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Heritage Tourism: Strength and Challenges of Balinese Art

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Heritage Tourism: Strength and Challenges of Balinese Art
HERITAGE TOURISM: STRENGTH AND CHALLENGES OF BALINESE ARTS

CHAPTER 1
THE PROBLEM AND THE SETTING
1.1 PROBLEM STATEMENT
As one of the largest industry around the world, tourism industry has undergone a tremendous growth during the last decades. Heritage tourism, being one of the categories of tourism, has been entitled as a major area in tourist demand. According to the WTO (Richard, 2000), heritage tourism is considered as very important segments of the total tourism demand, representing 37% of international tourism.
Bali Island, being one of the international tourist destinations of Indonesia has shown evidence of remarkable growth in heritage tourism, due to their dynamic offer of culture and arts. Tourism in Bali started in 1928, when the KPM opened the Bali Hotel in Denpasar, built on the very site of the death (puputan) of the Rajas on 1906. Now, Bali is the most popular spot for leisure activities and cultural heritage exploration. Despite its beautiful natural and built environment, the beauty of Bali is also enriched by the sincerity of its people (Bandem, 2011). Apart from that, as the centre of arts and culture, Bali becomes the magnet that attracts worldwide visitors. Therefore, tourism has radically influence the government of Indonesia to put greater prominence in developing the tourism economy in Bali.
However, over expansion will cause the lost of authenticity. Among the significant drawbacks include globalization, as the influence of Western culture will cause revolutionize towards the Balinese heritage and culture. Besides, unbalanced and uncontrolled development will too cause negative impact to the tourism industry of Bali. Therefore, this research will determine and analyze the strength and threats of Bali in order to gain an understanding of the situation and eventually search for solutions to be undertaken to sustain the heritage of Bali.

1.2 RESEARCH QUESTIONS
1.2.1 Main question
What are the strengths of heritage



References: Hitchcock, M., T. King, V. & Parnwell, M. (2010) Heritage Tourism in Southeast Asia, University of Hawaii, US: pp. 3-7. Anonim (1996) ‘Oxford Compact English Dictionary, Oxford University Press, US: pp. 294 Anonim (2003) ‘Travel Industry Association of America Travelscope survey 2003’; The Historic/Cultural Traveler, 2003 Edition, TIA and Smithsonian Magazine, US. http://www.nasaa-arts.org/Research/Key-Topics/Creative-Economic-Development/Cultural-Visitor-Profile.php Whistler (2007) Arts, Cultural and Heritage Tourism Strategy, Tourism Whistler, BC Canada: pp Ramachandran, V. S. & Hirstein, W. (1999) The Science of Art, A Neurological Theory of Aesthetic Experience, ‘Journal of Conscious Studies, 6, University of California, San Diego: pp. 2-5. Davies, S. (2007) Balinese Easthetic, Global Theory of the Arts and Aesthetics, University of Auckland, New Zealand. Djelantik, A.A.M. (1995) “Is There a Shift Taking Place in Balinese Aesthetic?” Paper presented at the Third International Bali Studies Workshop, University of Sydney,Australia: pp. 2. Anderson, R. L. (1990) Calliope’s Sisters: A Comparative Study of Philosophies of Art, Englewood Cliffs, NJ. Harnish, D. (1991) “Balinese performance as Festival Offerings”, Asian Art 4, quotation from p. 9. Johnson, H. (2002) Balinese Music, Tourism and Globalization: In venting Traditions Within and Across Cultures, new Zealand Journal of Asian Studies 4, University of Otago, NZ: pp. 8-32. McKean, Frick, P. (1989) “Towards a Theoretical Analysis of Tourism: Economic Dualism and Cultural Involution in Bali, University of Pennsylvania Press: pp. 119-138. Bandem, I Made. (2001) Yogyakarta and Pariwisata Budaya. Kedaulatan Rakyat, p. 10. deBoer, F. E. (1995) Balinese Dance In Transition: Kaja and Kelod. Second Edition, Kuala Lumpur. Pothof, R. (2006) Urban Heritage Tourism: A Case Study of Dubrovnik, Bournemouth University, UK.

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