Django Unchained Analysis

Topics: Slavery, Slavery in the United States, Samuel L. Jackson Pages: 6 (2224 words) Published: August 27, 2013
Django Unchained: Communication and Culture

The film set in the deep South in 1858, about a slave who gains his freedom with the help of Dr. King Schultz (Christoph Waltz), a German bounty hunter, and sets out to rescue his wife from a brutal Mississippi plantation owner is an intriguing story with very graphic action scenes. The plot of the story begins as Dr. Shultz buys Django (Jamie Foxx), a black slave, from some traveling slave owners. He buys Django because he is chasing a pair of outlaws known as the Brittle Brothers and Django is the only person who knows what they look like. As the plot develops, Dr. Schultz and Django become allies and work together to achieve each other’s personal goals; Dr. Schultz wants to track down and kill outlaws in the south so he can get the financial reward while Django want to find and free his long-lost wife Broomhilda (Kerry Washington) from whom he was separated after trying to escape from his old master. As the story moves forward, the tension and action increases dramatically.

Lasting about 165 minutes, the spaghetti-style western film titled Django Unchained was both written and directed by Quentin Tarantino. Django Unchained was release in Theaters on the 25th of December of last year and on April 16 of this year on DVD in the United States. The main stars in the film are Jamie Foxx, Christoph Waltz, Leonardo DiCario, Kerry Washington, and Samuel L. Jackson, all according to google.com, downloaded May 20.

Furthermore, there are some interesting components in the film that make the story significant. Those include Darwin’s and Freud’s theory of human nature, the white and slave culture, and the communication style of the film. These components are a central part of the film, especially Darwin’s and Freud’s theory and the different cultures of that time since, according to T.A Wardrope, downloaded May 22, “Tarantino films are a sort of alternate history, history as expressed through his memory of genre.” So we will discuss in detail how Darwin’s and Freud’s theory of human nature, culture, and the communication style are a central component in Django Unchained.

According to Deborah Khoshaba, downloaded May 13, “there are many examples of Darwin and Freud's theory of human nature in this movie. Tarantino gets us to consider the features of human beings that make them most fit to survive,” in this case, those human beings may represent a whole culture. So as we look closely at these features Tarantino utilizes, they give rise to the question of what really makes us capable of surviving. Can it be our own strength, passion, love, intellect or ingenuity, as illustrated by the different virtues of each character? Django, for instance, is a strong man who wants to rescue his wife Broomhilda out of love and passion. So is that what makes us fit to survive? In the other hand, Dr. Schultz is a very intelligent and ingenious person who knows how to use his qualities to maneuver through life. Or is it muscle and strength as depicted in Mandingo fighting? As Deborah Khoshaba comments in her essay “Django Unchained: Film analysis, downloaded May 13. Regardless of what the traits that makes us most fit to survive, Tarantino uses them very clearly in this film for us to consider our own human nature. Thus, to a certain extent, we all can relate to some of Tarantino’s characters since we all have the instinct that leads us to want to survive.

Since Sigmund Freud saw the traits of the survival of the fittest theory in human beings, he is also relevant in this film. He was able to recognize that as human being we are inherently selfish and willing to do whatever it takes to compete effectively and to keep fit enough to stay in power or simply to achieve our goals or desires. This also finds its way into the film while the white culture does what it’s in their hand to keep the power and to keep the slave culture in a subordinate condition. It’s also clear as Django attempts to...
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