Preview

Taxi Driver

Good Essays
Open Document
Open Document
261 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Taxi Driver
: This book analyzes the roots of themes and characters in the films of Martin Scorsese. I focused on the analysis of Taxi Driver. The young Scorsese was angry with the church because its view on sex were not consistent with his experiences. In addition, Scorsese was also angry about women, which was very evident in his early films such as Raging Bull and Taxi Driver. The author compares Taxi Driver to other Scorsese films and points out their distinct similarities and analogous characters, such as Travis Bickle to Amsterdam Vallon from Gangs of New York. For Miliora, Taxi Driver’s main themes are about a man’s personal identity, psychology, and behavior having been conditioned by his roots or sense of place in the world. The author also discusses the juxtaposition of the two main female characters in Taxi Driver; Betsy and Iris. Miliora argues that Travis initially regards Betsy as angelic, a virgin, however, after she rejects him, he perceives her as dirty and impure, essentially a whore. On the contrary, Iris is the whore, whom Travis wants to be the savior of so she will become pure, or a virgin again. According to the author, another theme in Taxi Driver is the media’s depiction of heroes as Travis commits murder and yet is acclaimed as the hero at the end. Miliora provides a solid analysis of Scorsese’s movies, including Taxi Driver, and presents new and compelling ideas about the film. The book deals heavily with Scorsese’s portrayal of masculinity and his characters’ obsession with

You May Also Find These Documents Helpful

  • Good Essays

    Context: The "film noir" as we know it is a world of hard-boiled crime drama with conventions that are, for a genre itself outside convention, rather consistent, especially in the realm of its major players: the sleazy smooth-talking criminal and the femme fatale. The ever-present sexual dynamic between these two provides the basis for much of the criminal action and, therefore, the ultimate ignominious downfall of the man (and the woman herself might get dragged down in the scheme as well). Often, manipulative ulterior motives (often resulting in a double-cross being double-crossed) and legitimate sexual attraction are at the very least ambiguously intertwined and at the most, inseparable. Billy Wilder's 1944 film Double Indemnity, the flagship…

    • 1045 Words
    • 5 Pages
    Good Essays
  • Powerful Essays

    Film noir’s darker themes and stylistic features enable it to address and explore the crux of the existential angst that humanity endures. Thus, the fifties are revived in Bryan Singer’s film, ‘The Usual Suspects’ by its translation of The Classic Questions into a modern context. In certain scenes of this film- ‘Redfoot-LA’, ‘Meeting Kobayashi’ and the ‘The greatest trick the devil ever pulled...’ most notably- the work’s central preoccupation is expressed with remarkable vividness. Through the investigation of how the downward spiral which permeates the criminal world isolates those within it, how the futile attempt to escape one’s past can lead to entrapment and how the exploration of truth highlights the ambiguous nature between reality and illusion in these scenes, Singer concludes with a refreshing perspective on human existence and society.…

    • 1310 Words
    • 6 Pages
    Powerful Essays
  • Powerful Essays

    The book of John quotes Jesus as saying, “Let the one among you who is without sin be the first to cast a stone.” The notion he put forth is that no one is without sin, and therefore no one should have the right to judge others. Director Martin Scorsese goes one step further with his gritty film Taxi Driver, as he explores the mind of a delusional Vietnam veteran who feels he has the right to harshly judge others. The film is about antihero Travis Bickle, and his urge to clean up New York City by way of vigilante justice. Throughout the film, Travis strives to be a savior and figures the best way to save New York is by taking it upon himself to get rid of the city’s filth. Scorsese uses Taxi Driver to criticize vigilantism by ironically characterizing…

    • 1307 Words
    • 6 Pages
    Powerful Essays
  • Good Essays

    This analysis will examine the following focal points, panopticism, scoptophilic instincts, and visual pleasure. First, the analysis will examine panopticism in relation to embedded “secret politics” within the film, The Day I Became a Woman. Second, the analysis will compare both scoptophilic instinct with visual pleasure.…

    • 661 Words
    • 3 Pages
    Good Essays
  • Better Essays

    Masculinity In Goodfellas

    • 1168 Words
    • 5 Pages

    Martin Scorsese’s film GoodFellas (1990) not only provides an unparalleled glimpse into the gangster lifestyle of New York’s Italian mafia. Scorsese separates his classic gangster film from other works by following the character progression from teenagers to middle-aged men. The film constantly reinforces the image of masculinity from domestic affairs down the each character’s clothing. Each aspect of the gangsters’ lives centers around asserting their masculinity. Scorsese helps GoodFellas secure its place as a classic film without romanticizing the violence, but by using masculinity as the driving force behind each main character.…

    • 1168 Words
    • 5 Pages
    Better Essays
  • Good Essays

    Pretty In Pink Sociology

    • 790 Words
    • 4 Pages

    In conclusion, I have analyzed the film “Pretty in Pink” and discussed the main social and cultural themes presented by the film’s writers and directors. Despite its romantic ending and plot devices, “Pretty in Pink” is at its core a serious film with rough edges. Only some fashion and music choices date the movie as being from 1986, otherwise, its narration on how class informs and, in some cases, dictates every aspect of people’s lives remains relevant…

