As illustrative of the kind of analysis I would bring to Fences, by August Wilson, if my bid to direct is successful, O prose to take direction for a part of Act 1, Scene 3 of the play. This will include possible blocking, camera work, music, and what the actor should be feeling and experiencing while acting the part. I will examine how crucial it is that the actors portray their characters effectively, and I will offer commentary to assure just that. On the basis of these findings I will determine the function of this scene in the whole play and how the characters and ensuing events of play are necessarily different because of the presence of this scene and the manner in which its conflicts are resolved.
To set the scene, Troy and Cory are debating with one another Cory’s goals and aspirations in life. It is Cory’s dream to play football, to receive a scholarship to play at North Carolina. In Troy’s eyes, his son is wasting his time. Using his experience and his past ventures in the sports world when he was younger, Troy has created this illusion that black men would never thrive and succeed in professional sports. He says, “The colored guy got to be as twice as good before he get on the team. That’s why I don’t want you to get all tied up in them sports”. Instead of pursuing a failed career, Troy wants Cory to work in the A&P and learn a trade such as fixing cars or building homes. Cory is in disbelief that his dad would deny his dreams and aspirations.
TROY. You damn right you are! And ain’t no need for nobody coming around here to talk to me about singing nothing. *distraught, the feeling one should feel when a football game should have been won, when victory was imminent, but with seconds left the opposing team somehow pulls of a miracle play to win the game themselves. Cory should feel that his dreams are so close to beginning but in fact over because his dad refuses to support him* -camera zooms in on a distraught and shocked cory-
CORY. (softly) Hey, Pop … you can’t do that. He’s coming all the way from North Carolina. TROY. (almost chuckling, firm) I don’t care where he coming from. (walks up to Cory and gets in his face, almost asserting himself directly, as to make a crucial point) The white man ain’t gonna let you get nowhere with that football no way. You go on and get your book-learning so you can work yourself up in that A&P or lean how to fix cars or build houses or something, get you a trade. That way you have something can’t nobody take away from you. You go on and learn how to put your hands to some good use. Besides hauling people’s garbage. -camera focuses right back to Cory’s face-
CORY. (almost pleading) I get good grades, Pop. That’s why the recruiter wants to talk to with you. You got to keep up your grades to get recruited. This way I’ll be going to college. I’ll get a chance … -camera zooms out to capture Troy turning his back on Cory, doing something entirely irrelevant- *at this point the actor playing Troy should almost be done with arguing with Cory, so sure on his stance that any word coming out of Cory could never convince him letting his son play football. The actor should feel annoyed that the argument is still going, because he should feel that no more talking is necessary. What’s decided has been decided* TROY. (interrupting) First you gonna get your butt down there to the A&P and get your job back. CORY. (annoyed that his father is not understanding him) Mr. Stawicki done already hired somebody else cause I told him I was playing football. TROY. (stunned turns back around and confronts Cory) You a bigger fool that I thought … to let somebody take away your job so you can play football. Where you gonna get your money to take out your girlfriend and whatnot? What kind of foolishness is that to let somebody take away your job? *Troy should feel almost hopeless for Cory, that he feels like a bad father for letting his son think that it was okay for him to give up his...
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