Dorothea Dix and Moral Treatment SW 5005 – American Social Welfare History and the Social Work Profession…
Response Paper of the Johnstown Flood “Johnstown flood” is a short story written by David McCullough. This story talks about the miraculous survival of a little girl named Gertrude. Gertrude’s sheer luck got her up the hill safely. Of course, with the help of several people she met along the way. I think that this is an extraordinary act of how worked together and some people put his/her life at risk to save a small child that they didn’t even knew. I fell that this is a great example of how human beings come together in times of need and extreme danger and in the way that we try to protect ourselves from disaster.…
368 pages To consider a story about the Holocaust to be lovely appears grotesque and ironic. However, Diane Ackerman’s non-fiction work The Zookeeper’s Wife: A War Story, begs to differ. Ackerman presents the true story of compassion and its polar opposite very wisely, and in an manner that manages to be both grim and exuberant. The tale to be told set Ackerman up for greatness, and she executes its telling impeccably.…
In an article from LA Times called “Holocaust Survivor Provides a Lesson in Perseverance”, the reporter recaps the speech a Holocaust survivor named Sam Silberberg gives to fourth and fifth graders about his experience. While in the concentration camps, Silberberg’s entire family had been killed by Nazis except his mother. With some creativity, persistence, and withstanding the camps, Silberberg reunites with his mother. “This was just the break Silberberg needed as he eventually reunited with his mother. The rest of his immediate family, including his father, died at the hands of the Nazis.” If Sam had given up and thought that he may never see his mother again, he never would have seen her. But, because of his perseverance, Silberberg and his mother were reunited. Mother and son are reunited because of their love and belief in each other. Like Elie, other Holocaust survivors have written memoirs. Many are known well today. One of these survivors is Mariam Blumenthal Lazan who is known for writing the memoir Four Perfect Pebbles. An article from The Mirror TITLE OF ARTICLE website states “ Lazan testified to the power of hope and human beings ability to persevere and overcome adversity”. Perseverance and their persistence to live on carried these people through the worst years of their…
By 1978, Mary Winston-Jackson changed positions to be a human resources administrator. She served as both the Federal Women’s Program Manager in the Office of Equal Opportunity Programs and as the Affirmative Action Program Manager. From then until her retirement in 1985, she helped other women and minorities advance their careers, advising them to study and take extra courses to increase their chances for…
Most of the African American culture consists of descendants of African slaves who survived that were held in the United States from 1619 to 1865. African American culture includes immigrants from African, South American, and the Caribbean. During the period between the 1600s and the early 1800s, art consisted of drums, quilts, wrought-iron figures and vessels in the southern United States. There were slaves arriving from Africa as skilled craftsman, with the experience of working in similar media in Africa. There were a few known early portrait artist, from the period of 1773-1887. There were no schools for an African American artist to learn to paint, although in special cases, some white families would allow for provide tutoring.…
Inspired by the work of Henri Cartier-Bresson and Walker Evans, she worked for a government project that was trying to show and fix the social problems of America. Though many other people that where chosen for this project took a different path, she decided to show the hardships of children in the streets of New York. Most of the children were dirty and had their clothes held together with pins. Helen took a lot of pictures of children playing in the street. She really tried to capture the essence of the time. Helen would frame an entire scene, rather then just a close-up. By doing this she gives her viewers more to feel from the entirety. The Museum of Modern Art showed her images of children in a one-person show in 1943. Then three years she received her photography fellowship.…
A family swept up in Migrant Tide, resting up on an open field in the dawn of the morning. The woman in center is the main focus of the picture, sitting very upset with her head down, which reflects the idea of that how she is worried about the future and what it might hold for them, while holding a sleeping child in her lap. The picture captures a very sad moment. The woman has dark brown hair, which are tied up in a messy way and wearing a pink warm sweater with a gray scarf around her neck. The small child in her lap is sleeping soundly as he is too young to understand the situation at hand, he is wearing a sky blue jacket with a hoodie, has short dark brown hair, long lashes and a small nose. To the right, three children are sleeping and it appears to a cold weather as they have shawl on top of them to keep them warm in this cold weather.…
