People are swept along by events. Some individuals use events to advantage. This is evident with Leni Riefenstahl as from the earliest accounts of her career it is clear that she was prepared to use others to benefit herself, although while at other times such advancements were not within her control. Historian Steven Bach argues in his book, ‘The Life and work of Leni Riefenstahl’ that Riefenstahl was obsessed with her career and moulding her image. He believes she knew more about Nazism than she would have liked people to believe. Riefenstahl was so driven to be worldly famous and recognised that she didn’t care what the cost. Through the exploitation of people and their money and the use of her beauty and charm Riefenstahl would never have been so artistically successful and innovative.
Riefenstahl was willing to do whatever it takes in order to achieve success and accomplished this by exploiting people for their money. In 1923, Riefenstahl acquainted herself with a Jewish banker, Harry Sokal, who manipulated exchange rates. Sokal continually asked Riefenstahl to marry him, but she had no desire to although she acknowledged his wealth and continued the relationship. Riefenstahl used Sokal to finance her dancing career by paying for halls, advertising, and the musicians. Sokal also paid critics to sit in the audience in attempts to gain positive reviews. In order to achieve success Riefenstahl acknowledged that she needed to allow Sokal to finance her and therefore, she took advantage of Sokal when it suited her best. Sokal financed her dance career, but Riefenstahl wanted to get rid of him. Although this would not be the last time she exploits him and his money. Therefore, while Riefenstahl allowed Sokal to finance her movements she was clearly being opportunistic and used events to her advantage.
Further evidence of Riefenstahl’s exploitation of people is shown with her clear intentions to succeed within the creative arts industry. After seeing the film,...
Please join StudyMode to read the full document