Poniewozik's article contains a legitimate claim along with the substance to prove it. While it is disorganized, the articles idea of strong femininity along with grace are present. Clear statements such as “You can have the girly dream of glass slippers and true love,” (Poniewozik, 324) make the purpose of the article very clear. The clear statements such as “she should be pretty in a class president way” (325) provide the reader with the idea that women should aspire to be beautiful and princess like, but in an independent fashion. Again, the author backs his point of being an independent woman, “The title character spends her freetime protesting the discriminatory anti elf and giant policies of the family of Prince Charmont,” but providing no feedback from a female standpoint. The author never mentions the degrading nature of the stereotypical princess theme leaving the reader with and unanswered question.…
The common fairytale portrays the stereotypical “damsel in distress,” who is helpless until her male savior typically rescues her. Many fairytales address the theme of gender roles as well as many others. The female character takes on the feeble, desolate role, while the male character takes on the strong, hero role similar to the stories of Cinderella and Sleeping Beauty. However, Elizabeth, the protagonist of The Paper Bag Princess defies typical gender roles as a female character and becomes the hero of the story. Cinderella and The Paper Bag Princess share many qualities, but have major differences as well. Cinderella is an example of a woman who occupies traditional, domestic roles, but she does not portray the modern, liberated woman Elizabeth exhibits.…
In the "Princess Paradox" James Poniewozik starts out his article by taking a stance against the princess movement, but then throughout the rest of his article he talks about how the movement is good for young girls by showing that they can control their own destiny. Unlike the "Princess Paradox", Peggy Orenstein 's article "Cinderella and Princess Culture" takes a stance against the princess movement by stating that the movement is ruining the minds of young girls. Although both authors have feminist points of view, they have opposite opinions on how the princess movement affect young girls, which they try to prove by using different approaches to prove what their opinion is.…
Poniewozik begins by stating that it is a nightmare for the young girls wanting to be princesses today. Society expects every little girl wants to be a princess. Poniewozik blames Hollywood for this. It’s true in recent decades that Hollywood has produced quite a few cinderella stories and also many other fairy-tail type projects. It’s not a bad thing for them to do this because they’re making a large profit off these projects. Princess fairytale stories and movies are surprisingly popular today. Poniewozik claims that we have come a long way from the girls-kick-ass-culture of just a few years ago (Poniewozik 666).…
In Elisabeth Panttaja’s, article Cinderella: Not So Morally Superior the author offers an analysis of the classic fairy tale Cinderella. Panttaja’s analysis may be off-putting to some because she describes Cinderella as being crafty and not a princess who is virtuous or patient. Panttaja claims that Cinderella was not as motherless as it seemed. She does on to say that we cannot assume that just because she is the heroine that she is morally superior to her enemies. This is an example of an over complication, in a simple and beautiful story. Cinderella should be about the triumph of good over evil.…
Furthermore, from the day a girl can read, she’s read some sort of fairytale and dreams of having a life just like that, without thought about the real worlds problems. Sexton states: “Cinderella and the prince/lived, they say, happily ever after,/like two dolls in a museum case/never bothered by diapers or dust,/never arguing…
The princesses are all fair in nature in terms of their skin color and beauty. While they are capable of doing more, they all want to get married and be the housewife that cooks and cleans all day. These girls all live their lives, unaware of the privileges they have due to their beauty, race, and social status. While Cinderella is forced to be a maid, she still lives in a castle and receives help from her fairy godmother. Privilege is not something usually thought about, and judging from the actions (or lack thereof) by the princesses in these films, they seem to be unaware of the privileges that surround them from their fairness (McIntosh…
As a contributing writer for the New York Times, Peggy Orenstein stresses in her article, Cinderella and Princess Culture, that the "princess craze" and "girlie-girl" culture is ruining young girls as they feel constantly pressured to be perfect. Orenstein also recognizes the fact that large companies like Disney are responsible for pushing the princess craze.…