    • 790 Words
    • 4 Pages
    Good Essays
  • Better Essays

    The remarkable stylistic conventions of classical film noir have made it one of the most memorable and recognizable film genres to this day. Each film noir picture is uniquely told though it use of degrees of darkness, contrasting lighting, rain-covered city streets, isolated protagonist, and devious dames that effortlessly lure men into a cold trap of criminal deeds. Pulp Fiction, a film by Quentin Tarantino, is said to be one of film noir’s strongest roots with its setting of a dark, criminal underworld. While the film does play around the edges of traditional film noir, it cannot be accurately be claimed a “neo-noir” due to several variances it takes with some of the most fundamental elements of film noir. Many visual and narrative devices have taken a different route in such a manner that one cannot classify it as conventional film noir.…

    • 2039 Words
    • 9 Pages
    Better Essays
  • Powerful Essays

    Film Noir Analysis

    • 1421 Words
    • 6 Pages

    masculine hero, and the he fits right into the dirty world around him. However, with a shift in perspective, we see that just maybe the opposite gender are the ones who are the heroes of the genre. The women are certainly memorable. Through analyzation of the typical hero’s journey and comparison to the stories of the women in film noir, we see that they are the true heroes of the genre. This again begs the question of why it is so often that men rule the grimy world of the film detective. Why are these women demonized in their own narratives, punished for their raw sexuality and delegated to the static sidekicks or to the simple villain role? We can…

    • 1421 Words
    • 6 Pages
    Powerful Essays
  • Good Essays

    Goodfellas

    • 818 Words
    • 4 Pages

    I chose the movie Goodfellas to watch for my project. For this movie we had to do the camera work and how it affected the movie. The movie shows in how the soldiers of the mafia or gangs lived. It is centralized around the middle men showing no true boss or Don of the gang. The main character is Henry Hill. It starts out with him as a kid being brought into the “family” and then the rest of the movie is his exploits or his life choices.…

    • 818 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    Analyze one of the characters in Sunset Boulevard. Think about their femininity/masculinity/gender by using essays on queer gender relations in Gender Outlaws: The Next Generation. How does Sunset Boulevard connect with Hollywood, je t’aime? Use detailed examples, and make a clear argument based on close analysis of Gender Outlaws and the films’ formal features.…

    • 295 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    The Godfather Conventions

    • 455 Words
    • 2 Pages

    The truth is The Godfather is set apart from conventional generic features of gangster films, its predecessors and successors, by the fact that it did not subvert the gangster genre but it gave it an innovative and invigorating twist. The Godfather underlines the theme of family and business, regardless of the business the family is into, unlike conventional films that emphasise violence and gang rivalry, it is greatly underplayed in The Godfather (Altman 45). Most importantly, The Godfather portrays demarcation between the male and female sexes. The masculinity and femininity of the characters can be evidenced from various scenarios making gender stereotypes one of the generic conventions that The Godfather can be said to have upheld; the male is dominant and the female is submissive and the…

    • 455 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    Francis Ford Coppola is an emblematic face for the American auteur. To illustrate this point, the main characters in The Conversation and Apocalypse Now serve as perfect models for Coppola’s placement within the first and second phases of the New Hollywood Cinema (NHC) and for highlighting his auteur qualities in creating relatable characters who undergo significant psychological trauma, and fully submerge the audience in their psyche. The viewer becomes aware not only of being a spectator in a theater, but also of viewing these narratives through the eyes of Harry Caul and Captain Willard, underscoring the subjectivity of experience. Therefore, in both The Conversation (1974) and Apocalypse Now (1979), Coppola’s distinct auteurism is highlighted…

    • 2212 Words
    • 9 Pages
    Powerful Essays
  • Good Essays

    Blade Runner

    • 673 Words
    • 3 Pages

    Blade Runner, Directors Cut (1982), directed by Ridley Scott, is a film that asks the audience to redefine humanity. Scott has used the motion picture as a way of showing that in itself, humanity is about asking the right questions, such as ‘What am I?’ ‘Why am I here?’ and the ability to feel emotion. In trying to answer these questions, in the world of 2019, Los Angeles, the boundaries between human and non-human become blurred, till they almost disappear. Scott also comments on the needs of humans, proving that a redefinition in essential. Ridley Scott shows this when Rachael learns the truth about being a Replicant, and further when Roy confronts his creator, demanding more life.…

    • 673 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    Blade Runner

    • 793 Words
    • 3 Pages

    What is it that makes humans human? In Ridley Scott’s film, Blade Runner, This very question is asked. The distinction between humans and machines is blurred. Throughout the film, humans continuously disregard one another, only caring about themselves. They view all of the “Replicants” as mere objects, easily tossing them aside, whereas the “Replicants” continuously show more human traits. Ridley Scott’s great use of mise-en-scene only helps to reinforce that.…

    • 793 Words
    • 3 Pages
    Satisfactory Essays
  • Powerful Essays

    Critical Introduction

    • 2401 Words
    • 10 Pages

    This essay will be an analysis of the identity of the gaze in mainstream film with a brief insight to the pattern of looks. The film I have chosen to focus on is Pretty Woman (1990, Director Garry Marshall, Produced by Silver Screen Partners, USA). The plot evolves around a young girl (Vivian) in Los Angeles, who makes her way through prostitution. A chance encounter with a businessman, leads her to fall in love and change her lifestyle. The film brings forth ideas of societal perceptions, attitudes and responses to particular woman, and this essay will highlight these and show how the director has responded and displayed this in his work. I feel “Pretty Woman” (1990) is an appropriate film choice, as I feel observation through other contemporary mainstream films would not be as significant or effective. This film has enabled me to get my point across much clearer with this example. I strongly feel that it displays and explores a strong understanding of the way women can be represented in mainstream film, and how they can be viewed as a source of pleasure or as little as only an ‘object’ through the male eye.…

    • 2401 Words
    • 10 Pages
    Powerful Essays