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Santa Ana Winds In Joan Didion's Los Angeles Notebook

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Santa Ana Winds In Joan Didion's Los Angeles Notebook
In Joan Didion's "Los Angeles Notebook" her portrayal of the Santa Ana winds includes a unique, "Twilight Zone" tone. Her utilization of foreboding vocabulary made an uneasy tone and complexity of the Santa Ana's with regular life. Didion's utilization of complex components, for example, parallelism, difference, and imagery passes on that by and large, the robotic Santa Ana winds speak to differentiation of a regular, normal existence with the stress that accompanies the Santa Ana winds.

The movement in pace that accompanied Didion's sentence structure demonstrated the development from regularity to stress. Her sentences got to be shorter and all the more rapidly moving. It was similar to the Santa Ana's sped everything up when they blew in. The parallelism of "know it" in the first passage exemplified the omniscient, every single seeing eye of the creator. She did this to demonstrate that the wind influenced everybody.

Didion's assertion decision made a foreboding setting for the Santa Ana winds. The words "shouting", "spooky", and "strange" in section two were utilized to pass on the uneasiness the Santa Ana winds bring. it is similar to a mist of disruption and disorder covers the city as the Santa Ana's ignore.
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Her incorporation of the "crazy neighbor with the blade" spoke to the craziness that the winds convey to the city. Difference between the typical life and craziness is likewise indicated when Didion portrayed the "easygoing little wives". They typically succumbed to the force of their spouses, however the winds made them feel enabled and genuinely crazy with the consideration of homicide. Likewise Didion said, "Anything can happen." further supporting a thought of a getaway from the

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