It is exceedingly interesting the way American culture is unoriginal in every way. Just about every aspect of American culture is in some way based on and/or influenced by people of another nationality as well as people of much different ethnicities than that of the typical white-protestant American. This is proven true through what Americans eat, the way they dance, and even the music they listen. Although America is the birthplace of both jazz and hip-hop, neither was really started by the average white American. But rather, both jazz’s and hip-hop’s beginnings were similarly within the underground world of Black America. The similarities between the paths of these two genres of music are uncanny, especially the way they both began as strictly for African-Americans and then slowly but surely, within the next three decades, emerged in the American mainstream via white artists to eventually be heard around the world.…
The origins of jazz music and dance are found in the rhythms and movements brought to America by African slaves. The style of African dance is earthy; low, knees bent, pulsating body movements emphasized by body isolations and hand-clapping. As slaves forced into America, starting during the 1600’s, Africans from many cultures were cut off from their families, languages and tribal traditions. The result was an intermingling of African cultures that created a new culture with both African and European elements. The Slave Act of 1740 prohibited slaves from playing African drums or performing African dances, but that did not suppress their desire to cling to those parts of their cultural identity. The rhythms and movements of African dance: the foot stamping and tapping, hand-clapping and rhythmic vocal sounds were woven into what we now call jazz dance.…
The Jazz Age was a defining point in the history of America. This point in time defined the clear division between the older and younger generations of America. The Jazz Age was more than just a time period but a cultural movement. Although African-Americans receive credit for the introduction of this music into America, it had quickly expanded to the white middle class and further erupted from there. The introduction of this new style of music resulted in the younger generation of America at the time to become rebellious and less inclined to follow in their ancestors footsteps culture wise (Boundless). Jazz music, in its beginnings, was most often played in cities such as New York, Chicago, and New Orleans. Each city boasted its own unique…
The book, Chicago Jazz, a Cultural History 1904-1930, was written by William Howland Kenny and published in 1993. This book is a secondary source which explains many of the cultural elements and emotions – such as liveliness – and how they were infused into jazz. The purpose of this text is to analyze jazz music and its culture from its origins up to the great depression. It was written as a scholarly text and as a means of exploring the past of jazz. This source demonstrates value as…
The birth of jazz music is often accredited to African Americans but both black and white Americans are responsible for its immerse rise in popularity. It is present in black vocals, music-spirituals, work songs, field hollers, and the blues. Jazz united people across the world and had powerful meanings about their lives. Jazz music was completed with a trumpet, clarinet, trombone and section of drums. The music was created with passion inspired by people’s lives. Ragtime was a musical style emerged from St. Louis in the late 1890s. The swing was the new style for Jazz. Benny Goodman was the “king of swing.” and he was the first white bandleader to feature black and white musicians playing together in public. There were other different styles…
Jazz is one of the musical genres that represent America. It had a combination of influences from Africa and Europe. When Africans were brought to the United States as slaves, they brought their music and culture with them. Samuel A. Floyd Jr. stated “…particular musical tendencies were brought with Africans to the New World…and spread throughout African-derived populations in the United States, eventually becoming an integral part of the music we know as jazz.” African slaves used musical expression for social purpose in the 1800s; they sang songs when they are working or they played drums. The immigration of Europeans started in the seventeenth century. They brought the instrumentations, the tonality, the chords, and the form into the United…
Crow, Bill. Jazz Anecdotes. New York and Oxford: Oxford University Press, 1990. “Charlie Parker” Print.…
Jazz’s growing popularity in the United States in a time known as the Roaring Twenties, was a dramatic turning point in the American life. The growing of this musical industry meant jazz would be thrived in adversity and come to symbolize a certain kind of American freedom, and would be called upon to lift the spirits and raise the morale of a frightened country. The growing of this genre would break barriers between Americans.…