He tells of a mother who raises her daughter, day in and day out, to be a strong and independent girl who does not have to conform to society's ideal woman. But when Halloween rolls around she wants to dress up as a princess (Poniewozik 666). He then goes on to state how there is a “royal urge” throughout our culture in younger females (Poniewozik 666). Poniewozik may be pointing the fact that even though parents may put much effort into allowing their daughter to be whatever she chooses, there may always be a slight push towards the princess in our culture. It could be that although being independent is an important quality to have, a small piece of each girl wants to be saved by their own "Prince…
The Story of Cinderella is a much-told fairytale, told in many languages and countries. Every girl dreams of a prince, and every boy dreams of a princess. Cinderella is no different; she has hopes and dreams of her own.…
As Peggy Orenstein’s three year-old daughter entered the “princess phase,” Orenstein became increasingly frustrated. As a feminist, she worried about the negative effects the princess obsession would have on her daughter and other young girls in their futures. In “Cinderella and Princess Culture,” Orenstein sets out to discuss these effects. She discovers that although it seems as if this princess craze is creating negative gender stereotypes at an early age, maybe princess enthusiasts are really benefitting from their obsession.…
The twenty-first century has transformed from traditional customs to more liberal ideas. One example is the view of Cinderella and how she may be detrimental to young females or how she can be molded to society’s view and become empowered. Critic from Time magazine and author of “The Princess Paradox,” James Poniewozik discusses how the idea of princesses can be powerful or harmful to the adolescent women of today. He emphasizes Hollywood’s version of Cinderella in real life portrayals and suggests that there are quite a few princesses in existence who are strong and self-determined and not weak and helpless. Like Poniewozik, Peggy Orenstein examines roles of princesses; however, she does so in a different light. Self-proclaimed feminist and author of “Cinderella and Princess Culture,” Orenstein describes how as a mother of the Grranimals era she is struggling with her daughter growing up in the princess world (671). The author points out many different aspects of the princess culture that she fears may be more than a craze, such as Club Libby Lu, the princess franchise, and animated movies of Disney princesses. Although both authors agree that princesses may be just a phase, Orenstein fears from a mothers’ perspective that princesses are a negative role model, whereas Poniewozik describes from a critic’s point of view that princess could potentially do no harm.…
With many variations of fantasies, "Happily ever after" is reoccurring in every fairy tale. "Cinderella" by Anne Sexton is a different variation of the classic tale. The author sets up her version of Cinderella with four anecdotes sharing how others can go from poverty to riches or gritty reality to fantasy. Sexton changes her happily ever after ending by satirizing the message the story gives. By doing so, Sexton would like the reader to know the difference between a fairy tale and reality. Anne Sexton deconstructs the ending of her retold fairy tale by using sarcasm to change the reader's expectations of the story and myth.…
The princess culture can have a phenomenal effect on how little girl’s mature, perceive themselves, and even how they see their roll as a woman today. One of the biggest impacts on the princess culture is the tale of Cinderella, which we are going to dive into. Cinderella unmasks some of the questions that go along with this issue. We will look at how it shows how girls look at themselves, where the industry of the princess culture has steered us, and how different cultures use their values in the versions of folk tales and versions of Cinderella. This leaves us with one question asked in the article by Tomchin an author for Jewish Woman International ask, “How would you define the potential harm in the princess culture?”…
As is well known, the famous storytale "Cinderella" has many variants across cultures and time periods. These variants have been found to have the same general plot, which is characterized by the persecuted heroine, the meeting with the prince, the revealing of an inner identity, and marriage with the prince. This plot is simple enough to be understood by a child, yet the details that support the story's timeless popularity are more difficult to discern, and are sometimes viewed quite differently by different critics. This shall be demonstrated in the synthesis of Freudian psychologist Bruno Bettelheim's work "'Cinderella': A Story of Sibling Rivalry and Oedipal Conflicts," and an excerpt from Feminist writer Madonna Kolbenschlag's work "Kiss Sleeping Beauty Good-Bye: Breaking the Spell of Feminine Myths and Models."…