WWWWWWWWdfdhile each character is trying to adhere to the constitution of a eulogy (except for Socrates, who abandons this method when it is his turn to give a speech) we find that with every narrative, we are presented with a new speech-giving technique; Phaedrus begins his speech with a discussion of Love’s origins and ends it with a retelling of Love’s presence in the lives of historical figures, while Pausanias puts use to categorization—he splits love into two groups: Common Love and Celestial Love—to give his listeners a sort of clear-cut definition of love’s duality. In Eryximachus’ speech, we see for the first time a speaker who relates the nature of Love to some aspects of his own profession, which occurs again in Agathon’s…
Sappho was a woman of Ancient Greece that history sees as a mystery. Her life is a mystery because not much is known about her or her poems…
Aphrodite’s divine willingness to force love between Sappho and her lover illustrates the repetition within Sappho’s love life. As Sappho continues to affiliate herself with an unrequited love, her perception of love remains skewed because of the lack of affection reciprocated by her lover; moreover, Aphrodite fuels Sappho’s knowledge, or lack thereof, of love through her multiple returns to satisfy the mortal’s desires. The goddess’s involvement in the love life of Sappho prevents the mortal from acting through free will; rather, the fate of Sappho’s relationship lies in Olympus because of Sappho’s confidence that the gods are capable of granting her every wish. Although this relationship has proved a reliable source in Sappho’s moments of…
"The woods are lovely, dark and deep," This line from the poem Stopping by woods, is saying that the woods are an opinionated place. The woods may be lovely to some, and scary to others. People may consider the woods to be lovely as they may have an interest for nature and it’s beauty. They may also like to see interesting animals, and escape from the reality of life. Some people might want to sit on a tree branch and enjoy the peace and quiet. To some people forests are a dark place, where they can escape to when they want to be alone. People may want to go to the woods to captivate their curious souls, and do something adventurous in the woodlands. Teenagers might want to play around and maybe even invite some friends to hang out with. The…
Sappho’s was a famous poet from Lesbos that is still talked about and read today. Her exceptional work has survived over two thousands year and still influences literature today. She was a big culture figure in Lesbos and is still looked at as one. Sappho had the ability to extend her knowledge of the arts, but used that and her strong writing ability to get known and touch many people. She wrote about things people could connected to more personally. Sappho didn’t just use what she had to get an advantage over other people, she used it to show the world her poems and lyrics because they were…
But come hither if ever before thou didst hear my voice afar, and hearken, and leaving the golden house of thy father, camest with chariot yoked, and swift birds drew thee, their swift pinions fluttering over the dark earth, from heaven through mid-space. Quickly they arrived; and thou blessed one with immortal countenance smiling didst ask: What now is befallen me and why now I call and what I in my heart's madness, most desire. What fair one now wouldst thou draw to love thee? Who wrongs thee Sappho? For even if she flies she shall soon follow and if she rejects gifts, shall soon offer them and if she loves not shall soon love, however reluctant.…
The three opening stanzas are spoken by a narrator-type voice. This speaker sets the scene and tone of the piece: that of Petrarchan love, with the topos of an unattainable beloved, whose love burns and pains the Lover. He introduces the characters: Damon the mower, and Lover; and Juliana, the cruel beloved. The narrator expounds Juliana 's character and Damon 's perception of her, she is one to behold, “Like her fair Eyes the day was fair;” (3). However, the short-lived compliment of her eyes is accompanied with words like stung, complaint, scorching, and fear that exemplify Juliana who is scornful and one to be feared, and scornful.…
The form in which Oodgeroo Noonuccal writes her poem impacts the text by distinctly separating the conflicting views. The poem is composed of three stanzas, all quatrains the first relates to how she understands her son’s worries. The second is of the negative side of white people’s treatment, and finally the third completely conflicts with the second quatrain by showing the positive optimistic view she has, “…lives of black and white entwine”.…
The Symposium (c. 385-370 BCE) is widely regarded as one of Plato’s greatest philosophical and stylistic triumphs. The dialogue recounts a drinking party in the house of Agathon at which Socrates and a number of other prominent Athenian citizens deliver speeches in praise of Eros (Love). Our assigned section begins just after the end of Agathon’s speech, in which the young Sophist heaped lavish praise on Love for his youth and beauty. Socrates addresses the gathering and disputes Agathon’s account, laying out his own vision of Love as the desire for the eternal possession of the good, a bridge between man and the divine.…
What Saves Us and The Way of Tet by Bruce Weigl are two poems that find the small pockets of beauty in war amidst all of its’ ugliness and elaborates on that beauty with Weigl’s powerful and eye opening writing techniques. Weigl writes with painstaking care and every syllable, adjective, and break is surgically placed here and there to evoke specific emotions from the reader. Bruce Weigl approach to writing is captivating and pure.…
Love is a perception in each and every persons mind. It varies and changes depending on the person. Yet love is also a game, a game of poker where the player thinks he has the upper hand and bets those fifteen thousand dollars he doesn't have. He's sure he's won,then ends up loosing because he took the risky chance of trusting something so unreliable. In both the poems about Eros by Robert Bridges and Anne Stevenson, two concepts of Eros are created through the use of imagery, rhetorical questions, rhyme scheme and diction. Where Robert Bridges presents Eros as both a blessing and a curse, while Anne Stevenson portrays a testimony of what most don't perceive as Eros.…
Vivas, Eliseo. “The Object of the Poem” Critical Theory since Plato. Ed. Hazard Adams. New York: Harcourt, 1971. 1069-77.…
In the first interpretation of Sappho’s poem, the translator offers a line about the “violet-wearing Muses.” Violet was traditionally a sign of dignity in Ancient Greece, as opposed to royalty during Roman times. Therefore, the interpreter is implying that Sappho was attempting to portray the Muses in a respectful way. Both interpretations begin with a warning, though slightly different diction choices, they both give the same message- to respect the Muses for the beautiful gifts they offer. Then, they divulge into two different meanings. The first poem, as it is without title, remains anonymous to whom it is speaking to exactly. It is merely implying that anyone who reads the poem should feel inspired by the words, taking up one of the Muses…
The conversational narrative monologue, written in free verse without any regular pattern of metre or rhyme, is addressed to his deceased wife. Thus, the poem is his perspective, his interpretation, his perception of the events of that day and consequently – as inferred within the poem-of their lives together. For this reason, it is subjective.…
In “Very Well, Charaxus,” Sappho explains the dangers of becoming egocentric: “If you must flutter around the steps of the great and/Not of the noble and true, and say good-bye to/Al your friends and get so swollen-headed/You hurt me and say I am.” To leave what is noble and true seems to be entering to an egocentric society. It seems that by mentioning “… flutter[ing] around the steps of the great…” is meaning that the object of the poem has forgot what is important. It does not seem that “the great” in this case would be those individuals of stature, as nobility would infer some sort of high status, but “the great” meaning the great in ego. Perhaps this person, who she is obviously very angry at, has caused her pain simply by his/her leaving, but, it seems that there is a more psychological aspect involved. It seems that Sappho is dealing with personal anguish with the subject of the poem. This leads rather well into “Poem I.”…