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At the end of Crime and Punishment, Raskolnikov confessed to the murder and was imprisoned in Siberia for eight years. Sonia followed him as "link" between the family. Rodya felt that the conditions of his life in prison were not bad although the other prisoners didn't like him. He also felt that he had to "submit to the idiocy of a sentence" because he saw his crime as a "blunder" because it could happen to anyone. (pg 535) His imprisonment in Siberia was the real punishment he had to face for his crime.…
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Pride factors strongly into the division between Raskolnikov and society and his resulting alienation. For example, Raskolnikov asks…
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Raskolnikov's name means “divided,” which is appropriate since his fundamental character trait is his alienation from human society. His pride and intellectualism lead him to disdain humanity. Raskolnikov is split between an emotion ego and a logic ego. The conflict between these two sides of his character drives him insane and causes him to sink into apathy until one personality wins out over the other.…
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Lizaveta was enslaved by her half sister and she acted like a dealer for poor families which need to sell things to make money. Lizaveta walks in while Ivanovna is getting robbed and murdered and he decides to murder her too. Later he finds out that she had been a friend of Sonya’s. The bible give to Sonya was a gift from Lizaveta which Sonya treasured.…
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While Dunya agrees to marry him in hope to help rasconikov with work. Rasconikov shortly after tells her to marry whoever she wants to marry. This is an example of the compassionate side of Rascolnikolv not wanting his sister to burden herself just to help him out, and the intellectual side showing that he shouldn’t have any concern with others and their insignificant…
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Sonya has to show Raskolnikov that no matter what, God and your faith is always there and the only way to get to a better life is to confess your sins and repent for your mistakes, thus allowing Raskolnikov to begin to fulfill his quest in finding God and hopefully a sane version of himself. Throughout his story, we find that he suffers from delirium, poverty, and even sociopathic tendencies. Suffering is the constant that Dostoevsky maintains throughout Crime and Punishment. It extends to many of the characters even to the Christ-like Sonya. Though Sonya suffers, she overcomes suffering through repentance and acceptance of her adversity and teaches Raskolnikov to do the…
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Raskolnikov is reticent to accept Sonya’s forgiveness because he is unwilling to humble himself, but she constantly encourages him to repent and accept the forgiveness that is offered. Sonya firmly tells Raskolnikov, “‘Go now, this minute, stand in the crossroads, bow down, and first kiss the earth you’ve defiled, then bow to the whole world, on all four sides, and say aloud to everyone: ‘I have killed!’ Then God will send you life again’” (Dostoyevsky 420). The idea of falling to the earth is something that indicates humility throughout the novel. Sonya’s forgiveness is unconditional in regards to Raskolnikov’s sin, but there is a condition for him to be able to accept it; he must humble himself. Sonya wants Raskolnikov to accept forgiveness because God’s forgiveness, once she accepted it, changed her life. Her love for him compels her to encourage him constantly, even when he is unreceptive. Raskolnikov begins to recognize this, when “He looked at Sonya and felt how much of her love was on him, and strangely, he suddenly felt it heavy and painful to be loved like that” (Dostoyevsky 422). Raskolnikov does not accept love easily, and generally pushes away those who help him out of love. He still struggles with Sonya’s love, but he identifies its power and recognizes that forgiveness is borne out of love. He does not reject Sonya when she…
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Before the dream is analyzed, it is important to briefly discuss the dream itself and the context in which it occurs. Before he kills Aliona and Lizaveta, Raskolnikov is a nervous wreck; He is distracted and feverish. These emotions are normal for Raskolnikov in this scenario however because he is planning on killing somebody in cold blood. While walking down a street in St. Petersburg, Raskolnikov passes “luxurious carriages and men and women on horseback” which is a crucial aspect of the dream (52). He also walks into a tavern for a glass of vodka and a meat pie. After drinking the one glass of vodka, Raskolnikov, currently an extreme lightweight,…
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For instance, Sonya serves as Raskolnikov's link to humanity. She provides him contact with the outside world through letters and visits. Despite Raskolnikov’s attitude and mistreatment, she does not give up on him and continues to persistently wedge her way into his heart. Eventually, he understands how amazing Sonya is. He finally understands why all the prisoners and other people love her to the point in which his feelings start to change from resentment to longing and love.…
