Preview

African American Spirituals

Good Essays
Open Document
Open Document
1363 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
African American Spirituals
Spirituals were sung by slaves all over the United States. Spirituals are religious pieces they would sing to keep their minds busy during difficult times they had come across. The Spirituals they had sung in Africa followed and stayed with them in the United States. The Spirituals the slaves performed during enslavement have survived up until this day. They are well known as Blues, Gospel, Jazz, Ragtime, and more. Since African Americans followed their traditions so much, It was harder for African American slaves to perform Spirituals due to them not being able to own any instruments. Not only did African American Spirituals play a major role in helping slaves with their extreme hardships, it also helped shape American music today. Spirituals …show more content…
They helped instruct others of the tasks they were assigned and gave them a creative way to express themselves (Findley). These songs were a mental and physical stimulator which allowed them to voice their oppositions, despite their limited freedom of speech (“Music in”). Work songs called “field hollers,” involved a call and response between one or more people (“Music in”). These songs encouraged slaves to get through hard times, and let their feelings be heard (Findley). The singing of these songs led to a sense of teamwork and camaraderie amongst the slaves (“Music in”). Work songs made work easier for them and helped the time move more quickly. After they would stop working at the end of the day, they would stop singing Work songs and start singing what they called Recreational …show more content…
Gospel evolved from the work songs the slaves sang and from the Protestant hymns they sang in church (“History on”). The birth of Gospel music first came about in the South before it was finally spread to the rest of America (White). First it went through Minstrel shows, then Vaudeville, and finally through records (White). Many of the songs and melodies were embraced by white Americans and has a great influence on religion and popular American music (White). It was common for the slaves to perform for their masters, and later they would perform in large ensembles in front of a polite white crowd (White). Many of the churches that are still in service today revolve around Gospel music. Gospel had eventually evolved into a type of music called

You May Also Find These Documents Helpful

  • Better Essays

    From the times of slavery, spiritual hymns, known as gospel music today, expresses the emotion for the African Americans. Many American slave owners did not allow Africans to use instruments nor could they play or sing in their native music. Gradually, the music of Africans has been lost with much of the words and melodies and misplaced in North America. Ever since their musical inherited link has been banned, this created a new African American style. The black slaves created gospel song that used Christian subjects with African traditions of harmony. Since slave owners did not allow sing the church became a refuge for black slave expression. It was the only place that group slaves could come together without fear of white control. Though not every one of the slaves' holders allowed religious tradition or consent to worship, the slaves had to meet secretly in churches or barn house. The Africans sing as they work in the hot sun. Work songs and "field hollers" were to ease the drudgery of hard labor in the fields. (Tanner)…

    • 2319 Words
    • 10 Pages
    Better Essays
  • Powerful Essays

    Negro Spirituals

    • 1631 Words
    • 7 Pages

    Spirituals, a religious folk song of American origin, particularly associated with African-American Protestants of the southern United States. The African-American spiritual, characterized by syncopation, polyrhythmic structure, and the pentatonic scale of five whole tones, is, above all, a deeply emotional song. Spirituals are really the most characteristic product of the race genius as yet in America. But the very elements which make them uniquely expressive of the Negro make them at the same time deeply representative of the soil that produced them. Spirituals were long thought to be the only original folk music of the United States, and research into its origin centered mainly on the nature and extent of its African ancestry. Because slaves were brought to the United States from many parts of Africa, no single African musical source is clear. Elements that African music and American black spirituals have in common include syncopation, polyrhythmic structure, the pentatonic scale, and a responsive rendition of text.…

    • 1631 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    Slave developed a complex range of behaviors to resist the harsh control forced on them. As a result, enslaved Africans resisted or rebelled against as many different ways. Typically, runways left only for short periods so they need to hide in a nearby forest or neighboring plantations. Local Caribbean newspapers were advertised the runway slaves for the plantation owners. Another ways of resisting slavery was stealing their owner’s stuffs. Enslaved people also fought against slavery by telling the truth using music or delivered their spirituals. Spiritual, a distinctive musical art form created by slaves, drew heavily on biblical theme. Virtually, majority of modern popular music, include jazz, gospel, blues, rock and roll, and hip-hop influenced to the part from musical traditions rooted in the experience of American and New World slavery.…

    • 599 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Spirituals

    • 372 Words
    • 2 Pages

    Spirituals began when Africans were brought to the colonies and forced to work as slaves. These songs were used to communicate, pass the time, and tell stories. Spirituals allowed slaves to express their despair, pain and suffering and slaves used code words to talk about their masters or give hints about escape, directions, and escape route. Spirituals also allowed for religious devotion and unity and was homophonic, containg multiple parts to the same rhythm. It also incorparated sycopation, the unatural stressing of beats, as well as stomping and clapping to create beats because drums were banned. Banjoes were allowed for slaves who could play an insturements and the call-and-resoonse style was used regularly in Spirituals. Through the racial immpersonasions of African Americans males by white British or American men called blackface in minstrial shows, led to the integration of blacks and…

    • 372 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    Afromucology Homework

    • 698 Words
    • 3 Pages

    C) Spirituals – Form of music developed by African Americans. Spirituals have heavy rhythmic patterns and Christian beliefs. This genre contains themes of oppression, hope, community, and Christianity.…

