* Discuss “contrasts” and its intention to highlight gothic architecture as tradition which had declined since reformation.…
The shaft is smooth and cylindrical and the capital is tapered. These zigzag patterns are also commonly known as chevron patterns[7]. According to the Penguin Dictionary of Architecture[8], chevron molding is a common characteristic of Romanesque architecture, likewise is the dominant use of semicircular arches[9]. Romanesque architecture designs a building in a way that it communicates glory and might to the society through height, light, and mass[10]. These are features that complement the court considering that it deals with legal practices, the foundations of cities.…
An Appreciation The Middle Ages Architecture – Early: Romanesque – Late: Gothic Visual Arts – Stressed iconic/symbolic, not realism Late Middle Ages saw technological progress McGraw-Hill © 2006 The McGraw-Hill Companies, Inc. All rig…
The period approximately from 1000 to the late 1300s can be concerned to be the time of full bloom of the Gothic cathedral. As the famous architectural style, the Gothic style was originated from France. In this essay, French gothic and English gothic have been selected to demonstrate how two historical periods can have many differences but still remain true to their own religious variations, architectural features and functions and meanings to create insightful parallels. Five of the French cathedrals and one of the English cathedrals have been selected to represent French and English gothic periods respectively, including Notre-Dame Cathedral (Figure 1), Chartres Cathedral (Figure 2), Amiens Cathedral (Figure 3), Beauvais Cathedral (Figure…
Greater reliance on classical elements and Mannerist concepts. Horizontal emphasis, regularity, larger scale but still highly individualistic in appearance. ( “ English Renaissance ”). Brick in elaborate patterns and brick with stone quoins, Timber, Local Stone and Plaster. Growing importance of the staircase, Bay and Oriel windows and concept of comfort. External walls are generally constructed of brick, rendered, or faced with stone in highly finished ashlar masonry, laid in straight courses. The corners of buildings are often emphasised by rusticated quoins. Basements and ground floors were often rusticated, Internal walls are smoothly plastered and surfaced with lime wash. For more formal spaces, internal surfaces are decorated with frescoes. Tends to be massive, heavy proportions, carved and or inlayed. Little use of either painted or gilded surfaces. Relies on textiles and surface decoration for interest.. Increased use of Upholstery and the introduction of sets with matching fabrics. ( “Renaissance Architecture” Wikipedia”). The boss is the round decoration where the lines of the vault meet. Those in St. Mary Redcliffe are intricately decorated with gold, though they can scarcely be seen from the ground. ( “Renaissance Architecture” Wikipedia”). Vaults do not have ribs. They are semi-circular or segmental and on a square plan, unlike the Gothic vault which is frequently…
While upon first constructing the chapel, Charlemagne thought of having some influence come from Byzantine architecture, however when the constructing began, it seemed to take on a more different architectural style. In his article, Conant writes, “…for a while it is and was meant to be superficially Byzantine, it is in its wall and vault construction, in its use of cut stone and rubble, of ramping vaults, ribs, diaphragm walls, and columnar buttresses, a true fore- runner of Romanesque building” (Conant, 445). While there are some influences form Byzantine architecture, the chapel was more heavily influenced from past architectural work such as the San Vitale in Ravenna, Italy. Charlemagne visited San Vitale multiple times in the past and loved so many things about its architecture and style. The San Vitale is an early example of a centrally planned church, which is a church consisting of an alter in the center and mainly used for baptisteries and tombs. The exterior of The Palatine Chapel seems to be very elaborate. It consists of a westwork, transept, aisle, chancel, nave, and an apse. It was an innovative building in both its plan and elevation, and is quite amazing the way it is displayed. Even though the influence comes from San Vitale, it is much larger in…
Gothic cathedrals were built during the Middle Ages. The Middle Ages was also called the Dark Ages and the Medieval Ages. The reason for these names was a lot of enlightened ideas that came from the Greeks and Romans vanished and certain advances in…
Civilizations have evolved and prospered throughout history, producing unique buildings and architectural styles along the way. The buildings are expressed as society’s values and unique characteristics that are simply astonishing. Medieval cathedrals were the product of more than a 1000 years of both religion and architectural evolution. Medieval cathedrals played a major role in Christian heritage, the gothic and architecture. The medieval period, with its boundless faith and energetic spirit, found an ultimate expression in the cathedral…
The video starts out with the Romanesque period of churches and cathedrals. The main example of these churches is the Autun cathedral. This cathedral has the classic Romanesque architecture where the walls are heavy and made out of stone. There are pillars and a very structured and separated floor plan through the use of pillars. These cathedrals held artifacts and relics of famous saints of the church. Pilgrims would travel from all over to see these icons. They would ask them for a variety of things, from healing to forgiveness of sins. The Autun cathedral featured tympanums created by sculptor Gislebertus. He was sometimes called Gislebertus of Autun. The work there is called the Last Judgment. I features a circular design. These Romanesque cathedrals had stone walls that were thick, heavy, and supported the roof. The style then moved to a Gothic style. These had very open floor plans and featured thin walls with lots of stained glass. Architecturally, they used flying buttresses to support the immense height of these cathedrals. The finest example of these in France is the Cathedral of Chartres. This cathedral featured the apostles and other church icons in a seemingly floating manner. These cathedrals were also points of pilgrimage. They housed relics like the Romanesque ones did.…
