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Bruce Dawes poems explore the impacts of consumer culture and are an indictment of the growing materialism in modern society. In Enter Without So Much As Knocking (1962), Dawe portrays a world dominated by consumerism, which has lead to `conformity, and eroded the individuality of many people. The idea that our view of the world can only be seen through television and that our experience of life is restricted and controlled by it is highlighted in the satirical poem, Tele Vistas.(1977) This idea is revisited in The Not So Good Earth.(1966) Television in consumer society is the prime source of information and entertainment. Dawe expresses his concern that we have become desensitized to human suffering because it is presented to us as entertainment.…
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Life as a whole has both negative and positives however it is ultimately the positives that triumphs. Both Bruce Dawe's poems 'Husband and Wife' and 'Drifters' and Hannie Rayson's Australian play Life After George explore and confirm this notion. Although Dawe's poems were written in the context of the 50's and 60's and Rayson's play was written in 2000, both works share similarities in their positive outlook on life but however have differences in their values of society.…
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Bruce Dawe is one of the most inspirational and truthful poets of our time. Born in 1930, in Geelong, most of Dawe’s poetry concerns the common person – his poems are a recollection on the world and issues around him. The statement ‘The poet’s role is to challenge the world they see around them.’ Is very true for Bruce Dawe, as his main purpose in his poetry was to depict the unspoken social issues concerning the common Australian suburban resident. His genuine concern for these issues is evident through his mocking approach to the issues he presents in two of his longer poems, ‘Enter without so much as Knocking’ and ‘Life-cycle’.…
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The two poems that are closely being looked at are ‘Breakthrough’ and ‘Televistas’, both poems are by Bruce Dawe.…
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Bruce Dawe is an Australian poet who uses the voice of ordinary Australians in his poetry. He uses universal concepts to create challenging themes and highlight the concerns of life and society. Distinctive ideas and techniques are presented in Dawe’s poetry and this is evident in the poems “Enter without so much as knocking” and “Weapons Training”.…
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The new season of American Horror Story has just begun. Time to binge watch the previous seasons to see what had been missed. Let’s sit down and watch a few episodes, but after the first, you had already become addicted. Compulsively watching the next, and the next, and the next just to wonder what happened to your entire Saturday. Marie Winn’s article titled Television: The Plug-in Drug, has depicted the change in family dynamics when it comes to television being a literal cornerstone in the family household, and how relationships have metamorphosized from unity to singularity. I think that Winn’s target audience is anyone who own a television, which is most people. I think that Winn’s article shows a clear depiction of how families have transformed…
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Bruce Dawe, an Australian known poet, born 1930 is still one of the biggest selling and most highly regarded poets of Australia. His ability to write such influential poems has made an impact on a number of people, as each poem can be related to the ordinary living lives of Australians throughout the years. Bruce Dawe's poems are interesting because they comment on the lives of ordinary people. This statement is agreed on. In relation to the statement, three key poems can be linked being Enter Without So Much as Knocking (1959), Homo Suburbiensis (1964) and Drifters (1968).…
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Dawe further expresses his value on consumerism through employing imperative language within the dialogue. In stanza four, the persona directs the protagonist to ‘hit wherever you see a head and kick whoever’s down’. This particular sentence shows us how a materialistic society encourages people into being self-centred. Through the delivery of imperatives, Dawe stresses that materialism is demanding and manipulative in people’s lives- even from the very beginning of life.…
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During the time that Ray Bradbury had written this book, television was a brand new invention. It was not too terribly popular yet, but he thought that it posed a problem. In Ray’s mind, people would be consumed by irrelevant and insignificant programs, which may become habit-forming as time progressed. He…
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“And so, I raise no objection to television's junk. The best things on television are its junk, and no one and nothing is seriously threatened by it. Besides, we do not measure a culture by its output of undisguised trivialities but by what it claims as significant. Therein is our problem, for television is at its most trivial and, therefore, most dangerous when its aspirations are high, when it presents itself as a carrier of important cultural conversations. The irony here is that this is what intellectuals and critics are constantly…
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In the culture that Montag lives in, it is expected in everyone to participate in the civilization’s entertainment sources: mindless television, the “shell”, and violent games. Television (a.k.a. parlor walls) are made up of a flat screen on a wall; sometimes it fills all of the walls instead of just one, and is made up of fast-moving, mindless flashing images of people known as the “family”. Every second they are on,…
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In Bruce Dawe’s poems Breakthrough and Life Cycle, they are often trying to persuade, inform or warn the reader of different things throughout the human life. This is done by translating his social beliefs and stands into poetry, using many language techniques to express his points. Some of these will be discussed throughout this critical response.…
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Poetry expresses an individual’s most intense emotions in the least amount of words. In the poems ‘Enter Without So Much As Knocking’ and ‘Life Cycle’ Bruce Dawe expresses what the true Australian perspective is in his straight forward way of telling people what living in Australia is like.…
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May 9th, 1961. Newton N. Minow stands in front of a convention of the National Association of Broadcasters to give his first big speech, “Television and the Public Interest.” Minow was appointed by President John F Kennedy himself, as the new chairman of the Federal Communication Commission (FCC). His speech directly speaks about the influence and future of broadcasting television. He refers the current programming as a “vast wasteland” and ultimately advocates programming in the public interest. (Wikipedia 1)…
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Traditional soap opera dialogue is not unlike the pop-artist Roy Lichtenstein's stylised magnification of the commonplace in his satirical paintings of the 1960's. Coupled with Lichtenstein's oft-considered triteness of relationships, which is duplicated in soap operas, both have their critics that regard them high art or inferior pop art. Soap operas provide mass entertainment for a countless number of people of varying gender, age, ethnicity and social position. These electronic melodramas are observed in millions of homes around the globe each day, where it is not uncommon for fans to partake in several consecutive televised soap operas a day. Dedicated spectators watching these programs have, in some cases, created a blur between fantasy and reality and consequently written letters to warn actors about impending danger. Social theorists have raised concern over these habitual and unusually involved viewing practices, proclaiming that the serial may be a vehicle for a concealed capitalist ideology that claims to be light entertainment. Conversely, what some critics see as the poorest display of the electronic media soap operas are also revered, by some, as the vanguard of it.…
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