Shipton, Alyn. "Louis Armstrong." In Jazz Makers, 26-29. New York, NY: Oxford University Press, Inc., 2002.…
Meadow, Eddie. Bebop To Cool: Context, Ideologoy, and Musical Identity. Westport: Praeger Publishers, 2003. Print.…
Jazz is a music genre that has complex characteristics and history of development and thus many musicians and scholars face troubles in defining what jazz is. In general, jazz is believed to have born in New Orleans. Jazz developed for the pleasure of the social dancers. According to the “Understanding Jazz: What Is Jazz?” of John F. Kennedy center for the Performing Arts, Jazz was created mainly by Afro-Americans, and had elements of European and Afro-American culture. Also, it emphasizes few elements of Jazz, which are swing-feel, syncopation, and improvisation. These different culture and elements of jazz may be explained by how jazz developed from popular music styles of 1800’s. There can be many different music styles that could have effected development of jazz, but ragtime and blues were the two essential music style in development of jazz. Ragtime and Blues are similar in that they both were forerunner of Jazz in closely overlapping time period, but those two music styles were different in many ways: the origin of the music, whether instrumental or vocal, and which musical technic each music genre focused on. Thus both ragtime and blues were critical in jazz development, but they influenced jazz in different ways.…
Charles Mingus was one of the most influential and groundbreaking jazz musicians and composers of the 1950s and 1960s. The virtuoso bassist gained fame in the 1940s and 1950s working with such jazz greats as Louis Armstrong, Duke Ellington, Charlie Parker, Art Tatum, and many others. His compositions pushed harmonic barriers, combining Western-European classical styles with African-American roots music. While examining his career is valuable from musical standpoint, his career also provides a powerful view of the attitudes of African-American jazz musicians (and Black America as a whole) towards the racial inequalities in America during that time. In addition to being a successful musician, Mingus was a very outspoken social commentator. Through his music, Mingus expressed the frustrations of African-Americans and supported Black Nationalism.…
Bill Crow has compiled a great collection of stories. This book looks into the personalities and humor of the Jazz world. Being a jazz player himself, Crow is obviously familiar with the life of a Jazz musician, and he has written down some hilarious tales that Jazz players have passed on to one another. This book shows how the jazz world as it really is. The entire book is filled, page by page, with hilarious stories of pranks, goofs, getting hired, getting fired, stuff that happened while on the road, jokes, nicknames, and unforgettable moments while playing at clubs. It also gives you a good feel for what the lives of jazz musicians were like the camaraderie and competition, the struggles over money, and the terrible working conditions.…
One of the greatest tragedies in the 20th century can be seen in the debasing of the Jazz genre as a unworthy equal to it's predecessor, European Classical music. This can be seen in various statements about Jazz, such as Boris Gibalin commit, "The "Jazz Mania" has taken on the character of a lingering illness and must be cured by means of forceful intervention."1 This conflict can be traced through out the history of Jazz, as Classical composers have relatively disregarded this new type of music. Before Duke Ellington's Cotton Club performances, Jazz play on the radio was delegated for late night audience only. This sub-culture treatment has led many critics to disregard the Jazz movement as a dance craze, or unsuccessful recreations of Classical pieces. This slandering of Jazz has not only created a false image of the music, but it has also lead to a full disconnection between the two genres. It is for this reason that I propose in my paper to show the relationship between these two musical categories. My hopes in demonstrating these similarities is to disassemble the schism of ignorance built between the two, and place both Jazz and Classical music on equal footing.…
Text Box: Louis ArmstrongJazz is a popular type of music which combines Black Spirituals, African Rhythms, and Cajun music. It began in New Orleans in early 1900’s and traveled to St.Louis, Kansas City, and Memphis, Chicago and New York and these cities musicians developed local styles of Jazz.Over the years different sounds emerged-swing, big band, bebop, fusion and others. So, according to Louis Armstrong’s, Jazz is, “If you have to ask what Jazz is, you’ll never know.”…