The Bluest Eye
The Bluest Eye by Toni Morrison tell the story of Pecola Breedlove an innocent little girl looking for someone who love her, the relationship with her parents is terrible, her father rapes her, her mother and the rest of the community reject her, and she finish talking to an imaginary friend who is in fact the facet of her split personality. The Bluest Eye shows how racism infiltrates and destroys the psychological health of African Americans. In this story, Through Pecola, Morrison exposes the power and cruelty of white, middle-class American definitions of beauty, for Pecola will be driven mad by her consuming obsession for white skin and blonde hair and bluest eyes. A victim of popular white culture and its pervasive advertising, also from the day she is born, Pecola is told that she is ugly, Pecola learns from her mother that she is ugly, and she thereby learns to hate herself; because of her blackness, she is continually bombarded by rejection and humiliation from others around her who value appearance. Pecola believes that people would value her more if she weren’t black. If she were white, blonde, and very blue-eyed, she would be loved.
“The big, the special, the loving gift was always a big, blue-eyed Baby Doll…All the world had agreed that a blue-eyed, yellow-haired, pink-skinned doll was what every girl child treasure.” (Morrison 19, 20) The appearance of these toys significant in the life of Pecola determine their growing desire to have blue eyes, like the dolls that give black girls every Christmas, as absurd as the claim of adults suggest their young daughters the role of mothers with white baby dolls. Those who refused to that game as one of the friends of Pocola destroyed the toy that they found alien to them, others, however, found in toys her greatest desire, and dream. This shows that the dolls represent it as a product of racial distinction, no black dolls for black girls, and a contrasting element, interpreted in terms of...
Cited: Morrison, Toni. “The Bluest Eye.” 1st Edition. New York: Random House Digital, INC., 2007. 224.
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