“Where Are You Going, Where Have You Been?” is a short story that poses many questions centered around the protagonist, Connie and the antagonist Arnold Friend and his “comrade” Ellie. The fate of Connie at the end of the story is still up for debate after all these years after the story was published in 1966. The main question posed is who actually is Arnold Friend? Is he the devil or something else? The answer may never be fully known but in my opinion I think that Arnold Friend is a figment of Connie’s imagination that is supposed to symbolize Connie’s entrance into womanhood.…
Joyce Carol Oates has achieved many things through her writing, and is recognized worldly for her short story "Where Are You Going, Where Have You Been?" This story is centered on a young teenage girl as many of her stories are. Oates as a writer is fascinated with adolescence of young females. She chooses to write about the trials and tribulations of growing up in modern society. She pries on the dark aspects of youth often with plots of rape, murder and abuse. In "Where Are You Going, Where Have You Been?" Joyce Carol Oates writes about a typical teenager who is easily identified with. There are a few major occurrences in this story that many young adults have experienced which include the temptations of evil, a new sexual awareness and learning how to live in a new more mature world and in turn having to overcome weakness.…
“Where are you going, Where have you been” is a famous story that was written by Joyce Carol Oates. In this story, Connie is fifteen years old girl and the main character. She seems to have always lived in her sister’s shadow, June, who was apparently better all-around. Connie seems to be the more attractive of the two due to which she felt that her attractive personality would succumb to pleasure in the arms of a random boy. One day, she decided to stay home as opposed to going to a barbecue with her family. At that time, Arnold Friend, the antagonist in Oates’ story drives up to Connie’s house. Connie is a character that represents the nature of epiphany in literature. Through Connie, we learn how a character can have a highly significant impact on an important work of literature and the person reading the story. Connie’s naïve understanding of the world and her immaturity led to her downfall in “Where are you Going, Where Have You Been?”…
Music is one of the symbols mentioned in this story. The author mentions the music played in everywhere in the story. The author says that "The Music was always in the background". The music comes from restaurants, homes and cars. Music symbolizes the feeling and the emotions of the characters. For example, music for Connie is a pattern for romantic relationship. When she is happy, she hears music in everywhere. On the other hand, when she is sad, she couldn't hear the music at this distance. The music in this story provides a lot of component such as the effects of popular cultures, the romantic relationships, and the psychological manipulation.…
The dramatic irony of “Where Are You Going, Where Have You Been?” conveys the tone of warning about temptation. Connie’s situation is that she does not feel appreciated at home and uses her looks and actions to get attention and appreciation from boys even if it is short-term. She is self-conscious about her looks and is constantly worried about how other people perceive her. Friend’s fantasy is that Connie will willingly go with him and be his “lover” (605) even before he officially met her. The reality of the situation is that she does not want to go with this strange man, but is being forced into it because of her fear, which makes her weak and submissive.…
In “Where are you going, where have you been”, this story makes me frustrated with the main character Connie. She comes off to me as an immature little girl who wants to live the life of a mature woman, but when faced with reality she is still just a little girl. I felt Connie feels the need to rebel or act a different person when she leaves her house and in a sense lives a double life and has two personalities. In the story the author writes, “She wore a pull-over jersey blouse that looked one way when she was at home and another way when she was away from home” (Oates 325). This was an example of how Connie lived this double life. Connie made herself very vulnerable when she goes out with Eddie and exposes herself as a “woman” when she is not.…
Connie knew she was pretty, and that’s why she had a “giggling habit of craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right” (752). Her beauty brought power over boys. She chose to talk to only the ones that she thought were cute or popular, and she made a point of ignoring the more common ones. “It was just a boy from high school they didn't like. It made them feel good to be able to ignore him” (753). The narrator observes that the world she lived in was a familiar one. Everything was safe, but one single day made her it all…
