Preview

Jazz Ken Burns

Powerful Essays
Open Document
Open Document
1443 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Jazz Ken Burns
Jazz by Ken Burns “JAZZ” is a documentary by Ken Burns released 2001 that focuses on the creation and development of jazz, America’s “greatest cultural achievement.” The first episodes entitled, “Gumbo, Beginnings to 1917” and “The Gift (1917-1924), explain the early growth of jazz as it originates in New Orleans and its expands to Chicago and New York during the Jazz Age. In assessing the first two episodes of Ken Burns' 2001 documentary, "JAZZ," this essay will explore the history of jazz, the music's racial implications, and it's impact on society. In doing so, attention will also be given to the structure of the documentary, and the effectiveness of documentary film in retelling the past. In the first episode of “JAZZ,” Ken Burns demonstrates how the creation of jazz was made possible by the social and political circumstances in New Orleans during the late seventeenth century and early eighteenth century. By combining the historical explanations of narrator Keith David and the emotional commentaries of African American artists, he retells history in an unconventional way that gives a more meaningful description than textbooks and encyclopedias. As Keith David explains, New Orleans was the home to two different social circumstances: it was the most “cosmopolitan city in America” as well as the center of the slave trade. New Orleans was a place filled with “people from all nationalities living side by side” who brought upon a musical “gumbo” of Caribbean rhythms, classical music, minstrel music, the blues, ragtime and more. These diverse musical styles were taken advantage of by the African American people, in a period of time where they were deprived of the freedom that America promised to all of her inhabitants. African Americans found the liberty they sought for in music and dancing. Ken Burns supports this idea by explaining how blacks were allowed to sing, dance and play the drums in the Congo Square as he demonstrates it in a series of

You May Also Find These Documents Helpful

  • Powerful Essays

    Quincy Jones’ ‘This is how I feel about jazz’ (1956) takes a different approach in the chosen album cover. During a time where jazz presented a very ‘upper-class’ type of music and that the viewer was demanded to be as enigmatic as the artist appeared, Quincy Jones took a much more common…

    • 2723 Words
    • 11 Pages
    Powerful Essays
  • Good Essays

    Cruse pays homage to the artistry of early Harlem while detailing the social climate of the time. Cruse believed severely in his culture and power in which it holds. Yet, his focus on Harlem, though done much justice, does not give the proper representation of a secular Black experience, let alone an American one. The time period discussed was the bulk of the shift in America from Negro to Colored to Black from border to border. Cruse was firm in his stance against intergrationalist but lacking in cultural inclusion. He includes every Negro writer, musician and artist that feet ever graced Harlem, and by and far, their stories deserve praise, but so do our other leaders and ground shakers of the Black early…

    • 548 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    This is where we see black society emerging into the lives of white society in a more positive way. Although segregation was still prominent in the 20’s and 30’s, many of the most famous jazz musicians were black. Throughout the movie jazz is played excessively. In one scene, an African American woman is shown singing at a party, in another scene; Amelia and Putnam are dancing to jazz playing on the radio. The movie shows how the music was played during this time period. It was generally on the radio or played during live performances in small cabarets, dance halls and ballrooms.(10) Throughout the movie music is shown in these ways, giving the audience a feel of what it was like to listen to music and how music would be played during this time…

    • 1779 Words
    • 8 Pages
    Powerful Essays
  • Good Essays

    Bill Crow has compiled a great collection of stories. This book looks into the personalities and humor of the Jazz world. Being a jazz player himself, Crow is obviously familiar with the life of a Jazz musician, and he has written down some hilarious tales that Jazz players have passed on to one another. This book shows how the jazz world as it really is. The entire book is filled, page by page, with hilarious stories of pranks, goofs, getting hired, getting fired, stuff that happened while on the road, jokes, nicknames, and unforgettable moments while playing at clubs. It also gives you a good feel for what the lives of jazz musicians were like the camaraderie and competition, the struggles over money, and the terrible working conditions.…

    • 514 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Motown Book Review

    • 1518 Words
    • 7 Pages

    Chapter 4 in the book Dancing in the Street: Motown and the Cultural Politics of Detroit by Suzanne E. Smith focuses primarily on Motown’s popularity and “the question of the relationship of the negro artist and his or her art to black struggle”(Smith, 139). Langston Hughes believed that “all forms of black culture, including popular music, confronted these issues (black struggle) in some way during the civil rights years, and Motown music was no exception”(Smith, 139). Throughout the chapter, the author discusses the evolution of Motown during an extremely pivotal time in the country, and the artists associated with this genre.…

    • 1518 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    Throughout this course, I’ve been introduced to and learned about many events in history. One topic in particular that fascinates me is the era of the 1920s, also known as the Jazz Age. Following World War I, a movement began in America which caused dramatic political and social changes. One of the major changes included a new genre of music. With inventions such as the radio, Americans had easier access to music. Jazz was born, and with the help of new technology, became popular throughout the country.…

    • 535 Words
    • 3 Pages
    Good Essays
  • Good Essays

    After growing up having a privileged life and going on to pursuing his dream, African American singer Cabell “Cab” Calloway devoted his professional life to entertaining his audience to a great extent and putting international spotlight on “The New Negro.” Indeed, Calloway stands as a monument against the popular stereotype of catastrophic black jazz musicians being tormented by racism and drug addiction. Even though Calloway was exposed to these social struggles, he was eventually able to overcome them by focusing on the integrity of his music. As Calloway reported in a 1990 Chicago Tribune interview, “ you tried to concentrate on your performance and tried to forget that there were hardly any blacks in the audience.” It was this kind of determination,…

