Throughout Crime and Punishment, Raskolnikov's guilt got the worst of him. After the murder, he was called to the police where he overheard conversations about the murder which caused him to faint. When he recovered, he blamed fainting on the paint and hurried home because his guilt made him think "there will be a search at once." (pg 109) Rodya fell ill which was because he had to face a great deal of tormenting guilt. The amount of guilt he had in his heart sparked the meaning of the novel which was a form of punishment for his crime.…
Dostoevsky’s Crime and Punishment centers on Raskolnikov, a man who chooses to murder a common pawnbroker while he struggles with guilt, alienation, and pride. The choice to commit murder creates a division between Raskolnikov and society because he violates the moral laws governing society. In Crime and Punishment, the rift between Raskolnikov and society is both alienating and enriching for his character and demonstrates Dostoevsky’s opinion of an individual’s place in society.…
He discusses the psychological methods by which he hopes to catch the murderer. He includes observations about the “youth” and “intelligence” of his suspect that are pointed directly at Raskolnikov. Raskolnikov, though agitated, stays quiet. But after a while, he bursts out wildly, accusing the official of suspecting him and challenging Porfiry either to accuse him outright or to let him be.…
Raskolnikov's name means “divided,” which is appropriate since his fundamental character trait is his alienation from human society. His pride and intellectualism lead him to disdain humanity. Raskolnikov is split between an emotion ego and a logic ego. The conflict between these two sides of his character drives him insane and causes him to sink into apathy until one personality wins out over the other.…
In the novel Crime and Punishment, Rasconikov is the main character who is a relatively poor ex-student in Saint Petersburg facing mental issues and struggling with the battle between his pride and conscious. Rasconikov often acts one way one minute, and another the next which makes it very difficult to distinguish Rsconikov’s true and actual personality. It is said that Rasconikov is a dual character, one being a very isolated, detached, sneaky, and disconnected, the other being very kind, giving, considerate, and sincere.…
To begin, St. Petersburg serves as a symbol of the corrupt state of society and its influence on Raskolnikov’s actions. For instance, in the first pages of Crime and Punishment, Raskolnikov describes the atmosphere of St. Petersburg as “terribly hot [...] with an intolerable stench from the taverns, especially numerous in that part of the city, and the drunkards kept running into even though it was a weekday, completed the loathsome and melancholy coloring of the picture” (Dostoevsky 4). In this case, the imagery of the dirty and disorient city of St. Petersburg is a symbol for the current state of society; imperfect, unequal, and full of corruption. The dysfunctional society of St. Petersburg clearly takes a toll on Raskolnikov, as he quickly finds himself poverty-stricken. In a corrupt society where the wealthy thrive and the poor suffer, he has no choice but to resort to crime in order to make ends meet. Similarly, Raskolnikov’s theory of the extraordinary versus the ordinary serves as a symbol of the imbalance of power in society. For instance, social inequality becomes increasingly apparent as Raskolnikov…
After Raskolnikov confesses to the murder of Alyona and Lizaveta, he is sentenced to eight-years in a prison camp in Siberia, where he is forced to perform hard labor. Despite his confession, he still has not repented for his actions and refuses to surrender his heart, body, and soul completely to God. Even now, he still believes he did not commit anything inherently wrong or sinful. At this point, nothing has really changed significantly other than his environment--simply, same old feelings, just a different place. Due to his pride, he is obsessed with the idea that he is superior and “extraordinary” (249).…
The two sharply contrasted settings in Crime and Punishment by Fyodor Dostoyevsky are symbolic of how turbulent Raskolinikov’s mind becomes after he murders Alyona Ivanov. In the bustling and disgusting Saint Petersburg, Raskolinikov has to suddenly battle the guilt that comes with Alyona’s demise yet once Raskolinikov confesses to his crime and serves his sentence in the lonely and removed Siberia; his mind relaxes. Similar to The Stranger, most of Crime and Punishment takes place during the summer, when the hot sun muddles Raskolinikov’s mind as it did to Meursaults’s. While Meursault uses the sun as an excuse to why he committed murder, Raskolinikov tried to justify his actions to Sonya; but ultimately Raskolinikov definitely comprehended his own guilt and spent most of the novel attempting to ease his shame.…
