Preview

Analysis of the Annunciation by Master of the Retable of the Reyes Catolicos

Better Essays
Open Document
Open Document
1571 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Analysis of the Annunciation by Master of the Retable of the Reyes Catolicos
Created by Master of the Retable of the Reyes Catolicos (also known as Master of the Catholic Kings), this is another version of The Annunciation, a very common subject for artists ever since the inception of Christianity. It was produced between 1466 and 1499 as oil on pine panel, and it stands at 60 3/8 x 37in. It is now located in San Francisco, CA in the M.H. de Young Memorial Museum as a gift from the Samuel H. Kress Foundation. The centerpiece of the piece is obviously Mary, though she is on the right side of the painting. In one hand she holds an open bible, and she holds her other hand up in prayer while she is looking down with her eyes almost completely shut. She has a halo surrounding her head as gold rays shine down on her from god, carrying Jesus to her. There is also a dove surrounded by gold above her head. This was a very common Christian symbol used to represent the Holy Spirit. Believed to be standing next to Mary is Archangel Gabriel who delivers the message to Mary that she would bear the child of god. While it is believed to be him, it’s peculiar because the archangel is represented as a woman who in fact looks very similar to Mary with long wavy red hair flowing down with a widow’s peak. The archangel is shown looking at Mary while also pointing to her and holding a golden staff. Painted gold in Latin are the words “The lord is with you.” “I am the maid of the lord” is also etched into Mary’s cloak. They are both shown standing inside a house in the countryside with the door open. Outside the door there are rolling hills and grassland with a clear blue sky. This suggests that it is most likely summertime, putting the birth of Christ in March, when Christmas was originally celebrated.1 Up in the sky is god surrounded by solid gold and dark clouds. He is dressed in solid red robes and hat, with golden hems and crosses on the outfit. He is holding some kind of glass orb and shooting down rays of light onto Mary. Flowing down the rays is


Bibliography: 1. "A Guide to the Permanent Collection of European Paintings." Untitled Document. Web. 16 Nov. 2010. . 2. Brown, Jonathan, and Richard G. Mann. Spanish Paintings of the Fifteenth through Nineteenth Centuries. Washington, D.C.: National Gallery of Art, 1990. Print. 3. Cartography Associates. "Master of the Retable of the Reyes Católicos / The Annunciation / Late 15th Century." David Rumsey Historical Map Collection | The Collection. 2007. Web. 16 Nov. 2010. .

You May Also Find These Documents Helpful

  • Good Essays

    The altarpiece illustrates the Virgin Mary’s body ascending into heaven following her death. The twelve apostles are…

    • 689 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    The Annunciation with Saints Ansanus and Margherita is proclaimed to be one of the greatest if not the most magnificent art piece of the Gothic time period. This piece was originally created for the side alter in the Sienna Cathedral but after being passed on to many different Churches it is now located in the Uffizi Gallery in Florence, Italy. In this piece the artist has placed a large amount of iconography into it. The Easiest hidden icon to distinguish is the lilies in the vase in the middle of the picture showing the purity of Mary. Along with the Lilies the artist also has the Archangel Rafael holding an olive branch which is the symbol of peace showing he means no harm to Mary. Lastly, the author also has the Holy Ghost coming down from Heaven surrounded by eight angels representing the Holy Spirit or God is coming into her. Along with all of the iconography there are many other unique characteristics of this picture. For example, it as Mary looking as if she is afraid or startled by the Archangel Raphael coming into her house where as in the majority of the other annunciation pictures Mary is almost welcoming Raphael into the building. Another significant characteristic of this picture is the architecture and…

    • 794 Words
    • 4 Pages
    Satisfactory Essays
  • Powerful Essays

    This was commissioned by Palla Strozzi for his family burial chapel. The Adoration of the Magi marks the moment when the infant Christ was first shown to the Gentiles. The theme and the garments of the Magi were appropriate to a sacristy where the clergy dressed themselves and prepared for saying the Mass, during which Christ becomes manifest in the Eucharist on the altar. The frame recalls earlier Gothic examples but the forms are now unified by an exuberant vitality, combined with greater depth and naturalism. The left and right gables feature roundels of the Annunciation, while in the central gable a youthful God blesses the scene; and the prophets recline in the spandrels. In the predella, the Nativity, the Flight into Egypt, and the Presentation in the Temple appear almost as one continuous strip. Three small scenes in the arges of the main panel narrate moments in the journey of the Magi to Bethlehem. In the left arch the Magi gaze at the star, in the center the kings ride up on a road toward Jerusalem, and on the right they are about to enter the town of Bethlehem. The cave is evident, along with ox, ass, and manger, and the modest family. The oldest Magus prostrates himself before the Jesus with his own crown on the ground; the second kneels and lifts his crown; the youngest waits his turn. Attendants crowd the space along with animals.…

