The two sculptures I chose were The Statue of the Goddess Sakhmet and Monumental Figure. The Sakhmet statue is from the New Kingdom era, 18th Dynasty. Dated all the way back to ca. 1390-1352 B.C. in Egypt. It is made out of granodiorite. There are two identical at the museum in New York. The Monumental Figure is from the 9th century. It was found in Mexico, it is from the Mayan culture. The statue is classified as a stone-sculpture. You can find the Monumental figure in gallery 358 and the Goddess Sakhmet you can find in gallery 135 at the Metropolitan Museum of Modern Art.…
The piece of art I choose is from Sentimental Deprivation by Casey Weldon. Casey’s Sentimental Deprivation went on display June 24,17. The piece is very eye catching. It is dark and cloudy the sky is blue but the clouds are pink. There is a group of women there is about 7 of them. One is significantly smaller and on the floor wither hand on her face as she tries to block the light hitting her face. All of them are wearing the same clothes, have dark hair and red eyes. One of them has pink and blue beams and is looking straight at the one girl on the floor. Although they are very similar I think they might be different heights, body types and faces or facial expressions. At first when I saw the painting it made me think of anxiety it also made…
What makes us feel horror in contemporary culture? What are the modern traits of monstrosity? How does aesthetic horror re-define itself in political and social terrors? We shall base our seminars on the reading of academic texts from various disciplines and of two films that re-defined the horror genre: the ultimate zombie-film The Night of the Living Dead by George Romero (1968) and Funny Games US by Michael Haneke (2007) which offers a radical critique on mediated representations of horror. Through the close reading of articles and the two films, we shall explore the many facets of horror and discover the common ‘ingredients’ of the horrifying experience in art, politics, sociology and…
A writhing horror twisted itself across his features, like a snake gliding swiftly over them, and making one little pause, with all its wreathed intervolutions in open sight. His face darkened with some powerful emotion” (56).…
sign securing the privileged status for Rossetti in and through such polarizing formulations as male/female, artist/model, tutor/pupil, age/youth and so forth. In Pollack’s second essay, “Woman as Sign: Psychoanalytic Readings,” Freudian theory is applied to Rossetti’s paintings. Specifically, Pollock claims that Rossetti’s femmes fatales incite fear of castration in the male viewer, producing an anxiety about loss of the mother3. Pollock also suggests that the viewer attains delight in viewing Rossetti’s femme fatale paintings through the constant alternation between a sense of threat and a sense of desire.…
In the painting by Edvard Munch we see a man who is afraid, of what, we do not know. In contrast in the story “Marigolds” we have a young girl, but we know what she is afraid of and why she is afraid of it. The painting gives us a brief view of the terror in the man, we do not know what is scaring him and why. Different to the painting we see how the fear affects Lizabeth, in the painting all we see is the fear, no details. Another detail in the painting is an undefined background, which can create a sense of confusion. In “Marigolds” we also see confusion in the young girl as she’s maturing. On page 318 it says, “I do not now remember my thoughts, only a feeling of great bewilderment and fear.” This shows how the whole situation of the poverty, her father crying, and her mother now being the strength of the family is confusing for her. In The Scream, the confusion is not directly showed but it kind of leaves the impression of confusion. The impressions are similar, but the way they are left is different. The story directly states it but it is more interpreted by the viewer in the painting. The Scream and “Marigolds” are both different as much as they are…
It was through French poets such as Charles Baudelaire and Paul Verlane, whose aim was to avoid the limitations of reality by injecting symbolism into their poetry, that visual symbolism in paintings was able to flourish. It was also during this time that new psychological concepts of consciousness, unconsciousness, and subconsciousness were introduced by psychologist Sigmund Freud and Carl Jung. Henri Rousseau was actually not a painter. At least, not in the academically trained sense. He was a customs officer and amateur painter that begin painting during middle age. (1) Rousseau’s paintings are wildly imaginative, inspired by these new psychological themes and often featured exotic…
Ever since Georges Melies wrote and directed the two minute film called Le Manoir Du Diable, the film scene has been all about horror, even today. Horror films were created when trying to figure out someone’s fears and nightmares. America was a large part of the upcoming horror films in history. “America was home to the first Frankenstein and Jekyll and Hyde movie adaptations, the most influential horror films through the 1920s400 came from Germany's Expressionist movement, with films like The Cabinet of Dr. Caligari and Nosferatu influencing the next generation of American cinema.”(Harris, Mark H) Soon in the 1930’s some famous classic horror films came out, such as, the Hunchback of Notre Dame and The Phantom of the Opera. By the 1970’s most of the horror films were made for scares and not so much a plot for the story.…