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Raskolinikov is able to forgive himself easier once he has the time to reflect and serve his punishment. After committing the crime Raskolinikov eventually accepts that he must suffer the consequences, by law or by his own mental prowess; "If he has a conscience he will suffer for his mistake. That will be punishment - as well as the prison" (Dostoyevsky 230). The human brain dictates that all actions should have either a logical or emotional purpose, Raskolinikov struggles to find a good enough reason and his mind endures the penalty, until he is properly punished and serves out his sentence in Siberia with a quiet mind and a happy ending with Sonya to look forward…
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Most of the characters in Crime and Punishment were consumed by opposing feelings; they faced inner confusion. Dunya didn't know whether to choose Luzhin or her brother. Pulcheria Alexanrovna didn't know what side to assert herself on in the aforementioned situation. Sonya was torn between her best interests or that of her step-siblings and Luzhin couldn't decide whether to put aside his pride and apologize to Dunya, or stand tall like an erect peacock. The character that faced the utmost inner turmoil was Raskolnikov. His conscious told him to confess the murder, while his heart was unsure if he was ready to give himself up. Raskolnikov's indecisiveness and guilt caused him illness: paranoia, depression, and slight delirium. They became his character. Rodya's ambiguity about his actions after he killed Alyona Ivanovna and her sister, Lizaveta, was what made his character so alluring and intriguing.…
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Law is good. Man, in his needs, has different motivations for law in society. His secular needs require striving for justice, social stability, and punishment. However, in the area of religious influence, law should promote morality so that believers can get close to God or be separated and condemned by God. As man and society evolves, the purpose of law has remained the same – to punish and deter.…
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“Nobody, but he who has felt it, can conceive what a plaguing thing it is to have a man’s mind torn asunder by two projects of equal strength, both obstinately pulling in contrary direction at the time.” (Laurence Sterne) In Dostoyevsky’s Crime and Punishment, it is this exact miscalculation that leads the protagonist Raskolnikov (Rodya) to his ultimate mental, physical and social demise. Similarly, the theme of the novel directly correlates to Sterne’s quote, as Dostoyevsky delves into the psychology of a criminal, centering the novel on a murder and its after-affects on the transgressor.…
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He often goes into a state of "not completely unconscious" but is in a "feverish state, sometimes delirious, sometimes half conscious"(98) while blaming it on his previous sickness. Raskolnikov is being destroyed by his guilt. He is unable to physically live in society while he has such a burden constantly looming over him. When in the police station, Raskolnikov hears talk of the murders and with just a reminder of his crime, he quickly becomes weak. When he "recovered consciousness"(88) the men at the station undoubtedly notice his illness and point out that "he can barely stand upright."(89) His guilt has driven him to a serious state of sickness. He can no longer function normally or even keep consciousness when he is reminded of his crime. Raskolnikov can no longer function normally because his guilt has…
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Stemming from his monomania, this dream reveals Raskolnikov’s view of himself as a Napoleonic figure, or as he calls it, the “extraordinary man.” In the dream, Raskolnikov is back at the pawnbroker’s apartment where the pawnbroker is alive and well. He goes through the motions of murdering the woman once again, but when he steps back after hitting her over the head, he sees her sitting on the floor laughing. Deeply unsettled, he frantically tries to strike the woman on the head over and over again but each blow only produces more laughter. Unlike the dream about the horse, this dream does not emphasize who or what Raskolnikov is. Rather, this dream forces him to confront the faults of his belief by completely doing away with his hopes of surpassing mortal mediocrity. All of the assumptions he had regarding his ability to transcend humanity and avoid responsibility are thrown to the wayside by the events in the dream. The old woman derogates and derides Raskolnikov to the point where he cannot successfully assert his will, which is the hallmark of the extraordinary man. Rather than exuding total power and control, Raskolnikov demonstrates a weakness that is intrinsically human. The dream’s deconstruction of Raskolnikov’s self-perception is what enables him to eventually confess to his crime and open up to love at the prison. By essentially destroying his inflated ego, the…
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