was a man of manipulation‚ provocation‚ disdain‚ and most of all he was a man of change. Otto Von Bismarck was a man of manipulation or the changing of one’s surroundings to better fit their needs and desires. Otto Von Bismarck used his ability to manipulate others so that he could help Germany (Prussia)‚ develop a standing in Europe that would make them the number one power in Europe. Otto Von Bismarck was also a man of provocation or the pushing of others for the intent of angering them to take action
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century British playwright William Shakespeare‚ demonstrates just how much one character can completely manipulate and influence the actions of the other characters in the story. “Othello” is a prime example of how one devious character with insidious motives can sway the other characters to do things that they normally wouldn’t do‚ and go to almost any and all means necessary to benefit only himself. Iago is this evil and conniving character that influences nearly every character in the play to go against
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To what extent is Iago presented by Shakespeare as a tragic villain without redeeming features? Notes to expand on later Iago is possibly one of the first villains of Shakespearean times with both redeeming and villainous qualities. In the tragic play “Othello”‚ by William Shakespeare‚ Iago is shown as an honest yet manipulative villain; which is uncommon for villains in texts written in Shakespearean times as it humanises the villain. London councils at the time thought that theatre should not
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believe everything Iago tells him is true? Why doesn’t Othello seek his own proof of Desdemona’s betrayal? I’ll tell you why. Throughout the entire play‚ Iago does everything possible to gain the trust and respect of Othello. Iago begins to tell Othello everything that has happened between Cassio and Desdemona. Again Othello seems a bit skeptic about believing Iago but of course‚ everything Iago says is happening‚ happens and becomes somewhat true. Othello is believing everything Iago tells him and I
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Shakespeare’s play Othello is manipulated to trust Iago rather than his wife. Iago uses fake evidence against Desdemona in an attempt to prove she is cheating on her husband. Iago uses racism and past experiences to persuade Othello into believing he is not good enough for his wife as well as her not being good enough for him. Othello choses to believe Iago over his wife for the reason that she has only her word to back up her story while Iago has hard evidence. Iago plants fake evidence in the form of a handkerchief
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an argument with Iago and Roderigo‚ in which the audience first see Iago’s character emerging. In the opening scene‚ Iago displays his crude characteristics and language. Perhaps his most revealing declaration at this point is his proud boast `I am not what I am’. Though Roderigo is evidently meant to take this as reassurance that Iago only feigns allegiance to Othello for his own ends‚ the deeper implications of Iago’s words are soon to become apparent to the audience‚ for Iago uses Roderego’s
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Iago has the ability to charm and convince all the characters of his loyalty and honesty “Honest Iago”. But to the audience‚ Iago is a treacherous manipulator always looking to help himself by using the downfall of other characters. He uses many characters to his benefit‚ recognizing how trustworthy and oblivious these people are. Iago cannot be relied on as he has many masks‚ behind which he hides. He has many disguises and secrets that he hides from everyone. “I am not what I am” (Act 1‚ Scene
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How is Iago Presented In Act 1‚ Scene 1 Of “Othello” “Othello” was a play written by William Shakespeare in 1603. This play is a tragedy written in iambic pentameter‚ with a noble hero named Othello and a devious villain called Iago. Iago changes the story for the worst as he causes Othello to commit suicide and murder his loyal wife because of his fatal flow which is jealousy. The opening of the play confuses the audience for Iago and Roderigo are arguing over Desdemona. The audience may also
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of the Vermeer house initially encompass sincerity‚ however it is not long before the young girl who did not often lie’ soon matures in haste‚ adapting adult behaviours such as manipulation and exploitation of those around her. Griet blatantly manipulates minor characters such as Tanneke‚ and Pieter.
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to “What’s Going on in Famous Characters’ Brains?” I am your host today‚ Mr. What. Now‚ I am glad to invite the greatest villains in Shakespeare’s and Golding’s writings. (Audiences clap hand enthusiastically. Spotlight on Iago and Jack. Host turns to the guests.) Host: Iago and Jack‚ your rising fames indeed captures everyone’s attention. Can you explain a little bit of the road to success and who would you like to thank for? Maybe you first‚ Jack? Jack: (pulls a meat from his pants and chews
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