Have you ever wanted to be that guy that turns heads when walking on a beach with no shirt on, or maybe even the guy that maybe breaks necks to check you out? The article by Guy Trebay in the New York Times, “Scrawn to Brawn: Men Get Muscles, Or Pray for Them,” caught my eye with the way today’s society is bringing kids up with the various hormones and drugs in today’s world. Referring to the video or a documentary, he had watched just recently that one of his buddies had reminded him of how much fun he had missed out on.…
Another individual factor of its intertextuality is the perverse nature of Gothicism to reflect human Fears and Insecurities. Some would say that it is human nature to be fascinated with terror. The sheer unaltered fear one can feel brings an exalted, intrigued adrenalin rush, which draws us back for more with additional fascination as to why we enjoy being in the presence of fear, crushing social norms and shifting paradigms of the times in which they were created.…
Fear is referred to the feeling of agitation and anxiety caused by the presence or imminence of danger, thus terror is the intense, overpowering fear (The free dictionary). Fear can be rational or legitimate which makes people susceptible towards it. This is referred to Edgar Allan Poe, as he is one of those writers who try to terrify us about what is out there all the while making us aware of the terror within. He was a gothic writer that introduced detective stories. This style of writing may be due to Poe’s personal experience as a child and as an adult. Other stories that hinder on this idea is the short story “Terrors of the Modern-All Souls” by Jacqueline Wilson-Jordan, refers to terror in the exterior and also interior, “Chronicles a middle-aged woman’s thirty-six hour odyssey of terror as she limps alone through her New England mansion, searching in vain for her missing servants and any sign of life”(Wilson-Jordon 66). This quote refers to the fear that the women has, as she is afraid of death personally and how the exterior cannot really protect her. This includes her wealth or her servants. This idea is also emphasized through the short story “The breath of the devils: Memories and Places of an experience of Terror” as it examines how an indigenous group of the Argentine Chaco re-members…
Almost all humans, at some point of their lives, experience a sense of nervousness or worry known as anxiety. Anxiety affects the way humans act because of this unease that humans feel, it creates a fear of completing tasks or a fear of failure. Some of those who experience anxiety break down and have panic attacks while others can control this feeling of uncertainty. Most artists are able to contain the sensation of apprehension through expressing what they feel in their pieces. In the works of artists, they depict how the artist feels which is sometimes seen as anxiety and artists use this nervousness to help create a masterpiece. Throughout the 20th century, a focus of anxiety is seen in various amounts of works from a wide-range of artists.…
As I walked around with a copy of this piece in my school bag for a week or so, I often thought about what I could possibly say about this painting/artist. Also during this time, I shared this painting with a couple of people, and asked them what they thought of the piece without telling them what it depicted. One individual stated, “They look sad about something.” Another individual stated, “The people appeared shame for some reason.” Then I informed them what the piece was and they wanted to look at it again, they were quite impressed with the work after they realized what it was about.…
Alfred Hitchcock, also known as, “The Master of Suspense”, was a director to a variety of award winning films. Many Hitchcock movies will be noticeably inspired by numerous paintings, including the work of iconic artist Edward Hopper. Hopper, born in New York, was well known for his realist paintings. Comparing the paintings and films, one will see the similarities displayed between the two. Alfred Hitchcock and Edward Hopper are linked by creating an eerie mood through their use of lighting, composition, and viewpoint. Both Hitchcock and Hopper tend to use dark lighting with shadows as well as isolating a small group of people seen from an ‘outside looking in’ point of view.…
Have you ever read a scary book? Watched a scary movie? Have you ever thought about the structure of the book/movie and why it makes you on the edge of your seat? The works of “What Is the Horror Genre?” by Sharon A. Russel are going to be helping me critique “The Tell-Tale Heart”. I will be analyzing the unimaginable words of Edgar Allen Poe. Trying to understand the trail of thought and the technique of this amazing writer.…