Using your understanding of critical views on these plays, compare the ways in which ford and Shakespeare represent women in ‘Tis Pity She’s A Whore and The Taming of the Shrew. In the 17th century or in early modern England the man was the head of the household. The man was at the top and the husband’s role as governor of his family and household which includes his wife, children, wards and servants. In those days they thought it was instituted by God and nature. The family was seen as the secure foundation of society, with the husband’s role being comparable to that of god within his universe or the king within his country. Women were instructed that their spiritual and social worth resided above all else in their practice of and reputation for chastity. Unmarried virgins and wives were to maintain silence in the public sphere and give unstinting obedience to their fathers and husbands, but widows had some scope for making their own decisions and managing their affairs. Children and servants were bound to the strictest obedience. Inevitably, however, tension developed when such norms met with common disobedience. In the plays written by Shakespeare and Ford there is a difference in the way women behave and conduct themselves than how women usually do in the 17thcentury. We mainly look at two women in each play; Annabella from ‘Tis Pity She’s A Whore’ and ‘Katherine’, the shrew in ‘The Taming of The Shrew’. John’s ‘Tis Pity she’s A Whore was frowned upon and looked down on because it was a play about a relationship between a brother and his sister... Tis Pity are compared with many plays but it is mostly compared with Shakespeare’s ‘Romeo & Juliet because both plays feature young lovers and their forbidden love, both plays have a meddling nurse and friar and they both have a tragic ending but Ford is different because of the twist in his play by using incestuous lovers and that was never found in any of William Shakespeare’s plays. Unlike in Romeo and Juliet, inner emotional desire plays only a secondary role in The Taming of the Shrew’s exploration of love. Instead, The Taming of the Shrew emphasizes the economic aspects of marriage—specifically, how economic considerations determine who marries whom. The play tends to explore romantic relationships from a social perspective, addressing the institutions of courtship and marriage rather than the inner passions of lovers.
In William Shakespeare’s taming of The Shrew the play is a comedy which is mainly about a two sisters Katherine ‘The Shrew’ and her sister Bianca. The main plot depicts the courtship of Petruchio, and Katharina, the headstrong, obdurate shrew. Initially, Katharina is an unwilling participant in the relationship, but Petruchio tempers her with various psychological torments—the "taming"—until she becomes a compliant and obedient bride. The subplot features a competition between the suitors of Katharina’s more desirable sister, Bianca. There were four women in Tis Pity play which were Annabella, who had a relationship with her brother. She lost her virginity to him and became pregnant for him. She had a tragic ending when Giovanni stabs her while betraying her with a kiss. Then there was Putana which was Annabella’s tutoress; she accepts the news of her mistress's affair with her brother agreeably, saying she believes it is acceptable to have affairs with brothers, fathers, or anyone if the mood strikes. Putana was also betrayed and killed. .
Thirdly there was Hippolita which was Richardetto’s unfaithful wife. `She offered sexual favours and wealth to get assistance. In the event, he betrays her and remains loyal to his master Soranzo. Hippolita ends up killed when Vasques hands. Lastly there was Philotis which was Richardetto’s naive, subservient niece, she obeys her uncle in everything. First, he hopes she will marry Soranzo, then, he decides she must enter a convent. Without protest, she agrees. There are only two women in The Taming of the...
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