V for Vendetta

Topics: V for Vendetta, Totalitarianism, Norsefire Pages: 5 (1657 words) Published: May 2, 2012
, the film makes the assumption that every oppressed citizen is actively skeptical of their own government, can see through its propaganda, and is eager to take up active resistance. It is true that the four or five sets of ordinary British observers in the film are quick to recognize their government's hypocrisy and lies, but the film may actually be saying that's correct: We are quite good at recognizing our government's hypocrisy and lies; the problem is that we're too willing to put up with it. The problem isn't opening our eyes to the truth, it's getting us to do something about it. The powerfully symbolic film V for Vendetta uses the voice of one anarchist, V, to influence thousands of people into standing together against their fascist government and fight for freedom. Although set in England, the film appeals to American viewers by reflecting similar policies now carried out by the American government

A good example would be at the end of the film when all of the masked people approach the line of soldiers. The soldiers raise their rifles, but when the masked group advance, they give up, because fear was their only tool of control. Once the masked people showed that they were not afraid anymore, the government lost their power to rule. Having the masses of people at the bottom in the poster helps suggest that this is a film on political revolution as suggested by the image of people uprising against a background of a city, the city here represents a local government that the masses of people are protesting against. The text `freedom' and `forever' emblazoned in red against the masked figure suggests he and the masses of people are together involved in a fight for freedom against the local government

V is the protagonist and is a lone freedom fighter in totalitarian Britain, who is always shown wearing a cape and a Guy Fawkes mask. He uses his knowledge and courage as his power over Sutler to make the public aware of what Sutler’s deceiving actions. His power as a lone freedom fighter enables him to start a revolution against Chancellor Sutler. V is an idea of freedom, as is emphasised in the movie, which implies that V has greater power over the other characters as ideas can never be destroyed. V’s sympathetic character enables him to gain power as he is fighting for a cause that all people believe in. The audience accept the values that V has and the way he uses his power to bring change in the totalitarian country of Britain so that people can have a say in the future.

One of the main themes that was reflected in the film was vengeance. "People should not be afraid of their government; the government should be afraid of their people." –V. In V for Vendetta, there is betrayal, treason, and a passion for what is right. V is taking on his own violent vendetta.  In an unusual way, V tells his story to Evey. "The only verdict is vengeance.. Violence can be used for good." He wants to change the way people see their government, and put a stop to all the wrongs. In a way he ends up doing this b

V for Vendetta is a dangerous film, not because it’s going to incite people to try and blow up the White House or even convince people that terrorism is a good thing, but because it is the type of movie that attempts (almost successfully) to make an allegory out of misconceptions and misinformation.

On the other hand, V took the fear that still existed in peoples’ minds, but helped them to realize they shouldn’t be afraid.   In his plot to regain control on November Fifth he did made what could be his most important move.   He gave a nationally broadcasted speech to the citizens of his country, exposing and reminding the citizens of England what their government was doing to them.   He helped them to recover the fact that this new life, this life that they had become accustomed to, had considered normal, was not in fact a country in which “England would prevail,” but rather a country which needed a face, and an...
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