Agnes Martin was a pioneer of modern art and a pivotal female figure in 1912 through 2004. Her work unifies the mathematical rigor of geometric abstraction with the sensitivity and tactility of the hand-drawn line. Her best work was the periods that define her career. During 1954 and 1967, Martin was transitioning from the biomorphic forms of the 1950s to the ground-breaking grid paintings of the 1960s. In 1967, Martin stopped making art but she continued drawing in 1974. During this time, she continued to refine the abstract vocabulary for which she is known…
Maurits Cornelis (M.C.) Escher was born on June 17, 1898, in the Dutch province of Friesland. His parents, George Arnold Escher and Sarah Gleichman Escher, had three sons of which Maurits was the youngest. The Escher family was living in Leeuwarden in 1898, where George served as Chief Engineer for a government bureau. The family lived in a grand house named "Princessehof," which would later become a museum and host exhibitions of M.C. Escher's works. Young M.C. Escher moved with his family to Arnhem. M.C Escher lived in Arnhem for a while, in order to improve his health. In 1907, in secondary school, his marks were poor except in drawing. His art teacher took an interest in his drawing talent, and taught him to make linocuts. He failed his final exam and thus never officially graduated. In 1913, M.C. Escher met his lifelong friend Bas Kist. Kist was also interested in printing techniques, and may have encouraged M.C. to make his first linoleum cut works. In 1917, the two friends visited the artist Gert Stegeman, who had a printing press in his studio. Some of M.C.'s work from this year was apparently printed at Stegeman's. Also, in 1917, the Escher family moved to Oosterbeek, Holland. During these past few years, M.C. Escher and his friends became very involved in literature, and M.C. began to write some of his own poems and essays. In 1918, Escher began private lessons and studies in architecture at the Higher Technology School in Delft. He managed to get a deferrement on military service in order to study, but poor health prevented him from keeping up with the curriculum. As a result of always being sick he could not continue school (he had never successfully graduated from high school!). During this ruff period in time, Escher did many drawings, and also began using woodcuts as a medium. It was also at this time that his work began to receive favorable reviews in the media. Still trying to pursue a career in architecture,…
“As an artist, I gotta stand up for my own work.” Ed Ruscha greatly influced contempary art during the 20th century, changing the way Amercains persive the simple but yet so complicated works that Ruscha composed. Ruscha belived that everything day things could come alive in his work. He wanted to make the average American feel something when they saw his work. Ed Ruscha was an important international figure in contemporary art.…
A New Saint, A New Art is a documentary film produced by Early Renaissance Productions in 2004 as a part of the series, First light: Tuscany and the dawn of the Renaissance. Authors of the documentary film are Jeff Siberry, Alberta Nokes, and Colm Feore. Narrator of the documentary is Monsignor, Timothy Verdon, an art historian at Canon Florence Duomor. Interviews are also featured with Franciscan Friar Maurice Richard, and Alexander Nagel, art historian at the University of Toronto.…
The mystique that endures regarding Balthus’s life and career was in no doubt fostered by the artist, but it is clear that his eccentricities contributed to his establishment in the art history canon.…
Albrecht Durer and Kathe Kollwitz were both notable artists. One left its mark during the Renaissance period and the other almost 400 years later. They had a major impression in the growth of German art; they were both highly talented and began to practice art very early in their lives. In addition to this, they were unique and because they didn’t follow the norm they excelled. This paper is going to look at the similarities and differences between Durer and Kollwitz in respect to their artistic styles.…
William Zinsser has advice for writing memoirs. “Be yourself”, “speak freely”, and “tell your own story” (Zinsser, 2, 4, 6). It applies to many different memoirs.…
Exam 1 Study Guide :: Art 1010 Art Appreciation :: Fall 2011 :: Professor Anderson…
Leonardo da Vinci was a great mathematician whose contributions to the discipline were immense, especially in the field of geometry. Besides being a mathematician, Leonardo da Vinci was a renowned painter, inventor, architect, and a student of scientific concepts (Cremante, Leonardo & Pedretti, 2005). Since Leonardo’s natural genius encompassed several disciplines, he personified the term “Renaissance man.” At present, Leonardo is best acknowledged for his art masterpieces, particularly the “The Last Supper” and “Mona Lisa” that are still among the worlds most renowned and admired (Cremante et al., 2005). In all his works, Leonardo believed that there is a significant connection between art, science…