    • 7739 Words
    • 31 Pages
    Powerful Essays
  • Good Essays

    A sacramentary “was a liturgical book used for prayer during the High Middle Ages, containing prayers, prefaces and canons for mass” (“The Drogo Sacramentary”); this sacramentary was created between 845-855 CE for Drogo, the Bishop of Metz (“The Drogo Sacramentary”). This artwork is interesting to me because it illustrates the religious beliefs of French society in a beautiful and articulate manner. An artistic pattern found in illuminated manuscripts is a painted scene within an individual letter. For instance, in this illuminated manuscript a scene from the Lord’s ascension into heaven is painted inside the letter “C” (“Carolingian Art”, see Figure 1). It is amazing to consider how small the area is for the artist to paint; still the artist is able to illustrate a mountain, 12 disciples, two angels, and Jesus in a limited space. The artist uses colors of gold, red, yellow, green, blue, and black; these colors are simple, yet the combination of them is bold and grabs the viewer’s…

    • 604 Words
    • 3 Pages
    Good Essays
  • Good Essays

    To the right of the altar, is a statue of Jesus with the Sacred Heart. This statue is both iconic, in that it is an image of Jesus, and anionic with the Sacred Heart with the crown of thorns. The Sacred Heart is a representation of Jesus’ love for humanity. Along the wall is a painting of Saint Joseph, holding a Jesus as a child. There is also a statue of Saint Joseph as the patron saint of the Catholic Church. Below this painting is an altar where the wine and holy Eucharist are stored when not being used during mass. On the left side of the altar is an iconic painting of the Blessed Virgin Mary. She is the mother of Jesus and along with the painting of Saint Joseph holding the Child Jesus is a representation of the Holy Family.…

    • 843 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Who Is Domenikos Volcano?

    • 485 Words
    • 2 Pages

    The painting The Holy Trinity has eight figures. These figures are Christ, The father, a dove, and several angels. The angles are wearing an array of color…

    • 485 Words
    • 2 Pages
    Good Essays
  • Good Essays

    The first panel is the donors that commissioned the painting by Campin, the second panel is the same Annunciation scene of Mary and Gabriel but depicted quite differently, and the third panel is Saint Joseph. This painting pays close attention to clarity and detail, with varying colors and realism. The painting is in oil, and has a style that reflects the Northern Renaissance period. For example, the angel and Mary do not have halos, and it lacks linear perspective. The lack of halos, as well as Mary’s face (which doesn’t seem too happy about the fact that she is about to conceive Christ’s child) could relate to the religious separation that Northern Europe was experiencing during the Renaissance. Northern Renaissance art is very well known for its symbolism, and in this painting nearly every object is symbolic of spiritual ideas (Harris). For example, lilies represent Mary’s virginity, Joseph’s tools represent the Passion of the Christ, and the extinguished candle represents God taking human…

    • 804 Words
    • 4 Pages
    Good Essays
  • Good Essays

    The small size of the panel suggests that it was used for private devotions, and also prized as a highly finished collector’s item. The Annunciation scene would place emphasis on its sacramental and communal…

    • 1070 Words
    • 5 Pages
    Good Essays
  • Good Essays

    The painting "Adoration of the Magi" by di Nardo portrays the three Magi approaching the baby Jesus and the Virgin Mary. However, there is much more to it than just this familiar scene from Judeo-Christian lore. When approaching this painting in order to analyze it iconographically, it is necessary to first look at all aspects of the form. If this aspect is ignored, it provides for an incomplete analysis of the painting. Once this is looked at, the iconography of the painting becomes much clearer, and it is easier to compare the painting to the actual biblical text from which it was derived (Gospel of St. Matthew 2:1 - 2:12). <br><br>When approaching the painting the first thing I noticed was the odd perspective. There are several vanishing points. Also, all of the figures seem to be placed on one plane. Because of this, the two figures that represent Jesus and Mary seem to be hovering weirdly above the ground. This, I believe, draws the viewer 's attention to these two figures, since they are the main focus of the painting. <br><br>Due to the influence of my culture, I recognized the figures as Jesus and Mary immediately. However, despite this, there are a few indicators as to who the people represented in the painting are. When viewing the painting, it is obvious that the figures of mother and child are the main point because the gazes of all of the people in the represented center on the child, including the mother 's. Also, the weird hovering effect also directs the viewer 's attention to these two figures. Both Mary and Jesus have halos, but this is not necessarily a distinguishing factor seeing as how there are also four other figures in the painting that have halos. However, the halo that surrounds the head of the baby Jesus has a slightly different pattern than those that the other figures possess. This lets you know that for whatever reason, this child is set apart from all other figures in the painting. So, even if the viewer is of another culture or…

