Preview

In Defence of Harry Flashman

Good Essays
Open Document
Open Document
836 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
In Defence of Harry Flashman
It is understandable why the first mention of the character of Harry Flashman – the opportunistic philanderer of his Majesty's service who lied and cheated his cowardly way through the Victorian pages of his fictional memoirs by George MacDonald Fraser – is enough to deter the browsing lady, though far be it from anyone to say it should. Since patterns of book-buying snake across the sexes like a flailing sidewinder, it would be hopeless to say as to where on the shop shelf the hand might lay to rest. Nevertheless, for a series of stories far too overlooked for the public's common good, what could the otherwise fairer sex also find to appreciate in a man whose charm seems as fictitious as the women who fall for it? To put it more simply: can this man – to borrow the blurb – be all bad?

If the name “Flashman” is shouting forward from the back of your mind, dare the “Lord Flashheart” be named as the bothering heckler? Don't think him an unwanted associate, for 'Blackadder's' slavering womaniser could be seen as an exaggeration of the “Flashman persona” and certainly close to what Harry himself may have become had he not, by hand and boot of queen and empire, been thrown into the Flemingesque scenarios he haphazardly emerged from, some the wiser and better-shaped. Unlike the all-consuming debauchery of his comedic counterpart, Harry's lechery is merely a tempered impetus; punctuating his desire for the English comforts that makes for the only form of patriotism you'll see in him, if you can call it patriotism – the patriotism of Bond it most certainly is not. What differs Harry from James is awareness, and when taking stock, the idiom trumps the ammo.

It would be daft to credit Harry's decision making with the weighing of political consequence, however; that would be a laughable excuse; something he doesn't begin to admit. It's fear that has his mind running back to the jolly English riff-raff and the spread of beds that await. Though isn't to think with your

You May Also Find These Documents Helpful

  • Good Essays

    In today’s era, fiction novels and material can be found almost everywhere you look. Tabloids, news, movies, and many other media and novels alike thrive on fiction and the imagination it brings. Each person has their preferences on type of entertainment they like. Some enjoy strictly fiction while others like only factual novels and such, and some may enjoy reading both. But the thing to understand is why they do so.…

    • 618 Words
    • 3 Pages
    Good Essays
  • Good Essays

    No Idea

    • 445 Words
    • 2 Pages

    6. How does this overwhelming emotion relate to Harry’s reaction toward treatment of Ganderbai at the close of the story?…

    • 445 Words
    • 2 Pages
    Good Essays
  • Good Essays

    From early on in the novel it is clear that Harry Lavender is a very dominating character. He speaks of himself in the highest regard in comparison to everyone else; he is very powerful and callous. We learn about Lavender through various extracts throughout the novel, ‘The Life and Crimes of Harry Lavender’, these extracts are written from his point of view and provide the audience with a deeper understanding of his background story as well as his distinctive voice throughout the entirety of the text.…

    • 269 Words
    • 2 Pages
    Good Essays
  • Good Essays

    In the play King Henry IV part 1, Shakespeare reflects both sides of Prince Harry, and his reformation that guide him to be a great King. In the beginning King Henry states; “When honor speaks, it speaks about Hotspur. I can only see my own son, Harry, and his reputation for wildness and dishonor.” Harry is known as a disgrace, his days consist in being a thief and not behaving as an honorable prince. He accepts himself as a disaster; and no one thinks that his capacity and attitude can lead him to be a great man with a clever plan. By the middle of the play he exposes his great secret; “I’ll be so wild, I’ll make wildness an art form, then redeem myself when the world least expects me to.” His elaborate plans consist in exhibiting the worst…

    • 309 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Haggard explains that society had created rules for the benefit of the whole community, and that individuals must keep their passions within fixed limits so that, if they do anything that may produce “mischief of one sort or another”, they do not cause ruin to the transgressor, “especially … if she be a woman.” (176) This belief conveys the societal expectations women were forced to uphold in Victorian Britain despite the inequality and double standards that first wave feminists were battling against. It is also Haggard’s belief that women, especially younger ones, need to be protected from the ideas of Romance fiction by saying that a “young lady, wearied with the account of how the good girl who jilted the man who loved her when she was told to, married the noble lord, and lived in idleness and luxury for ever after” (177) would only need to turn to the evening paper to see that this idea of romance in novels was a false picture of life. Consequently, this is also why, according to Haggard, men hardly ever read novels, because they are “for the most part rubbish,” and represents life in a way that is desirable for “schoolgirls”.…

