Essay on Mystery
Essay on Mystery
The classic mystery story contains many key parts, and some of these are present in my novel, while some are not. I think the major and most important similarity between mine and that of a classic is the fact that they both deal with murder. Homicide. Assassinations. The ole' bump-off. Killing.
Manslaughter. Anyway you look at it, both my novel and most novels from the
Hounds of Baskerville to Murder on the Orient Express. My novel deals with this murder in a more dramatic sense, as a publicly loved figure and a heavily celebrated actress who has won many Oscars for her wonderful performances. I would say that my novel is untraditional in the fact that it is not a pure bred detective story, or a police procedural, nor romantic suspense nor or a gothic novel. I would say it is a mixture of detective story as the person who is seeking who killed her sister is in no way a detective, but she is the main protagonist, as a detective is. The other half of the story is a romantic suspense, as a romantic atmosphere starts to occur between Liz and Ted as she starts to realize that Ted is not the killer, and they end up as a couple right at the end of the story. To get into more detail about the mixture of these two classic and celebrated styles, I will use the sheet I was thankfully given by Ms.
Milliorn to nit-pick at the details of these two styles. If I would have to pick one of the styles that my book more closely resembles it would be the detective story. The main character and protagonist is Liz, the sister of the recently slain movie star Lisa. She does in fact interrogate suspects and ferret out clues, but the difference is that she does not even recognize that she is getting some juicy clues, while the detectives do not let on that they have identified a clue, but in truth they have and already trying to use it to solve the case. Another key difference is the fact that the detective finds his criminal by a process of elimination, while Liz
The classic mystery story contains many key parts, and some of these are present in my novel, while some are not. I think the major and most important similarity between mine and that of a classic is the fact that they both deal with murder. Homicide. Assassinations. The ole' bump-off. Killing.
Manslaughter. Anyway you look at it, both my novel and most novels from the
Hounds of Baskerville to Murder on the Orient Express. My novel deals with this murder in a more dramatic sense, as a publicly loved figure and a heavily celebrated actress who has won many Oscars for her wonderful performances. I would say that my novel is untraditional in the fact that it is not a pure bred detective story, or a police procedural, nor romantic suspense nor or a gothic novel. I would say it is a mixture of detective story as the person who is seeking who killed her sister is in no way a detective, but she is the main protagonist, as a detective is. The other half of the story is a romantic suspense, as a romantic atmosphere starts to occur between Liz and Ted as she starts to realize that Ted is not the killer, and they end up as a couple right at the end of the story. To get into more detail about the mixture of these two classic and celebrated styles, I will use the sheet I was thankfully given by Ms.
Milliorn to nit-pick at the details of these two styles. If I would have to pick one of the styles that my book more closely resembles it would be the detective story. The main character and protagonist is Liz, the sister of the recently slain movie star Lisa. She does in fact interrogate suspects and ferret out clues, but the difference is that she does not even recognize that she is getting some juicy clues, while the detectives do not let on that they have identified a clue, but in truth they have and already trying to use it to solve the case. Another key difference is the fact that the detective finds his criminal by a process of elimination, while Liz