Zora Neale Hurston
Between Cape jasmine bushes and chinaberry trees, Zora Neale Hurston's childhood, was a warm sweet memory illustrated in an extract of Dust Tracks on a Road: An Autobiography. In this excerpt, diction and point of view jump from the page to give the reader a lucid and realistic view of life "down there" in the farm, sheltered from society to protect the plentiful love, food and company of the Hurston home, compared to "way up north" where "rare" apples are abundant and gardenias are sold for a dollar, but where reality is a universal cry for equality and justice. Hurston's juxtaposition of these two environments compliments her parents' idealistic differences when it comes to raising their children. Metaphorical language, separation, position and repetition of words; flowers, fruit and struggle imagery create an atmosphere of home-like neighborhood versus the world outside the chinaberry trees.
At the beginning of this piece, we are quickly introduced to the different lifestyles between the farm she lived in and the one she encountered when she left to New York. Easily distinguished is the contrast made by the use of the word "folks" when she mentions her relatives from "down under" but calls the New Yorkers "people." The North is seen as a literature archetype as an unknown lucrative place, a strange place where "the flowers cost a dollar each." This is positioned as a welcome mat to a world of differences between these two environments, which leads us to the core of her childhood life.
In "the big piece of ground," the Hurstons created for their 8 children a semi-isolated land of abundance and fertility. Imagery of flowers, blossoms, eggs and fruits are impregnated in the passage portraying growth and fertility in which Hurston flourishes as a young "sassy" girl. The repetition of the word "plenty" implements this picture of abundance and satisfaction; Mama indicates that there is "plenty of space to play in, plenty of things to play with, and plenty of us
At the beginning of this piece, we are quickly introduced to the different lifestyles between the farm she lived in and the one she encountered when she left to New York. Easily distinguished is the contrast made by the use of the word "folks" when she mentions her relatives from "down under" but calls the New Yorkers "people." The North is seen as a literature archetype as an unknown lucrative place, a strange place where "the flowers cost a dollar each." This is positioned as a welcome mat to a world of differences between these two environments, which leads us to the core of her childhood life.
In "the big piece of ground," the Hurstons created for their 8 children a semi-isolated land of abundance and fertility. Imagery of flowers, blossoms, eggs and fruits are impregnated in the passage portraying growth and fertility in which Hurston flourishes as a young "sassy" girl. The repetition of the word "plenty" implements this picture of abundance and satisfaction; Mama indicates that there is "plenty of space to play in, plenty of things to play with, and plenty of us