In the article “Urban Renaissance Meets the Middle Ages” Lopez wills numerous rhetorical devices to do his bidding as he writes to create for his readers a world of hugely disproportionate lifestyles. Set in Los Angeles, these two lifestyles that are less than a stone’s throw away from one another makes for an interesting subject matter. “They’re yours for the taking: Luxury lofts in downtown Los Angeles, with rooftop pools, swanky cabanas, and views of Porta Potti brothels on skid row.” In this, the first sentence of this passage cleverly sets up the tone, and point of this…
Seurat’s work of art portrays a serene, calming moment where different kinds of people gather in the shoreline of an island in Seine River, taking pleasure in a Sunday afternoon. The artist’s seeming ‘cast’ composed of soldiers, boaters, the fashionably and casually dressed, the old and the young, families, couples, and single man and women. It appears to be that he is trying to assemble a certain kind of community consisting of different class of people. What is notable in this canvas is the characters’ explicit lack of interaction suggesting that it is because of their diverse class order. Seurat suggests starting a revolution in Impressionism, making his subjects like those in ancient Greeks live and move in a modern setting. The…
An unassuming furniture fixture became Hat Rack when he chose to suspend it from the ceiling, remove the base that would elevate it from the floor, and call it “art”. Hat Rack stems from the lineage of to his most well-known and first readymade, Fountain (1917 Image 2). Under the guise of R.Mutt, Fountain was denied entry into an “open” exhibition on sculptures, where the only requirement was a 6$ registration fee. In an open letter, Marcel Duchamp argues that “Whether Mr. Mutt with his own hands made the fountain or not has no importance. He CHOSE it.” Through taking an ordinary facet of material life, Duchamp under the pseudonym of R.Mutt removed the “useful Significance” of the urinal, elevating it to the status of art, creating a new “Point of view” and “thought” for the…
John Berger’s “Ways of Seeing” is a short commentary that seems to be about how different classes of people perceive art, how its meaning has changed through the ages, and how the introduction of technology has affected it. Berger seems to be an extremely controversial art critic, based off opinions of him that range from “stimulating” to “preposterous”. He has been praised numerous times, yet condemned just as much. His writings can seem extremely complex and difficult, even cryptic at times; but trudging through his works can yield many fascinating nuggets of truth.…
Georges Seurat’s most commemorated painting, A Sunday on La Grande Jatte-1884, deemed him the father of Pointillism and Neo-Impressionism. As a French post-impressionist artist, he was noted for his innovative style and painting techniques. Seurat’s artistic personality was very disparate when compared to his counterparts of the post-impressionist era. Other artists of that time period, such as Paul Cézanne or Henri Rousseau painted what may be considered more traditional art at that time, using the set standard of blending colors on canvas, rather than through optical illusions. Georges Seurat possessed qualities that were usually deemed incompatible with the creativity needed in art.…
The author argues that Ernst Kirchner’s street scenes contributed to the dialogue about luxury and immorality that was based on art, advertising, and fashion. Kirchner was a part of the artistic group Die Bruke, which consisted of four men who were all expressionists. When Kirchner left the group he went to Berlin and his friendships dissolved. He became lonely and therefore went out at night and started viewing prostitutes as models. To Kirchner they were more than prostitutes; he viewed them as the icon of the city and felt a strong connection with them. Simmons takes on this stance by going in to detail when discussing and describing each facet of the artwork being produced in this time period. Kirchner’s inspiration to produce the work, many critics viewed as racy, relates back to Georg Simmel’s…
Together the elements of this painting illustrate a small group of individuals in a brightly lit dinner on a lonely night in the city. Contrasting values used to imply the time of day show light as well as shadow. Directional Forces and empty space lead us to believe that the city street has been abandoned in the late hours of the night, except for a few individuals. Though the population of the dinner is small this night a psychological line between the patrons shows that not all chance of social interaction is…
A Bar at the Folie Bergere is a stunning piece of art that portrays a server who is a bit discontent with her surroundings, but nevertheless still appears passive. The center character of the painting is neither an anguished server wishing for a better life or a calm and cool bartender, attentive to her…
To enable readers of your work to trace the sources used and draw their own…
Manet’s A Bar at the Folies-Bergère p. features a young female bartender whose apparel possesses many similarities as well as differences to that of today. The overall style of her attire exhibits a similar type of sex-appeal as seen with current day clothing. The waist is tight and gives a thin and hour glass appearance while the neckline of the top is quite low and provocative. In contrast to this are the lace detailing and high collar of the shirt. In modern times, this type of collar and large amounts of lace tend to be primarily seen in bridal and other very formal type of fashion.…
• Manet, Still Life with Bouquet of Violets and a Fan, 1872 may be a tribute to Morisot.…
In John Berger’s article, ’Ways of Seeing’, it explains European eighteenth century art and how it relates to many of todays cultural transitions. Before Berger begins explaining the art itself, he tells us about the cultural constructions that exist today. These cultural constructions are enforced and were highlighted through European eighteenth century art. He began by explaining the difference between a man and a woman’s presence. Men’s presence depends how much power he is able to successfully portray. This power can be social, economical, sexual, etc. A woman’s presence expresses her attitude toward herself and in turn how she will allow other to treat her. This explains why women are so critical of them and critique their actions no matter what the situation may be.…
A prominent trope of the graffiti of May ’68 was hostility to the priorities of consumerist society. It represented the belief that wealth had become the system’s imperative in place of things like time or individual initiative. Whoever wrote ‘They are buying your freedom. Steal it!’ encapsulated the belief that material prosperity was displacing ‘freedom’. Economic growth was accompanied by what Ross called “the withdrawal of the new middle-classes to their newly comfortable domestic interiors.” The number of cafés was…
The first thing I noticed about the painting of A Bar at the Folies-Bergere is the women standing behind a bar, I especially notice the women’s facial features. She is a beautiful young women but she looks sad, has rose red cheeks and her gaze is like she is looking off into the distance. Another thing is that she has a dress on that is revealing of cleavage but she is wearing some sort of flower boutonnière to cover her breasts. As I focused on the women, it appears to look that she is standing at the bar by herself. Then I move my focus and looked to the background of the painting, I am assuming that the background behind her is a mirror, you can see that there is a man standing in front of her. So it seems that Edouard Manet is having us…
In the introduction, Pollock starts to analyze how the art and public world during the late 19th century was directed towards masculine standards. That the standards connected to modern art are those set by men for men, leaving the female artists unaccounted for. She also goes on to say that the work produced by the women artist of this time period is different that that of their male equals due to the fact that the women of this era were limited to certain areas of life, there for restricting there subject matter and views. She explains this in telling how there were severe differences socially, economically, and individually among men and women during this time frame (Pollock, 247). Pollock does this through the article by using the Impressionist artists, Mary Cassatt and Berthe Morisot. She explicates the fact that these two artists' works are different in several degrees due to the fact that spaces they were bound to affected what they produced (Pollock 248).…