    • 655 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Fictional stories with morals frequently reveal traits of human nature, through a character’s reaction to certain situations, which enable readers to reflect a lesson onto their own lives. In “The Possibility of Evil”, the main character, Miss Strangeworth, reacts to all of the “wicked people in the world…[by] listening carefully”, and writing letters…

    • 686 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Harlan Ellison’s “‘Repent, Harlequin!’ Said the Ticktockman” incorporates, and perfectly balances, a goofy silliness and foreboding seriousness. Ellison’s story invites readers to reflect upon their own values, and whether or not they are meaningful. The society within the story has many parallels with the reader’s, and encompasses many of the same beliefs and values. It is easy to recognize and associate with Harlequin because he commits childish, and funny actions. These behaviors are distinct because Harlequin’s nonchalance is something the reader finds humorous and desirable. Readers associate with the story characters in this sense because both groups view Harlequin’s actions as erroneous, yet, satisfying. Through…

    • 1505 Words
    • 7 Pages
    Good Essays
  • Good Essays

    Has a seamlessly ordinary story invaded libraries and overrun bookstores, with those who have not read the latest literature fad confused about its appeal? These simple tales’ authors use elements of human nature, which are qualities and aspects all humans, regardless of circumstances experience, in their works as a social commentary on everyday topics. The characters that the authors manufacture are a way to connect to with patrons on a global scale. Authors reveal elements about human nature through characters’ belongings and their relationships with others, where readers use characters' fleshed out back story to understand their motivation throughout the story, reflecting modern standards of perspective and oppression.…

    • 1062 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Lloyd Jones Mister Pip

    • 1116 Words
    • 5 Pages

    Characters in novels are important and key figures in the construction and representation of human experiences and relationships. Characters are constructed to position readers to be aware of certain themes and ideas through the presentation of experiences of which we may relate to. Lloyd Jones’ Mister Pip (2006) presents the theme of the power of literature through the construction of the characters, Matilda, Dolores and several more. Through these characters, literature (or story-telling) is an extremely powerful theme in Mister Pip as it not only provides an escape for the community, but also as a tool to bring them together and shape their views of the world.…

    • 1116 Words
    • 5 Pages
    Good Essays
  • Good Essays

    “Historical Fiction.” Facts On File Companion to the British Novel: 20th Century, vol. 2. 2006. Bloom 's Literary Reference Online.…

    • 920 Words
    • 4 Pages
    Good Essays
  • Powerful Essays

    As we all know, Joanne Kathleen Rowling a.k.a J.K. Rowling is a female British novelist. These Harry Potter and his adventures novels have gained worldwide attention, won multiple awards, sold more than 400 million copies to become the best-selling book series in history and been the basis for a popular series of films, in which Rowling had overall approval on the scripts as well as maintaining creative control by serving as a producer on the final installment. Rowling conceived the idea for the series on a train trip from Manchester to London in 1990. I’m lucky to have an incredible female writer for this analysis, but I won’t analysis this paper on the writer’s point of view or experience. I will challenge the representation of women as ‘Other’, as ‘lack’, and as part of ‘nature’.…

    • 1028 Words
    • 5 Pages
    Powerful Essays
  • Powerful Essays

    Watt, Ian. The Rise of the Novel: Studies in Defoe, Richardson and Fielding. Berkeley and Los Angeles: University of California Press, 1957. 63-74; 85-98.…

    • 21156 Words
    • 85 Pages
    Powerful Essays
  • Good Essays

    The Deerslayer

    • 727 Words
    • 3 Pages

    Hurry Harry is a caricature of Deerslayer –he doesn’t share Deerslayer’s moral code and he doesn’t possess Deerslayer’s virtue…

    • 727 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Cited: O’Callaghan, Evelyn. “Historical Fiction and Fictional History: Caryl Phillips’s Cambridge.” Journal of Commonwealth Literature 28.2 (1993): 34-43.…

    • 1129 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Rise of the English Novel

    • 5123 Words
    • 21 Pages

    Watt, Ian. The Rise of the Novel: Studies in Defoe, Richardson, and Fielding. Berkely and…

    • 5123 Words
    • 21 Pages
    Good Essays