reminded of Miles Davis somewhat through his solo. I did notice that he used vibrato and his sound was not mellow as Miles Davis. Then‚ Con Alma by Dizzy Gillespie closed out the first section for the jazz ensemble. Immediately‚ I could pick up on the bebop style for its fast and energetic style. The rhythm was complex. I could not follow at all. The trumpet solo was clear and crisp. The saxophone soloist and trumpet soloist played together for a part then they took turn to perform their own solo. The
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or commonly known as Bird and Diz- were two famous composers that came together to release an album after being introduced. The album they composed and released in the 1950’s (which just happens to be named after themselves‚ “Bird and Diz”) was a bebop jazz genre that made a big impact on the music industry. Clearly‚ Charlie Parker’s name has no correlation to the word ‘Bird.’ But early on in his musical career‚ “Yard Bird” was a nickname Parker received that would eventually never leave his side
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This evolved Bebop‚ bebop is a style of jazz with its fast tempos and exotic sounds soloist are given an opportunity to express their emotions through improvising. Also called bop‚ bop was a genre that survived in the interstices of the jazz world. The coming and going was not announced in the newspapers nor was it a household name‚ it wasn’t collected by record companies the music came from mostly tapes or discs made by amateur engineers‚ bebop was an underground movement it
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Dizzy Gillespie‚ born in 1917 and died in 1993‚ was also a trumpet player. He was an American trumpet player‚ composer‚ and band leader. Dizzy Gillespie’s real name is John Birks Gillespie. He was born in Cheraw‚ South Carolina. Dizzy co founded the bebop jazz movement
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beats‚ incredibly technical rhythms‚ and the need for skill. As he continued in his musical career‚ his articulation‚ style‚ and individuality only got better. Art changed the entire face of jazz music. He helped lead the next generation into the bebop era. He was the musician that started to change the chord progressions‚ fingered with the harmonics‚ and tried new inversions of different chords (to get a more “jazzy” sound). Tatum was able to use his classical background and his jazzy style to create
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The Bebop Revolution of the 1940s Essay Title No. 4 Name: Karen mc Donagh Student Number: 110333021 Module: Music and Ideas‚ Jazz Lecturer: Paul O Donnel Submission Date: 21-January-2011 Revolution; ‘the forcible overthrow of a government or social order‚ in favour of a new system’. [1] The 1940s saw one of the greatest musical revolutions of the 20th century‚ the transition of swing to bebop. Although the exact origins of the name are ambiguous‚ it is widely accepted that the name bears
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Much of today’s printed jazz music in the swing style is based on performance practices established in the big band and bebop eras of the 1930’s and 40’s. In the swing styles of jazz what you see on the page is an approximation of the actual sounds when the music is performed. In Latin jazz styles‚ a long history of the close relationship between music and dance has guided
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Clifford Brown: Life and Music A musician’s life and works go hand in hand‚ with each one influencing and giving insight to the other. One of the greatest trumpet players in jazz‚ Clifford Brown‚ lived a short but successful life. Clifford Brown gained the respect and admiration of his peers‚ and his works continue to be appreciated by listeners today. His longtime friend and bandmate Max Roach pioneered modern jazz drumming and is featured on almost all of Clifford Brown’s classic recordings. Clifford
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Polymodality in Jazz Polymodality is a term that has been rarely mentioned in the jazz literature‚ in the same way it has been infrequently practiced as a compositional tool by jazz arrangers and composers. Very few books mention either polymodality‚ polytonality or its related terminology‚ and when done‚ is sometimes to describe a different concept from the one discussed in this research. A clear example of this‚ is the use of the term polymodality by George Russell in his book Lydian Chromatic
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factor in their development. Although bop and cool jazz popularized in a similar time frame‚ their individual demographics and cultural associations differed drastically. Jazz music began its rise to popularity in the 1940s through a style known as bebop‚ or bop‚ following the wildly popular dance genre known as swing (Meadows 244). Within this postwar period we saw a high concentration of immigrants‚ primarily African Americans‚ seeking opportunity and discovering their individual identities (Meadows
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