Postcolonialism in Ernest Hemingway's "Indian Camp"

Ernest Hemingway attempts to describe the interactions of white Americans and Native Americans in his short story "Indian Camp." By closely reading this short story using a Postcolonialist approach, a deeper understanding of the colonization and treatment of the Native Americans by the white Americans can be gained. Hemingway uses an almost allegorical story as he exposes the injustices inflicted by the white oppressors through his characters. Through his characters Hemingway expresses the traits of the colonizer and the colonized. Nick embodies innocence, the Doctor represents dismissal or denial, and George represents oppression. The nameless natives in the story juxtapose the white characters highlighting traits such as loss of identity, inability to properly cope with colonization, and fear of extinction. Ernest Hemingway grew up on the outer banks of Michigan, a section of the country with extensive integration of Native Americans and whites. Hemingway's short story expresses actual events that he witnessed in his everyday life. The story contains several biographical parallels to Hemingway's life as his father was a physician who often took young Ernest fishing at a camp in the Michigan woods similar to the one in his story (244). Because of these obvious biographical parallels, Hemingway has an understanding that enables him to write in a postcolonial fashion.
Postcolonialism originated in 1970. It "piggy backed" on the already existent study of African American literature. Postcolonialism quickly progressed and now encompasses literature from any culture that has been oppressed or colonized. Postcolonialist critics attempt to view the limited views and biases of colonialized countries. They continue to analyze a colonized culture and examine it in a manner of different ways: the culture that existed before the colozination; the culture that exists after the colonization; and the hybrid creations of the two (Bressler 268). By using