The Years of the Berlin Wall: From My Eyes August 13, 1961. A day of misery, ordeal and dashed hopes. I had woken to the sound of an obstreperous shriek and what seemed like a case of mass hysteria. Within minutes I became conscious of the fact I was alone in the bedraggled shack we liked to call home. I wandered around in my solitude. Promptly I advanced to the outside pavement where infinite numbers of people were gathered. To the left of me I noticed my mother. Seated on the curb of the cobbled street, she seemed disheartened, as did many others. Mother looked straight ahead, pale faced with tribulation evident in her expression. Suddenly there was an aura of grey around her. It was a mist that wouldn’t rise. I was oblivious to what had happened. A hurricane of despondency had torn through Berlin. Trash cans clattered to the ground and litter swirled up and down the deserted sidewalk. I muttered the words, “Where’s daddy?” To which a thin shrilled voice like the cry of an expiring mouse replied, “Daddy isn’t coming home.”…
She uses a slide presentation of the photographs she took to emphasize the physical trauma cluster bombs have caused. In addition, her photographs seem to focus the survivors’ faces for added effect.…
[Transition: Irena’s occupation and work experience influenced her future position in assisting and aiding people who occupied the concentration camps]…
A destitute mother glances to the side as her two children cling to her shoulders. The photograph taken by Dorothea Lange of the Migrant Mother exists as one of the most iconic images from the years of the Great Depression. But it raises the question of what makes the photo remarkably famous. Without planning for it at the time, Lange successfully presented to the world the hardships of the Great Depression and the immense impact it created on people and their lives’. Perhaps it holds noticeable power and fame because of the posing in the photo and modeling of the woman that creates an image that does not appear to be staged, rather it seems to naturally depict suffering endured by many families.…
Rather than limiting one’s view of the world a photo capturing a child laying in a vibrant field of flowers watching puffy white clouds go by with her mother just days before she finally succumbs to the malignant lung cancer that has been plaguing her for years can help others who are in similar situation. A photo such as the one just mentioned can teach people all over the world to cherish ever moment in life or that suffering is not unaccompanied by joy and love. When someone shares their memories with others, they share not only a simple piece of paper containing a printed image but a glimpse into their lives, a glimpse into their experiences, and a glimpse into their emotions. People who have never known suffering may have their eyes opened by someone else’s pictures of of their malnourished children or their wounds. Sontag wrote her paper in 1977 when due to the lack of high tech technology that is common place today, she probably does not have as broad of a world view as her distaste about photographs would lead the reader to believe. Instead, due to the lack of social media, email, and cell phones, she was probably not exposed to the mundane yet emotionally touching photos that have become a staple of everyday life in the21st century. During her time, not everyone had access to photographic devices, so she was probably not aware of the emotions and eye-opening impact of photography and how it can appeal to the masses.…
Strong faces stare out of innumerable photographs: men and women from every cranny of the world. The captions quote them eloquently on the poverty and persecution that impelled them to leave (“always there was the police”) and on the unbelievable freedoms that awaited them here. One of them says, “It was as if God’s great promise had been…
Using the train to depict the testimonies of comfort women is my way “to [blur] the lines between literature, art, history, and social science [to] present a way to deal with the unspoken, the hidden” (Kindle Location 3125). By comparing their plight to a journey in the train, my aim is for people to easily relate or visualize the ongoing struggles that these comfort women are going through to receive the apology and formal acknowledgement that they deserved. Additionally, by doing so, I hope that the stories of Filipino comfort women will serve as an inspiration for others to speak up and give a voice to silent narratives that they might have been keeping for so long. Overall, my cultural memory project aims for the stories of Filipino comfort women to be seen, heard, and…