Nora – a Classical Hero in Henrik Ibsen's a Doll`S House

Topics: Henrik Ibsen, A Doll's House, Norway Pages: 6 (2683 words) Published: May 10, 2010
Nora – A Classical Hero in Henrik Ibsen’s A Doll`s House Nora Helmer makes the right decision to free herself from the social and traditional commitments and obligations and come and become an independent individual. Nora Helmer in Isben's A Doll's House lived in the world of predetermined social and societal constraints that made her deprived her of her freedom and happiness. The society in which she lived wanted people to live according to the rigidly set norms and standards of the society. Subjugation and oppression was the theme of that society. Men and women were supposed to play the role that was assigned to them. Nora Helmer found herself in such a world of suppression. She was supposed to live a quiet life in a world that was dominated by her husband Torvald. She was however totally dissatisfied with the life of subjugation. She could no longer surrender to the constraints of the society. This made her broke off from captivity and enters a world of freedom. Nora Helmer makes the right decision to free herself from the social and traditional commitments and obligations and come and become an independent individual. Nora Helmer, the central character, wife of Torvald, and mother of three children, is indeed a classical hero. She was hiding her character and personality throughout the play under the pretense of the 'ideal 19th century wife' who completely abides to her husband. The character of Nora is quite tough to interpret as she is made out of a combination of different traits. Even though she is found to be playful and silly in certain places, she appears very differently in certain other places being very practical and astute. She is indeed a hero as she was successful in showing that she is a supporting wife, and a good mother. Nora attempts to become a strong individual even though she was being locked in a male dominated world. Her husband Torvald’s dominating nature was the one that was preventing her from become self motivated. She appeared inexperienced, naïve and vulnerable till the end when she surprised everybody by boldly leaving her husband and children to live an independent life. Nora’s world appeared to be so childish that the author has named her world as a ‘doll’s house’. She appeared as an alien to the real world with no real world experience. She was even found humorous in few incidents. But we can see the same Nora being serious and trying to be superior as she says “one isn't without influence" (Ibsen, 1990). Even though Nora is constructed as immature and silly, we can see that this nature is enforced by the society around her. However her true nature was destined to be revealed later. Nora is found to be an independent woman who was restricted within the doll house by her husband. Her life was like that of a butterfly that is trying to get out of the cocoon to show its true colors. We can see Nora striving, throughout the play, and finally unveiling her original self. She was submissive to her husband and was enthusiastic and smart. We can say that Nora was always right in her attitude as this was the best she can be towards her dominating husband (Drake, 1994). Towards the end of the play she discovered herself and took the big shocking decision to leave her husband and children for ever. Nora recognizes her rights at last and is awakened (Drake, 1994). She stops pretending to be what she is not (Drake, 1994). She became a strong woman and takes control of her own destiny. Torvald considered his wife, children and status symbols and had a very narrow definition about marriage. He thinks that it is the duty of the wife to be good to her husband and children. He deems women as helpless creatures separated from reality and moral force. The author highlighted the self realization of the main character Nora and the way she becomes an example to feminist ideology. The novel thus becomes an extraordinary work in which a man portrays strong feminist ideologies. Nora is found to be...

Cited: `Ibsen, Henrik. ‘A Doll 's House’. Introduction to Literature: Reading, Analyzing, and Writing. Englewood Cliffs: Prentice, 1990.`
`_ HYPERLINK "" _Vera Schwarez, HYPERLINK " 's%20Nora%3a%20the%20Promise%20and%20the%20Trap" Ibsen 's Nora: the Promise and the Trap, Bulletin of Concerned Asian Scholars, Vol. 7, 1975 `
`Boyesen, Hjalmar. A Commentary on the Works ofHenrikIbsen. New York: Russell & Russell, 1973. `
Emma Goldman, The Social Significance of the Modern Drama, THE SCANDINAVIAN DRAMA: HENRIK IBSEN, Available at _ HYPERLINK "" __
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