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BARBARIANS

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BARBARIANS
Gallaghr’s Barbarians
The aim of Susan Van Zanten Gallagher's article, "Torture and the Novel: J.M. Coetzee's 'Waiting for the Barbarians'" is to untangle further what the book Waiting for the Barbarians is saying about the human psyche and how the novel analyzes imperialism. By finding its fear on the issues about ethics and violence and discovering the bounds of human brutality, Waiting for the Barbarians tests humankind and imperialism in several ways. Offering a psychoanalytic debate of Waiting for the Barbarians, this reading concentrates on the influence of fear in human psyche and imperialism’s self-destructive influence. How far-off fear and anxiety can go and how far affiliates of society can follow a blind power is the main fear of this essay. As Coetzee’s Waiting for the Barbarians is a figurative novel, this essay will try to understand the symbols created in relative to the pressures raised in the novel. The analysis of the accounts raised in the book, may be broken down into the following main modules. After giving brief evidence about the writer and the book in the overview, the essay will carry on with observing the characters as targets of the Empire, which symbolizes the imperialist system. The first object is the barbarian girl, one in which will be studied in relation to her individualism as an outsider and as an enemy of the Empire. The Magistrate as the second victim and his self-journey will be perceived in relative to his calculation to come to be the other. Then in the next section, the Empire as the prey of itself and its self-destructive power will be recognized. At the conclusion, the knack to challenge issues will be discussed. J.M. Coetzee is a South African writer born in Cape Town in 1940. In relative to the writer’s experience, it is important to note that, this essay takes in thought Coetzee’s objection against imperialism and makes an examination of Waiting for the Barbarians depending on his defiance towards it. I think in

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