Meursault’s reactions are rarely what the reader envisions as appropriate. People feel disconnected-- disheartened and confused-- when Meursault claims his Maman’s death “doesn’t mean anything” (3). The level of indifference he feels and the actions he performs: making excuses to his boss, having lunch at Celeste’s, going to swim and a movie with Marie, all have the readers questioning Meursault’s character. This displeased feeling continues through the first half of the novel with Meursault’s uncaring and robotic behaviors of watching “families out for a walk… the local boys [going] by… the shopkeepers and the cats” (21-22). One then starts to wonder. One…
The Academy Award-winning director, John Ford, is considered one of the best filmmakers of all time. Ford achieved in fifty years of filmmaking a unique capacity in American culture in which he put throughout his films. The author Andrew Sinclair stated “he was a practical man who saw his job as showing the mass of the American people the truth of what he recreated about their past” (Sinclair 41). As a man, he concealed his true personality from the public, who built this whole legend of toughness around him to protect his softness as person. From his lack of emotional expression, his films are his way of expressing those feelings through emotionalism. Ford uses a strategy called docudrama. “A docudramas basis in truth actually launches the…
This essay analyzes the relationship of a son with his mother who is suffering from dementia and the effect on his family. The essay portrays the issues faced by the writer who cared for his mother during her illness. ‘Deficits’ emphases on the experience of a famous writer and a formal party leader, Michael Ignatieff and his journey as he explains the effects of his mother’s sickness on the relationship and his family. ‘Deficits’ is taken from Scar Tissue, another piece of fictional work by ignatieff which focuses on relationship between a son and his mother suffering from Alzheimer’s disease, the disease his own mother suffered and died from. Michael ignatieff has used figurative speech in his story ‘Deficits’. Figurative speech is an expression that uses language in a non-literal way designed to explain a concept further. Figurative speech such as anaphora and metaphors are used by the writer to articulate his feelings and emotions to attract the readers. Focusing more on figurative speech used by ignatieff, the essay gives a brief description of the summary of the essay ‘Deficits’. Therefore, the essay analyzes the expressions used by the writer and its significance on the story.…
In my opinion, I feel as though the boy is lonely, living in such a remote and desolate place, with only his father to spend his time with. For example Ondaatje says, “He was born into a region which did not appear on a map until 1910, though his family had worked there for twenty hears and the land had been homesteaded since 1816. In the school atlas the place is pale green and nameless. The river slips out of an unnamed lake…” (10-11). Patrick’s characteristics makes him seem sad or withdrawn from society, for he spends his time gazing out the window searching for bugs. Ondaatje exclaims, “He walks back into the bright kitchen and moves from window to window to search out the moths pinioned against the screens, clinging to the brightness… Bugs, plant hoppers, grasshoppers, rust-dark moths…throughout the summer he records their visits and sketches the repeaters “ (9). I feel bad for Patrick, that his only companions are the bugs flying around his house, in search for light. Although Patrick does have his father, his dad doesn’t pay him any attention, unless they are working together. Ondaatje says, “Hazen Lewis was an abashed man, withdrawn from the world around him, uninterested in the habits of civilization outside his own focus. He would step up to his horse and assume it, as if it were a train, as if flesh and blood did not exist” (15). It would be rough to grow up in that kind of unloving environment. It would be difficult to feel you had to earn your love. For Patrick’s father, only praises him when they are successful at work. For example, Ondaatje says, “They begin to run back home, looking behind them to see if the cow is following. The boy gasps, ‘If she goes into the ice again I’m not doing a thing’ ‘Neither am I’ yells his father, laughing” (16). The only part in the story when the boys Father demonstrates warmth and kindness towards his son, is when they save the cow from drowning. The fathers introverted attitude, makes me…
At a glance, both protagonists (Jack, from This Boy's Life, and Anne, from Limbo) appear to have very little in common. Jack, the only child of a single mother, is desperately attempting to develop his identity while he lives an unstable life in which he is constantly uprooted and moved form city to city as his mother searches for a way to support him. This perpetual motion is sharply contrasted by Anne who grows up in a small Catholic town in the Wisconsin country. There, she is given an identity in the form of her faith in God. However, both characters seek a new, or at least better, understanding of their identity. This is manifested differently within each memoir in that Jack's search is general while Anne's is focused on her faith and her identity with Christ. Although each character deals with their search differently, they both conclude that there are issues that they are unable to control and simply have to accept. This acceptance is portrayed by the protagonists' inability to control the outcomes of their lives.…
Denial, and acceptance, these words are intertwined with innocence, and the loss of said innocence. In order for one to mature one has to accept the truth and make necessary adjustments. The people who deny the truth don’t experience the “fall from innocence” and may be blind to the things going on around them. If the innocent chooses to accept the truth the characters “evolves” and falls from innocence. If a character chooses to deny the truth it will take a toll on the character mentally, or physically. In A Separate Peace, John Knowles uses the archetype of the Fall from Innocence in order to illustrate Leper’s philosophy, “Everything has to evolve or else it perishes.” He demonstrates this theme through the characters of Leper, Finny, and Gene.…
Upon becoming adults, our perceptions of people and relationships differ and change. As a child, we are impressionable, innocent and under the care of our parents, we see people on a shallow level. The poem shows the reader this with its structure; the focus often jumps from the past to the present. The change in relationship with the poets mother is also apparent, she goes from being a mere observer, drawing in the environment around her and mimicking her mother, to being like her, both physically and mentally.…