    • 651 Words
    • 3 Pages
    Good Essays
  • Best Essays

    The evolution of musical theater in America can be viewed through many lenses. Through the lens of hindsight, it is easy to reflect on the treatment and portrayal of African-Americans in the contextual fruition of live entertainment in the United States. Dating back to the later half to the nineteenth and into the early twentieth century, ethnic representation in musical theater underwent a gradual change paralleling a shift in societal opinion toward racial equality. Though by today’s standards, its depiction of African-Americans may seem archaic at best, Show Boat changed the way audiences viewed musical theater through its success as the first show to deal with racial issues in the United States.…

    • 1963 Words
    • 8 Pages
    Best Essays
  • Powerful Essays

    John Coltrane

    • 2116 Words
    • 9 Pages

    Jazz, taking its roots in African American folk music, has evolved, metamorphosed, and transposed itself over the last century to become a truly American art form. More than any other type of music, it places special emphasis on innovative individual interpretation. Instead of relying on a written score, the musician improvises. For each specific period or style through which jazz has gone through over the past seventy years, there is almost always a single person who can be credited with the evolution of that sound. From Thelonius Monk, and his bebop, to Miles Davis' cool jazz, from Dizzy Gillespie's big band to John Coltrane's free jazz; America's music has been developed, and refined countless times through individual experimentation and innovation. One of the most influential musicians in the development of modern jazz is John Coltrane. In this paper, I examine the way in which Coltrane's musical innovations were related to the music of the jazz greats of his era and to the tribulations and tragedies of his life.…

    • 2116 Words
    • 9 Pages
    Powerful Essays
  • Good Essays

    The Jazz music of the Big Band Era was the pinnacle of more than thirty years of melodic advancement. Jazz was so creative and diverse that it could truly clear the world, changing the melodic styles of about each nation. Enormous band Jazz that makes the feet tap and the heart race with fervor that it is perceived with almost every kind of music. The melodic and social upset that achieved Jazz was an immediate consequence of African-Americans seeking after vocations in expressions of the human experience taking after the United States common war. As slaves African-Americans has learned couple of European social conventions. With more opportunity to seek after vocations in expressions of the human experience and conveying African imaginative customs to their work, African-Americans changed music and move, in the U.S., as well as everywhere throughout the world. For after the war, African American artists and performers…

    • 406 Words
    • 2 Pages
    Good Essays
  • Better Essays

    Charles Mingus was one of the most influential and groundbreaking jazz musicians and composers of the 1950s and 1960s. The virtuoso bassist gained fame in the 1940s and 1950s working with such jazz greats as Louis Armstrong, Duke Ellington, Charlie Parker, Art Tatum, and many others. His compositions pushed harmonic barriers, combining Western-European classical styles with African-American roots music. While examining his career is valuable from musical standpoint, his career also provides a powerful view of the attitudes of African-American jazz musicians (and Black America as a whole) towards the racial inequalities in America during that time. In addition to being a successful musician, Mingus was a very outspoken social commentator. Through his music, Mingus expressed the frustrations of African-Americans and supported Black Nationalism.…

    • 1572 Words
    • 7 Pages
    Better Essays
  • Good Essays

    While walking through an art museum, one might stop and read the artwork labels for more insight or details on a piece. Too often, these descriptions will point to the political and social climate as heavy influences of the specific artist or movement. It is natural to generalize a time period and attribute historical events to new elements of art. Like the visual arts, music is no such stranger to academics drawing weak links between historical events and new music styles. In our case, the origins and influences of free jazz are being called into question.…

    • 941 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Jazz Influence On Harlem

    • 523 Words
    • 3 Pages

    New York City was the cultural center of the U.S. and was the jazz center as well. Most of the city’s black jazz musicians lived in Harlem, which had been the creative focal point of…

    • 523 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    One of the greatest tragedies in the 20th century can be seen in the debasing of the Jazz genre as a unworthy equal to it's predecessor, European Classical music. This can be seen in various statements about Jazz, such as Boris Gibalin commit, "The "Jazz Mania" has taken on the character of a lingering illness and must be cured by means of forceful intervention."1 This conflict can be traced through out the history of Jazz, as Classical composers have relatively disregarded this new type of music. Before Duke Ellington's Cotton Club performances, Jazz play on the radio was delegated for late night audience only. This sub-culture treatment has led many critics to disregard the Jazz movement as a dance craze, or unsuccessful recreations of Classical pieces. This slandering of Jazz has not only created a false image of the music, but it has also lead to a full disconnection between the two genres. It is for this reason that I propose in my paper to show the relationship between these two musical categories. My hopes in demonstrating these similarities is to disassemble the schism of ignorance built between the two, and place both Jazz and Classical music on equal footing.…

    • 2444 Words
    • 10 Pages
    Powerful Essays
  • Powerful Essays

    Ruya

    • 1741 Words
    • 7 Pages

    Text Box: Louis ArmstrongJazz is a popular type of music which combines Black Spirituals, African Rhythms, and Cajun music. It began in New Orleans in early 1900’s and traveled to St.Louis, Kansas City, and Memphis, Chicago and New York and these cities musicians developed local styles of Jazz.Over the years different sounds emerged-swing, big band, bebop, fusion and others. So, according to Louis Armstrong’s, Jazz is, “If you have to ask what Jazz is, you’ll never know.”…

    • 1741 Words
    • 7 Pages
    Powerful Essays

Related Topics