charecter of Belinda in 'Joseph Andrews'
Q. Sketch the character of Belinda in “The Rape of the Lock”.
Answer: Having a Cleopatra-like variety, Belinda is the one who is all pervasive and central character in Alexander Pope's mock heroic, "The Rape of the Lock". Pope's attitude to Belinda is very mixed and complicated: mocking and yet tender, admiring and yet critical. The paradoxical nature of Pope's attitude is intimately related to the paradox of Belinda's situation. She is as a bundle of contradictions as is the society she represents. She is a complex character and is more than a mere type. It is impossible to find a parallel of Belinda in any poem of the 18th century.
Belinda is introduced as a paragon of female charm whose name is Latin for “Lovely to behold “. Pope seems to be enamored with his own creation. He describes her in superlatives - the brightest fair, the fairest of mortals. She is the center of attention during her pleasure ride over river Thames; her lively looks, her sprightly mind, her flashing eyes charm one and all: “Belinda smiled, and all the world was gay."
Pope compares Belinda to the sun and suggests that it recognizes in Belinda a rival. Belinda is like the sun, not only because of her bright eyes and not only because she dominates her special world. She was as beautiful as every eye was fix'd on her alone. She is like the sun in another regard: “Bright as the sun , her eyes the gazers strike , And, like the sun , she shines on all alike. "
Belinda's exquisite beauty is enhanced by two curling side-locks of hair that charmingly set off her ivory white neck and which she has kept ' to the destruction of mankind:" "Love in these labyrinths his slaves detains, And mighty hearts are held in slender chains."
Belinda's
Answer: Having a Cleopatra-like variety, Belinda is the one who is all pervasive and central character in Alexander Pope's mock heroic, "The Rape of the Lock". Pope's attitude to Belinda is very mixed and complicated: mocking and yet tender, admiring and yet critical. The paradoxical nature of Pope's attitude is intimately related to the paradox of Belinda's situation. She is as a bundle of contradictions as is the society she represents. She is a complex character and is more than a mere type. It is impossible to find a parallel of Belinda in any poem of the 18th century.
Belinda is introduced as a paragon of female charm whose name is Latin for “Lovely to behold “. Pope seems to be enamored with his own creation. He describes her in superlatives - the brightest fair, the fairest of mortals. She is the center of attention during her pleasure ride over river Thames; her lively looks, her sprightly mind, her flashing eyes charm one and all: “Belinda smiled, and all the world was gay."
Pope compares Belinda to the sun and suggests that it recognizes in Belinda a rival. Belinda is like the sun, not only because of her bright eyes and not only because she dominates her special world. She was as beautiful as every eye was fix'd on her alone. She is like the sun in another regard: “Bright as the sun , her eyes the gazers strike , And, like the sun , she shines on all alike. "
Belinda's exquisite beauty is enhanced by two curling side-locks of hair that charmingly set off her ivory white neck and which she has kept ' to the destruction of mankind:" "Love in these labyrinths his slaves detains, And mighty hearts are held in slender chains."
Belinda's