    • 1357 Words
    • 6 Pages
    Good Essays
  • Satisfactory Essays

    The Annunciation Triptych, by Robert Campin, has notable details in color, selection of items and perspective. The three most vibrant colors, are mary's red robe ,Gabriel's blue robe and Joseph's reddish sleeves. Using vibrant colors for the main subjects of the painting is what artists use to draw attention to them, Vibrant reds and blues, were achieved because of oil paint, which one slowly apply to show depth and brightness. There are a large selection of items, some to symbolise the even the painting depicts. There's a firescreen, candle, vase towel, and a silver pot reflecting light in which a small infant-like figure holds a cross, representing what would come to happen.…

    • 222 Words
    • 1 Page
    Satisfactory Essays
  • Good Essays

    The Annunciation Analysis

    • 969 Words
    • 4 Pages

    Many of the objects depicted in High Renaissance paintings were there for a reason. In “The Annunciation,” Mary is the largest figure and the main focus. She is shown facing front, with her head tilted toward the floor and her eyes almost closed. In her left hand she is holding the Bible, representing her devoutness to God, her right hand is raised, all fingers pointing up. Archangel Gabriel is on the left side of the panel, shown smaller and wearing the ornate vestments of a priest. His clothes symbolize the similarity between him and the clergy of the Church: they both share the word of God. They are both wearing very loose fitting clothing that have many folds. The Holy Trinity is represented here by God, baby Jesus carrying his cross, and a dove, often a symbol of the Holy Spirit. They are all connected by seven rays of light, flowing directly from God’s mouth onto Mary. The seven rays represent the seven days it took God to create the universe. Gold is used as a symbol to represent divinity (Smith). White lilies in a vase between angel Gabriel and Mary often symbolized Mary’s purity. Written on the vase is “Ave Regina,” representing the Hail Mary prayer. The Latin words written in gold are archangel Gabriel telling Mary, “‘Behold, you will conceive in your womb and bear a son, and you shall name him Jesus’” (Luke 1:31). Symbolism can also be found in the frame of the painting. The three arches at the…

    • 969 Words
    • 4 Pages
    Good Essays
  • Good Essays

    In the late seventeenth century Mexican art was strongly influenced by the Baroque movement in Europe. By the eighteenth century this new Mexican Baroque style of art had developed in New Spain. Many of the familiar traits of baroque art are present in eighteenth century Mexican artwork such as naturalism, tenebrism, and audience involvement. Many paintings done in the Mexican baroque style featured a naturalist element. Often the paintings featured the very typical, every day life (New Spain was very religious, so the naturalist element was presented in religious genre scenes). There are many paintings where tenebrist lighting is used in less dramatic ways. Another baroque trait that really stands out is the way…

    • 1324 Words
    • 6 Pages
    Good Essays
  • Good Essays

    art history

    • 812 Words
    • 4 Pages

    CIMABUE: Virgin and Child in Glory surrounded by six angels, c. 1280, wood, Musee de Louvre…

    • 812 Words
    • 4 Pages
    Good Essays
  • Powerful Essays

    Mexican Muralism

    • 4019 Words
    • 17 Pages

    Paz, Octavio. Essays on Mexican Art. Trans. Helen Lane. New York: Harcourt Brace & Company. 1993.…

    • 4019 Words
    • 17 Pages
    Powerful Essays
  • Best Essays

    The Fall of the Aztec Empire

    • 4292 Words
    • 18 Pages

    Castillo, B. D. (1991). Historia Verdadera de la Conquista de la Nueva España. México, D.F.: Editorial Patria.…

    • 4292 Words
    • 18 Pages
    Best Essays