The short story “Where Are You Going, Where Have You Been?” written by Joyce Carol Oates was quite interesting. Even though it was fiction, I believe that it could be based on a true story. There are times that young girls get themselves into situations that they feel they cannot escape. This story is a perfect example of why teenage girls should try and avoid being in harm’s way. In this essay I will be describing Connie as she appears in the story and explaining her rationale for submitting to Arnold Friend.…
In the story “Where Are You Going, Where Have You Been” by Joyce Oates, the audience explores the story of Connie, a normal teenage girl, who meets Arnold Friend, a seemingly harmless character at first, but we later come to find out that he has been stalking her and Arnold…
In "Where are you going, Where have you been?", Connie starts out as most teenage girls seemingly would - she wants to be more daring, to appear older, to experience more of the world. She sneaks away from childish pursuits, to the teenage or adult world, to drink and kiss boys rather than shop for school clothes, to see movies in a steamy car instead of in a theater. She talks of being beautiful as if it were her only good grace - beauty, to her, is the ultimate goal. She wants to be older, and more beautiful, and this is her downfall. Her foolishness, and her naivety is what appeals to Arnold Friend in the first place. Arnold Friend, a stranger, appeals to her early on in the story. He is older, more powerful, and smarter. She is frightened, of course, but intrigued, and it is her yearning for the adult world, and the adult life, that, in the end, causes her downfall. She is suckered in by the convincing conman who uses his words to appeal to her weaknesses. She is tricked into being what Arnold wants her to be by his smooth words and his façade of confidence. She's toyed with, played for the naïve fool she is, who is far too young for the world she wants to be a part of. Only at the very end of the story does she begin to realize what she has gotten herself…
This is a horrifying and haunting story that shows a girl who resulted in an awful situation. She rejects the role of being a daughter, sister, and a nice girl to refine her sexual personality. She has an obsession with her looks, loves to hang out with her friends and flirts with boys older than her. This award directly goes to Connie which is the main character of the book called, “Where Are You Going, Where Have You Been?” by Joyce Carol. Connie is a very attractive, inconsistent, and disobedient person.…
In “Where Are You Going, Where Have You Been?,” Joyce Oates constitutes the use of allegories to create a sense of suspense in the story. The story depicts the way society was in the 1960s. In this time period, there were a lot of controversies that cause a lot of frustration. Many stories written during the 1960s involved a lot of the same things that are in this coming-of-age story. The issues incorporated into “Where Are You Going, Where Have You Been?” were common even in reality. The allegories in Oates’ story represent the issue of innocence and temptation, good versus evil, and man overpowering woman.…
Oates uses a supernatural figure of evil to illustrate this theme. Arnold Friend, is the devil. His victim is Connie, an average teenage girl, who is vain. Arnold Friend comes to personify the devil who Connie doesn’t mean to, but she invites him in.…
The decline of the societal and cultural values during 1960s can be seen through Joyce Carol Oates’, “Where are you going, Where have you been?” The story, which narrates the fatal destiny of fifteen year old Connie, shows the rise of a pop-culture/music guided society, it also shows the rise of the sexual revolution and the disregard for women, and the negligence of parents at the time. In the story the devil is represented by ARNOLD FRIEND, who at the end of the story seduces Connie into her own doom. Connie meets Friend at a fly-infested restaurant, fly-infested symbolizing lack of morality.…
In Joyce Carol Oates’ “‘Where Are You Going, Where Have You Been?’ and Smooth Talk: Short Story into Film,” Oates writes that Connie “An innocent young girl is seduced by way of her own vanity” and that “she confuses death for erotic romance” (419). Oates clearly defines her point when Connie first discovers Arnold Friend at the drive in diner. She catches Friend staring at her with a big smile and Connie “slit her eyes at him and turned away, but she couldn’t help looking back” (409). The fact that Connie “slits” her eyes and “couldn’t help looking back” (409) shows that she is interested, but does not want to put her true feelings on display. Her more erotic interest comes in the form of his style and physical appearance. Oates illustrates this by using diction and imagery; “she liked the way he dressed” and Connie noticing “the small hard muscles of his arms and shoulders” (419) when Friend First appears at her house. Unlike Connie, the reader sees Arnold Friend in all of his depravity, we see him as the predator. He displays this at the drive in by “ waving his finger and laughing” and saying “Gonna get you baby” (409). Oates again uses carefully thought out word choice to prognosticate that we could see Friend later in the story to possibly confront Connie in a derogatory way. In this way, we can see that Connie is both seduced by way of her own vanity” and that “she confuses death for erotic romance” (419).…