    • 698 Words
    • 3 Pages
    Satisfactory Essays
  • Satisfactory Essays

    Slave Hollers

    • 263 Words
    • 2 Pages

    Most commonly, slaves born in Africa sung songs that remind them of their homeland. American born slaves were considered African-American because of their African roots. African-American sung about the hardships of enslavement mainly because many were born and raised in enslavement.…

    • 263 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Because of this, it is hard to pinpoint its origins. We do, however, know that the spiritual comes after Christianity was introduced to the slaves as spirituals are “a genre that symbolized the slave population’s unique expression of Christian religious values” (Burnim 2015,50). With this knowledge, we can deduct that the music began its development a short time after the first Great Awakening movement of 1740, a time when many slavemasters were able to successfully convert slaves to Christianity. Despite this new found religion, the spiritual developed alongside the secular music of the slave culture with many of the same foundations and sound…

    • 729 Words
    • 3 Pages
    Good Essays
  • Good Essays

    In analyzing the religious experience of African Americans, one must first understand the trials and tribulations faced by the African American before the religious experience encountered can be fully realized. In 1619, the first ship caring African American slaves arrived in Virginia. Until 1808, 10 million African Americans were enslaved throughout the Americas. During this time, many African rituals and traditions, relating to African Heritage, also became transplanted to the new surroundings (Unit 3, Lecture 5). In South American religions, African Heritage had a large influence on South American religions. The religions incorporated “characteristics such as worship of multiple gods, veneration of ancestors, African-style drumming and dancing, rites of initiation, priests and priestesses, spirit possession, ritual sacrifice, sacred emblems and taboos, extended funerals, and systems of divination and magic” (Unit 3, Lecture 5). Unfortunately, the British hold over the slaves made it…

    • 856 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Gospel music has being a vital part of spiritual life and the church since the late 1800’s. It takes it roots from both Negro spirituals and traditional church hymns which came from Europe. Revivalists of the turn of the century employed gospel music to stir emotions and gain converts.…

    • 359 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    Passive Resistance

    • 289 Words
    • 2 Pages

    music was important to the slaves as a form of passive resistance because they could communicate, give each other signs of escape/runaway and keep their spirits up. music was very meaningful to the slaves in the past.…

    • 289 Words
    • 2 Pages
    Satisfactory Essays
  • Better Essays

    African Americans started practicing spirituals and gospels since the earliest days of slavery. In the early 19th century, slaves would sing these religious songs, while working, playing, resting, and during their gatherings. The songs were the only way the slaves could create a positive and optimistic attitude towards their lives. The insecurity that the slaves had from their slave owners were then forgotten because of the songs that they sung. These songs made them believe that they were the children of God and took their attention away from the hardworking labor that they withheld every day. The spirituals gave the slaves hope and the security of…

    • 1279 Words
    • 6 Pages
    Better Essays
  • Powerful Essays

    The story of the emergence and overwhelming manifestation of African American Religion is rooted in the memoirs of the enslaved. Religion aided in innumerable pivotal roles in the progression and acceptance of American people and the African American church. Christianity, astoundingly, became the focal point of African American culture, despite the awareness that their oppressors had previously used the same doctrines of Christianity against them to justify 300+ years of slavery, genocide, and rape. The elucidation of why Christianity was so successful is beyond what any one book could bother to grasps. Albert Raboteau’s Canaan Land valiantly takes the charge to convey the often neglected narrative of the African American religious experience and it’s awe-inspiring capacity to instill meaning, hope, and dignity within a people(x).…

    • 1775 Words
    • 8 Pages
    Powerful Essays
  • Satisfactory Essays

    Slave religion was one of the primary factors of African American culture that separated them from others. Some slave owners forced their slaves to attend churches run by white ministers, who preached that they should obey their masters and not try to run away. So, to rebel in a way, slaves practiced their own version of Christianity which included Christian ideas with African traditions. They had to practice this new religion at night in secret because the law prohibited slaves from getting together without a white person present. However, these gatherings were normally run by a black preacher, who became one of the most respected slaves in their community. These meetings also included dances and singing. The slave religion was an integral part to the African American culture because it encouraged them to pray and become individuals instead of, as seen by the whites, being pieces of property. They prayed of freedom and these meetings gave them hope that one day they might be free. In these ways, the slave religion was one of the most paramount features of African American culture during the…

    • 778 Words
    • 3 Pages
    Satisfactory Essays
  • Better Essays

    Gospel Music

    • 1645 Words
    • 7 Pages

    Costen’s In spirit and in truth: the music of African American worship basically explains how African Traditional Religions are the anchor for music in African American Liturgy. Costen starts her book by explicitly describing the ways of life of the African people. Africans live segregated within their respective clans or tribes, and each tribe has its own religious values and traditions. Although there is diversity within and between African communities, Africans remain united in terms of both their monotheistic beliefs and their love for music. In traditional African cultures, life is not compartmentalized into sacred or religious realms. Life is viewed and lived holistically, with music functioning in a variety of ways( 8). Music and…

    • 1645 Words
    • 7 Pages
    Better Essays
  • Powerful Essays

    Lord, Teresa L. “Evolution of the Blues Preacher”, “Blues Lyrics. Voice of Religious Consciousness”, The Holy Profane: Religion in Black Popular Music. University of Kentucky, 2004-11-01…

    • 3793 Words
    • 16 Pages
    Powerful Essays