National gallery 1768 oil on canvas painting. 183 by 240 cm travelling scientist is shown demonstrating the formation of a vacuum by withdrawing air from a flask containing a white cockatoo, though common birds like sparrows would normally have been used. Air pumps were developed in the 17th century and were relatively familiar by Wright's day.
The artist's subject is not scientific invention, but a human drama in a night-time setting. This is a key point as the scientist is willing to put an animal’s life at risk to entertain an audience which i find interesting
The bird will die if the demonstrator continues to deprive it of oxygen, and Wright leaves us in doubt as to whether or not the cockatoo will be reprieved. The painting reveals a wide range of individual reactions, from the frightened children, through the reflective philosopher, the excited interest of the youth on the left, to the indifferent young lovers concerned only with each other. …show more content…
On the table in front of the candle is a glass containing a skull.
The skull plays a great part as artists back in the 18th century often incorporated skulls as a reminder of mortality, or at the very least, death
Another example of this skull used in notorious paintings is Holbein’s Ambassador, he claims to have intended the skulls and the crucifixion in the corner to encourage contemplation of one's impending (soon to happen ) death and the resurrection.
1) There are several ideas
i) To being to modernise this scene through the terror and war, and portray different perspectives from each