The article ‘“Making Men” At Ford: Ethnicity, Race, and Americanization During the Progressive Period” by Georgios Paris Loizides examines a side of the Ford Company that is less known. Loizides reveals the focus of his research by saying, “Its focus was to explore the human engineering project of the Ford Sociological Department, particularly the Department's efforts to instill a set of values and attitudes in the company's workforce during the Progressive period” (Loizides, 111). The goal of the article is mainly to declare the real meaning behind the words used in company documents as well as how the company’s views affected immigrants. The thesis of the paper is, “Indeed, this study shows that Ford’s sociological project was an importnt…
Mary Austin’s The Ford shows how California’s natural resources, especially water, have historically been taken from the poor by large landowners. The Ford is a story of how a family of common farmers suffers when their landlord decides to sell off their land to Standard Oil, convincing the farmers to leave their homesteads by sending their water away with an aqueduct. These two issues of oil and water have figured largely in California history, since they have been the main reason for landgrabs such as what we see in The Ford. The Ford makes us root for the farmers and want them to organize against their landlord and the corporate interests that are attacking California’s natural resources. It is a book in support of nature and rural farmers,…
As a child Richard takes the world in positive view doing the best he can to maintain his image impeccable for his beloved Helene Tucker. His love for her was due to her purity, righteousness,…
In this task will be talked about history, how Henry Ford automobiles took over the market, how it fared with him in selling Ford T and how he ready look it through time. In this task, we will also fall under the scope of the two organisms that occur in the 20th century, it is taylor, and Fordism. When you're talking about Henry Ford, then one can not avoid to talk about mass production and how the idea came forward. In tasks, there is also a trekasse model which describes both the product, society and culture in the assignment are met also in on the car's importance for other technologies, with the way the pros and cons and how it hangs together…
Sarah attempted to save her brother multiple times by escaping from the place where they were being held captive. This young Parisian soldier gave Rachel (Sarah’s companion) and Sarah the opportunity to escape and find a safe place to hide until the roundup was over. Sarah could not stop think about hiding or seeking shelter, she needed to find her brother Michel immediately. A grateful Parisian soldier telling these poor girls “Run now, quick both of you. If they see you . . . take off your stars. Try to find help” (De Rosnay 92). The author uses characterization through this Parisian soldier who expresses sorrow and grief once Sarah looks into his eyes. He cannot let everyone go, but in the bottom of his heart he wants everyone to be free, but he cannot. He has higher officials who command his orders, therefore he cannot disobey regulation or else he has to deal with harsh consequences. Once released from Vélodrome d’Hiver, Sarah ends up in a farm out in the forest, where she encounters Jules and Genevieve. This loving couple helps hide Sarah when some Parisian soldiers pass by. “Little Sirka! You were so brave down there!” is what the couple tells Sarah once the soldiers have left, but she corrects them exclaiming “[do not] call me Sirka anymore that’s my baby name” (De Rosnay 132). Jules and Genevieve direct characterization helps Sarah evolve into a grown women at just the age of eleven. Once Sarah has mentions she is not a child anymore, she pushed herself to become an adult forcefully. She has been through the separation of her father, mother, her companion Rachel, and her brother Michael, it seems too much to live like a child now. Sarah is ready to take her own responsibility of finding her brother no matter what it takes. With the help of Jules and Genevieve they go on the journey to find her Sarah’s brother. She decided to leave her childhood behind and start…
In the article, “President Ford: Main Street to Pennsylvania Avenue,” Luther J. Carter discusses Gerald Ford’s time as a member of the U.S. House of Representatives from Michigan’s 5th district. He served in this role from 1949 to 1973, and was seen by many to have a “leadership style that was calm, forbearing, and pragmatic” (p. 765). S.C. McElroy, of the Ralph Nader Congress Project described Ford as a listener of all viewpoints and as one who has a reputation for impartiality and does not let ideological disputes get in the way of those who were supportive of him. It was things like this that made him a viable choice for vice president after the resignation of Spiro Agnew, and that would result in him becoming the first and only person…
Louise’s entire character is powerfully ironic in that she is the furthest thing from a mother. Mothers are expected to be of caring and affectionate nature. However, Louise neglects Isabelle-Marie and treats her like an outsider since she is physically unattractive. Louise only favors her son Patrice because he reflects her outer beauty and she feels the necessity to sustain it by only nurturing him. Since Isabelle-Marie is physically unappealing, Louise does not love or treat her in the same fashion as Patrice. Isabelle Marie finally gains the courage to express how Louise has mistreated her. She exclaims, “[m]other, ever since I was a child you adored Patrice because he was beautiful and hated me, the ugly one. Patrice always Patrice! You never realized that your son was stupid, that he was an idiot…nothing but a beautiful body” (104). Isabelle-Marie’s tone is filled with contempt and jealousy while she spills out all the emotions that she had been bottling up for years. Louise always favoring Patrice due to his beautiful face even if he was just an “idiot” exasperates Isabelle-Marie. Moreover, Isabelle-Marie’s ill thoughts towards her own daughter and disfiguring her brother’s face can be seen as the result of her mother’s intolerance and lack of love towards her. Louise’s superficiality and favoritism towards Patrice transforms Isabelle-Marie to turn into a self-loathing and destructive character. Hence, Louise can be held responsible for creating this dysfunctional family. Rather than loving her children unconditionally as a mother should, she loves them based upon their looks. Therefore, ironically, even though Louise is their real mother, she fits the archetypal character of an evil stepmother due to her discriminate, mean and evil behavior.…
After the relationship between Addie and the rest of her family has been established, the next problem lies in Darl's relationship to the Bundren family, and especially their attitudes toward him. Darl is always elusive, complicated, thought-provoking, poetic in stream-of-consciousness observations, and especially observant of details. It is through Darl's eyes and observations that the reader gets a full perspective of the other characters.…