Charles Baudelaire

Topics: Romanticism, Symbolism, Charles Baudelaire Pages: 5 (1722 words) Published: June 9, 2003
Charles Baudelaire: Romantic, Parnassian, and Symbolist
Often compared to the American poet Edgar Allen Poe, the French poet Charles Baudelaire has become well-known for his fascination with death, melancholy, and evil and his otherwise eccentric yet contemplative style. These associations have deemed him as a "patron saint of modernist poetry" while at the same time closely tying his style in with the turbulent revolutionary movements in France and Europe during the 19th century (Haviland, screens 5-10). By comparing three of his poems, "Spleen," "Elevation," and "To One Who Is Too Gay," from his masterpiece The Flowers of Evil, three evident commonalities can be found throughout the works in the influence that the three 19th-century styles of Romanticism, Parnassianism, and Symbolism had on his poetry.

Charles-Pierre Baudelaire was born on April 9, 1821 in Paris, France to the parents of Francois Baudelaire and Caroline Defayis (Christohersen, Biography). It was his father, Francois, who taught Charles to appreciate the arts, because he was also a mildly talented poet and painter himself. In February 1827, Francois died when Charles was only six, after which Charles and his mother developed an extremely close relationship until she remarried in 1828 to Major Jacques Aupick (Veinotte; Christohersen, Biography).

The family moved to wherever Aupick was posted for the military and Baudelaire began his education at the Collège Royal in Lyons, then transferred to the Lycée Louis-le-Grand in Paris. It was at the latter that he began to write poetry and develop moods of depression, and in 1839 he was expelled for being unruly. Eventually he became a student of law at the Ecole de Droit but in reality lived a "free life" and it was here that he came into contact with the literary world for the first time. He also contracted VD, which was to be the cause of his death years later.

Aupick, hoping to draw Baudelaire away from the lifestyle he was living, sent him on a ship for India in 1841. Baudelaire jumped ship and returned to France almost a year later, but his travels came to be an enormous influence on his work. On his return, Baudelaire received a huge inheritance from his parents but spent it so rapidly on drugs, clothes, fine foods, fine wines, books, and paintings that he was later denied access to his inheritance and was made a legal minor.

Another significant part of Baudelaire's life was women. Three women in particular are extremely significant in how they influenced his writing and what they represented in his philosophy of life. These three women were Jeanne Duval and Marie Daubrun, both actresses, and Apollonie Sabatier, a well-known French-hostess. On August 31, 1867, at the age of 46, Baudelaire ended up dying in his mother's arms of the VD he contracted earlier in his life (Christohersen, Biography).

Although remembered most for his poetry, as a writer he was also an art and literary critic, translator, and author (Veinotte). One of his "earliest passions" had been art and literary criticism, partly due to his father's influence on his interest of amateur art. He eventually came to be called "the poet-critic," and a large number of his major criticisms appeared in the annual series of "Le Salon" for many years (Christohersen, The Critic). Other significant criticisms were found in his essay called "The Painter of Modern Life" and in a collection of his criticisms published posthumously called "Romantic Art." Other major works include "La Fanfarlo," a short story and fictional autobiography; Poe translations in "Extraordinary Stories," "New Extraordinary Stories," and "Grotesque and Serious Stories"; collections of poetry in "The Flowers of Evil" and "The Artificial Paradises"; and prose in "The Spleen of Paris" (Christohersen, The Poet). During his lifetime "The Flowers of Evil" gained the most publicity, although the majority was not positive, it was even questioned under court and...
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