Analysis Of Fiddler On The Roof

Fiddler on the Roof (1964) is a great monument of Jewish faith in the arts; it was the longest running musical on Broadway of its time. It worked to raise the spirits of the Jewish community in America after millions of family members died tragically at the hands of Nazi Germany in World War II. Because of this intention, it is simple to discover that faith is a strong, consistent theme throughout the show. Although the faith aspect permeates the entirety of the plot, the differentiations in faith between the protagonist Teyve’s three daughters and their chosen counterparts parallel the religious rifts that began to collide at the conclusion of the second world war and the beginning of the Cold War. Teyve’s three daughters represent the three
Perchik is a man of Jewish faith who has been introduced to highly radical, non-Jewish ideology at the university he attended in Kiev, Russia. The Marxist way of thinking made a lot of sense, and there was no coherence between faith and communism to him. Hodel was still adhering to the religious practice of her family, but Perchik began to tutor the three daughters. As Hodel and Perchik’s relationship developed, the idea of arranged marriage became less and less important to Hodel. In consequence to Tzeitel’s engagement, the idea of unconventional couples seemed like less of a distant and far-fetched dream. The difference between Hodel and Perchik and Tzeitel and Motel, however, was the method in which the engagement came about. The former followed the idea of “asking forgiveness instead of permission.” This marked the full switch from classical faith to spiritual but not religious faith; although Perchik had doubts, he still considered himself to be a Jewish man. This sets the difference between this couple and the youngest daughter’s
The different faiths exhibited were classical religious faith, spiritual but not religious faith, and humanistic faith. These three forms of faith also coincide with the three phases of thought: pre-modernity, modernity, and post-modernity. The socialization and interaction of the entire globe in the duration of the world wars as well as in the aftermath allowed for the widespread of new and foreign concepts that really made sense to people such as in the case of Perchik and Marxism. It is also true that the displacement of people from their homes to new areas with new influences introduced the idea of integrated communities where they may not have been before. The idea of the development of faith was necessary with the increasingly difficult and complicated dynamics that can be found in multicultural and multi-religious communities. The evolution was inevitable, and this musical works to highlight the way that even though this transition is uncomfortable, it has possibility to work well and help people find