Berthold Konrad Hermann Albert Speer (Known as Albert) was born in 1905 into an upper middle class family in Manheim, Germany, although his family relocated to Hiedelberg in 1918. He grew up in a household “lacking of love and warmth ”. As a child Speer was active in sports and was a natural mathematician. Speer followed the footsteps of his father and grandfather and studied architecture; initially, due to the hyperinflation of Germany in 1923, at the University of Karlsruhe, a “lower class” university, but transferred to the Technical University of Munich in 1924, then to the Technical University of Berlin in 1925. In August 1928, against his mother’s wishes due to her views on class superiority, Speer married Margarete Weber. Speer began a close relationship with his then lecturer Heinrich Tessenow, who became his mentor and had much influence over Albert.…
It is often wondered what an artist was thinking or what message they are trying to convey when they create an unusual or even a masterpieces of art. Now it is also safe to say that such beauty and talent might only be in the eye of the beholder, and many will never appreciate or understand the views that others have towards an artists work.…
A new view of the artist as a supremely individual creator, whose creative spirit is more important than strict adherence to formal rules and traditional procedures…
Artists throughout time are subjected to changing their practice due to context and issues within this time period. Artists that center around performance art, who use shock to convey their artworks, are subjected to change. Changes within the world inspire artists to create artworks that reflect these evolving aspects. Different developments in terms of practice have changed the world that we know. Advancements with technology, science and environment have influenced performance artists such pioneers in performance art Yves Klein, Stelarc and Ron Mueck who creates life like figures artworks that in their own way perform for the audience. These influences have shaped the performance artists practice, Klein’s use of monochrome art to represent the empty space surrounding the earth; the void, by using his own mix of the colour blue; Klein creates artworks to represent the empty space in the environment. In Klein’s later years he began to work with naked female models to create body prints. Likewise to stelarc’s use of incorporating technology within the body to make a hybrid or cyborg to reflect of what humans will become in the future, Stelarc looks at the body’s ability to expand or be altered as well as the mental capabilities of being fused with the cybernetic world. Technology has had a dramatic influence on Stelarc’s practice. Mueck creates life like sculptures often altering the size of the figures. Mueck’s use of creating grotesque, eerie life like sculptures shocks the audience, sometimes thinking that they would be real if they were the proper size ratio. Mueck’s art work ‘Dead Dad’ shocked audiences into believing that there could have been a real dead man lying on the floor. If the artwork were to be resurrected, friends and family would recognise the sculpture straight away, and to the…
We, the human race, have always moved forward with the changing times. As we gain knowledge through education and other means we see this reflected in our way of thinking and our culture. These changes are portrayed and preserved through art. Starting back in the dark times of the Medieval period, we can see two art forms in particular, art and sculpture, change as we move through the Renaissance period and on into the Baroque period, by way of the introduction of mathematic concepts and new techniques, as well as the introduction of more secular art works.…
One way in which Vasari reveals this newly transformed perception of the artist in society is by the way in which he uses the concepts of intellect, knowledge and genius to declare to the readers just how miraculous these Renaissance artists were. For instance, the knowledge and use of scientific methods placed art on a new foundation that was intellectual, theoretical, literary, and scientific, as opposed to earlier times when artists were considered simply skilled craftsmen; whom were “just manual labourers plying a mechanical trade”1. When Vasari describes Da Vinci as an artist that “proved himself to be a first-class geometrician in his work”2, he insinuates that an artist is on the same status level as other intellectual fields which were previously believed to be much superior to arts. Thus artists are viewed as having more than just an artistic skill; a true artist during this period needs significant intelligence in order…