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Sociology Of Composing Critique

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Sociology Of Composing Critique
Critique of a Passage:
Political Sociology of Composing
William Matthew Stratton
Western Kentucky University

Abstract I intend on using “Political Sociology of Composing” thesis that is presented in that paper, which is why do composers compose, in a manner of expressing why tool writes the songs they write. “Political Sociology of Composing” explores six composers ranging from Mozart to Tchaikovsky. By observing the composers of different time frames and lifestyles, we can see not only the meaning behind the song, but the influence behind the meaning as well.

Critique of a Passage:
Political Sociology of Composing In this critique I will be covering two of the six artists along with their reasons for composing. Of the six observed in the complete passage, two composers had a major affect in my decision making on how to portray tools influence on song meaning. We shall begin with Pyotr Ilyich Tchaikovsky whose composing came from his own personal anguish. Born on the 7th of May in Votkinsk, Russia, Tchaikovsky was raised by his father Ilya Tchaikovsky and mother Alexandra Tchaikovsky. With Ilya being a loving spirited man, mother Alexandra was quite the opposite. Alexandra was detached and
…show more content…
Arnold Schoenberg of Vienna was born in 1874 into a musical family, which gave way to his early talent. At the age of fifteen Arnold’s father passed leaving an economic strangle on the Schoenberg’s. Arnold was able to finish school but soon moved on to a new life path in order to support his family. Schoenberg began work at a private bank and chase his love for the arts amidst his evening free time. Oskar Adler, who was Schoenberg’s main encouragement in violin was apart of the evening arts ventures and

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