During the High Middle Ages, Western Europe developed one of the most impressive and successful civilizations the world had yet seen. One might have thought it was a civilization destined to continue essentially unchanged for centuries. But that's not what happened. In the 14th century, a series of disasters shook Western European civilization to its foundations, eventually forcing major changes in Europe.…
The essentially religious view of the world that dominated medieval Europe began to change dramatically in what is called the European Renaissance. Although religion continued to occupy a primary position in the lives of Europeans, a growing concern with the natural world, the individual, and humanity’s worldly existence characterized the Renaissance period. The Renaissance, which means “rebirth,” extends roughly from the 14th through the 16th centuries. In the 14th century, scholars and artists began to cultivate what they believed to be the rebirth of art and culture. A revived interest in “classical” cultures was central to this rebirth, hence the notion of the Middle Ages or medieval period as the age in between antiquity and the Renaissance. The transition from medieval to the Renaissance, though dramatic, did not come about abruptly. The Renaissance had its roots in the epochs that even preceded the Middle Ages, and much that is medieval persisted in the Renaissance and in later periods. The Renaissance eventually gave way to the modern era; the continuous nature of this development is revealed in the use of the term “early modern” by many scholars to describe the Renaissance.…
As I walked deeper into the gallery, I found myself walking through what looked like a church with pillars of stone, stained glass windows, and marble arched doorways. In the middle of the gallery was a "Romanesque Cloister". This looked like a courtyard with a fountain in the center and surrounded by stone archways and pillars. The cloister stood in the heart of a medieval abbey or monetary. The example that I saw was based on the elements of the cloister "located at Abbey of Saint-Genis-des-Fontaines in the Roussillon, a mountainous region in Southwestern France that was fought over by Christians and Muslims for centuries". The cloister was the center of the abbey; which connected the living quarters to…
From A.D. 500 to 1400, Europe went through a period of faith, disease, terror, feudalism, and advancements in art and architecture. This period is commonly referred to as the Middle Ages. The middle Ages brought an epidemic that killed roughly one-third of Europe’s total population, renewed faith in God, and advancements in art, architecture and…
Built in the courtyard of San Pietro in Montorio in Rome in 1502, the Tempietto is a small commemorative tomb for St. Peter. Drawing from the style of early Greek temples called a tholos, the Tempietto uses a centralized plan of a peristyle enveloping a cella. Harkening back to the classical obsession with symmetry and proportion, Bramante achieved an incredible harmony and balance between the dome, drum and base. Additional features such as the stylobate, steps, colonnade and dome all are derived from classical architecture. The columns are an example of the Doric order. The circular temple supports a classical entablature, consisting of a frieze with triglyphs and metopes, which consist of symbols of Christian passion. Although antique models provided the inspiration for all its details, the combination of parts and details were new and original, especially the fusion of the antique with new Renaissance styles. For example, Bramante adds a dome, which had a renewed interest in the Renaissance, to a tholos design which traditionally did not include a domed roof. The Tempietto is the perfect example of the Renaissance relationship between ideal ancient geometry, perfection and the divine. The connection between ideal ancient geometry and the divine was very important to Renaissance artists who strove to create exemplars of the perfection of heaven, using geometry and symmetry. Including classical elements as a connection to the divine, Bramante’s Tempietto fosters a link between architecture from antiquity and the expression of the Renaissance Christian faith. Comprised of the intricate mixture Greek influence, Renaissance architectural ideals and Bramante’s own person style, the Tempietto is a clear example of the innovation and thought behind Renaissance buildings, which sets them apart from their…
It is said, that “Renaissance architects and their patrons considered architecture of their time to be modern and scientific”- which first sounded strange to me, because it’s said that renaissance appeared by recreating the antique roman forms. But aren’t we thinking about our modern architecture the same way? We repeating over and over again already existing styles, but by combining and improving it, using our knowledge and new technologies we can create something completely different and startling. Ancient Roman architecture was worth to become an example for a new architectural style: it brought big open space (Colosseum, Rome), aqueduct for comfort, technology (unreinforced concrete dome in Pantheon, Rome). If fact, Gothic architecture also brought a lot of innovations, but in Italy, full of antique roman architecture, appeared a condemnation and neglect attitude towards Gothic.…