante. New York: Macmillan‚ 1966. Print. Alighieri‚ Dante. The Inferno. New York: Barnes & Noble‚ 2009. Print. Works Cited Alighieri‚ Dante. The Inferno. New York: Barnes & Noble‚ 2009. Print. Bloom‚ Harold. Dante ’s Divine Comedy. New York: Chelsea House‚ 1987. Print. Hollander‚ Robert. Dante ’s Virgil:
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1- Richard III‚ The Protagonist “Yet neither can his blood redeem him [Richard III] from injurious tongues‚ nor the reproach offered his body be thought cruel enough‚ but that we must still make him more cruelly infamous in Pamphlets and Plays.” (1617—William Cornwallis. From Essays of Certaine Paradoxes) Richard III is written in 1591-1592. Richard III is the dominant character of the play as that he is both the protagonist of the story and its major villain
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islands. This makes the emperor ’s ambition seem extremely low (Bloom‚ Interpretations 84-5). Swift also criticizes the religious beliefs of the Lilliputians
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Harold Bloom‚ a Yale University professor‚ once said that “George Gordon‚ Lord Byron‚ is literature’s most notorious instance of a writer’s life becoming his work‚ indeed taking the place of it.” (Pesta‚ Bloom and Willis 1). Lord Byron was a famous poet that illustrated his emotions through his literature very effectively. Ironically‚ Byron enjoyed reading and writing‚ but hated poetry at an early age (Pesta‚ Bloom and Willis 9). However‚ Byron’s first piece of literature to be published‚ called
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credited as the real Alice. While writing Alice’s Adventures in Wonderland‚ Carroll doubtlessly drew his inspiration from his direct environment‚ he has provided Alice with some instances of his own identity. In a biography that is dedicated to him‚ *Harold Bloom assumes that many aspects of Lewis Carroll’s life influenced his writings. Some of these aspects include his mathematical background and logical dispositions‚ as well as a shown interest in little girls‚ eating habits‚ dual personality‚ sleeping
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Richard III.” Shakespeare’s Histories (Bloom’s Major Dramatists). Ed. Harold Bloom‚ Broomall‚ PA: Chelsea House‚ 2000. 24-28. Pearlman‚ E. “The Invention of Richard Gloucester.” Shakespeare’s Histories (Bloom’s Major Dramatists). Ed. Harold Bloom‚ Broomall‚ PA: Chelsea House‚ 2000. 28-30. Schlegel‚ August Wilhelm. “Lectures of Dramatic Art and Literature.” Shakespeare’s Histories (Bloom’s Major Dramatists). Ed. Harold Bloom‚ Broomall‚ PA: Chelsea House‚ 2000. 19-21.
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Pauline Faivre Ec‚ Spring session Teacher : Philip Lindholm 21th April 2013 the cleverness of words Verbal Irony in Edgar Allan Poe’s “The Cask of Amontillado” The protagonist of “The Cask of Amontillado”‚ Montresor‚ appears to be friendly and trustworthy although he actually manipulates Fortunato in an extremely clever way in order to take revenge on him.Thus‚ Montresor’s technique consists in hiding his real intentions using the ambiguous and manipulative power of rhetoric‚ by telling
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EBSCO. Literary Reference Center. Paul VI‚ Fairfax. 23 Mar. 2009 <http://search.ebscohost.com/login.aspx?direct=true&db=lfh&AN=19358591=lrc-live>. Bloom‚ Harold. "Introduction." Jan. 2004. EBSCO. Literary Reference Center. Paul VI‚ Fairfax. 23 Mar. 2009 <http://search.ebscohost.com/login.aspx?direct=true&db=lfh&AN=16379126&site=lrc-live>. Bloom‚ Harold. "The Story Behind the Story." Jan. 2004. EBSCO. Literary Reference Center. Paul VI‚ Fairfax. 23 Mar. 2009 <http://search.ebscohost.com/login.aspx
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and about her life as she grows up in a close together but racist community (Bloom 11). Since it is told through a young girl’s perspective‚ it is a story about a trial‚ yet also a childhood and growing up involving games and first days of school (Bernard 9). Scout keeps her charm as a “classic American tomboy” throughout the novel even if some of her elders disapprove of it (Bloom “Introduction”‚ par. 2). Harold Bloom described her as “Harper Lee’s book‚ being not only the narrator but much of its
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Cited: Blank‚ Kim G. Wordsworth and Feeling: The Poetry of an Adult Child. Madison: Fairleigh Dickinson University Press. Bloom‚ Harold. “Myth of Memory and Natural Man.” William Wordsworth: Bloom’s Major Poets. New York: Chelsea House Publishers. 1999. 35-46. Bloom‚ Harold. “The Scene of Instruction: ‘Tintern Abbey.” Modern Critical Views: William Wordsworth. New York: Chelsea House Publishers. 1985. 113-135. Furr‚ Derek. “An overview of “Lines
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