Aware of his lost innocence, Svidrigajlov is pushed to desecrate it further. It is the desire for profanation that still pushes him to reach for Dunya and that previously led him to violate an adolescent, pushing her to commit suicide. Life for him is no longer the ideal space to assert his free will, but his free will stage that makes him slave of his own sensuality and concupiscence. Inevitably, tragic will be his destiny, as well as Raskolnikov’s, whose act of freedom pours into the acknowledgement of his personal failure: unable to bear his proof of rebellion, he hands himself to the same law he wanted to overcome. Albeit a cynic and depraved man, through Svidrigajlov the protagonist finally comes to senses and realizes the cowardice of his homicidal rage. In both cases, the outcome is the same, even if under different guises: unlimited and arbitrary freedom self-denies, or does not support itself, handing itself to the rule of law, or, it dissolves itself in a state self-destructing boredom and…
Dostoevsky’s Crime and Punishment is a dramatic story about a poor man by the name of Raskolnikov and the conflicting journey he undergoes. The story is about his aims at ameliorating himself through theory and murder. However, it is not as cut and dry as the prior statement may make it seem. In fact, this morally ambivalent story uses Raskolnikov’s subconscious struggle, the effect of love on other characters, and Raskolnikov’s redemption to exemplify Dostoevsky’s idea of man’s need for emotional stability.…
embraces human nature and allows himself to accept and experience his own feelings. optimistic outlook, as the tormented Raskolnikov finally reaches some sort of internal serenity…
Although it’s hard to know what he was like before the novel started, it can be inferred that he wasn’t always insane. Poverty and anger drove a man who used to be a hardworking university student to commit a murder and lose his sanity. From the opening of the book, his paranoia is evident. Raskolnikov seemed to have no other objective besides worrying about the thoughts of others. This paranoia is part of what makes him so impulsive. In many parts of the book, he allows his insanity to think for him. Raskolnikov’s dreams and hallucinations come after the paranoia and impulsiveness. They truly show how alone he is. The real-life connection between sanity and interaction with people is evident in Crime and Punishment. As Raskolnikov begins to talk to people again, his mental state gets better. His mind is at its worst when he is alone. If Raskolnikov had friends to rely on from the beginning, Crime and Punishment might have been a very different…
It specifically shows that Russian literature is pessimistic, realistic and socially significant. Pessimism is displayed through the gritty and gray description of St. Petersburg and of the impoverished state of the characters. Didactic extremism is also seen when Raskolnikov has to learn all his life’s lessons by making a terrible crime and which ends him up in prison. He also experienced a lot of torture from his guilty conscience to be able to admit his crime, which in the end was able to give him emotional liberty through the love he felt for Sonya. With these statements and claims, Crime and Punishment definitely shows Russian temperament and views about punishment, forgiveness and…
Fyodor Dostoyevsky’s masterwork, Crime and Punishment, tells the story of Raskolnikov Romanovich. Raskolnikov is known as one of the most complex characters in literary history due to his intellectual depth and psychological and spiritual struggle. Dostoyevsky’s personal beliefs are reflected in Crime and Punishment, and his use of Christian symbolism and character representation establishes an overall theme of religion which is emphasized by Raskolnikov’s battle between good and evil.…
Human moral standard is much lowered when one is put into a situation of desperation and has no better way to escape but committing crimes. It is human as well as all other animals’ nature to fight to provide the best for itself. Raskolnikov in the novel Crimes and Punishment has been driven by various intrinsic and extrinsic factors, such as his complicated mental philosophy, his poor economic state, and the influence from the society surrounding him before deciding to murder the pawnbroker.…