At the beginning of Act Two Scene One, the audience sees an unchanged Katherina who again threatens the quiet and unquestioned patriarchy of contemporary society and is neither ‘mild’ nor sober: ‘Her silence flouts me, and I'll be revenged. (Flies after Bianca)’. The stage direction describes Katherina as flying, a verb that implies extreme rage and spontaneity and representing a distinct lack of self-control, something common of the comedic Elizabethan ‘shrew’ stereotype. However, Katherina continues: She is your treasure, she must have a husband;/I must dance bare-foot on her wedding day.’ The word ‘must’ demonstrates that Elizabethan women had no other option than marriage;
At the beginning of Act Two Scene One, the audience sees an unchanged Katherina who again threatens the quiet and unquestioned patriarchy of contemporary society and is neither ‘mild’ nor sober: ‘Her silence flouts me, and I'll be revenged. (Flies after Bianca)’. The stage direction describes Katherina as flying, a verb that implies extreme rage and spontaneity and representing a distinct lack of self-control, something common of the comedic Elizabethan ‘shrew’ stereotype. However, Katherina continues: She is your treasure, she must have a husband;/I must dance bare-foot on her wedding day.’ The word ‘must’ demonstrates that Elizabethan women had no other option than marriage;