In this we see how Hamlet situates himself in the drama, the female object produces him horror, which explain what Freud thinks about castration. Seeing her dead is not enough for the feeling of loss and consequent grief in Hamlet. He realizes that Ofelia is the object of his desire. He had earlier reduced Ophelia to the feminine dimension that the mother had incarnated for him during all this time. He is lowering the mother, but it is Ophelia to whom it is directed. That is why he rejected her as the object of his
In this we see how Hamlet situates himself in the drama, the female object produces him horror, which explain what Freud thinks about castration. Seeing her dead is not enough for the feeling of loss and consequent grief in Hamlet. He realizes that Ofelia is the object of his desire. He had earlier reduced Ophelia to the feminine dimension that the mother had incarnated for him during all this time. He is lowering the mother, but it is Ophelia to whom it is directed. That is why he rejected her as the object of his